The Tenth Circle

by Jodi Picoult

Overview

Jodi Picoult, the New York Times bestselling author of Vanishing Acts, offers her most powerful chronicle yet of an American family with a story that probes the unbreakable bond between parent and child -- and the dangerous repercussions of trying to play the hero.

Trixie Stone is fourteen years old and in love for the first time. She's also the light of her father's life -- a straight-A student; a freshman in high school who is pretty and popular; a girl who's always looked up to Daniel Stone as a hero. Until, that is, her world is turned upside down with a single act of violence...and suddenly everything Trixie has believed about her family -- and herself -- seems to be a lie.

For fifteen years, Daniel Stone has been an even-tempered, mild-mannered man: a stay-at-home dad to Trixie and a husband who has put his own career as a comic book artist behind that of his wife, Laura, who teaches Dante's Inferno at a local college. But years ago, he was completely different: growing up as the only white boy in an Eskimo village, he was teased mercilessly for the color of his skin. He learned to fight back: stealing, drinking, robbing, and cheating his way out of the Alaskan bush. To become part of a family, he reinvented himself, channeling his rage onto the page and burying his past completely...until now. Could the young boy who once made Trixie's face fill with light when he came to the door have been the one to end her childhood forever? She says that he is, and that is all it takes to make Daniel, a man with a history he has hidden even from his family, venture to hell and back in order to protect his daughter.

The Tenth Circle looks at that delicate moment when a child learns that her parents don't know all of the answers and when being a good parent means letting go of your child. It asks whether you can reinvent yourself in the course of a lifetime or if your mistakes are carried forever -- if life is, as in any good comic book, a struggle to control good and evil, or if good and evil control you.

Product Details

ISBN-13:	9781416523123
Publisher:	Atria Books
Publication date:	03/07/2006
Sold by:	SIMON & SCHUSTER
Format:	eBook
Pages:	400
Sales rank:	11,280
Lexile:	890L (what's this?)
File size:	24 MB
Note:	This product may take a few minutes to download.

About the Author

Jodi Picoult received an AB in creative writing from Princeton and a master’s degree in education from Harvard. The recipient of the 2003 New England Book Award for her entire body of work, she is the author of twenty-one novels, including the #1 New York Times bestsellers House Rules, Handle With Care, Change of Heart, and My Sister’s Keeper, for which she received the American Library Association’s Margaret Alexander Edwards Award. She lives in New Hampshire with her husband and three children. Visit her website at JodiPicoult.com.

Hometown:

Hanover, New Hampshire

Date of Birth:

May 19, 1966

Place of Birth:

Nesconset, Long Island, NY

Education:

A.B. in Creative Writing, Princeton University; M.A. in Education, Harvard University

Website:

http://www.jodipicoult.com/

Read an Excerpt

Prologue

December 23, 2005

This is how it feels when you realize your child is missing: The pit of your stomach freezes fast, while your legs go to jelly. There's one single, blue-bass thud of your heart. The shape of her name, sharp as metal filings, gets caught between your teeth even as you try to force it out in a shout. Fear breathes like a monster into your ear: Where did I see her last? Would she have wandered away? Who could have taken her? And then, finally, your throat seals shut, as you swallow the fact that you've made a mistake you will never be able to fix.

The first time it happened to Daniel Stone, a decade ago, he had been visiting Boston. His wife was at a colloquium at Harvard; that was a good enough reason to take a family vacation. While Laura sat on her panel, Daniel pushed Trixie's stroller the cobbled length of the Freedom Trail. They fed the ducks in the Public Garden; they watched the sloe-eyed sea turtles doing water ballet at the aquarium. After that, when Trixie announced that she was hungry, Daniel headed toward Faneuil Hall and its endless food court.

That particular April day was the first one warm enough for New Englanders to unzip their jackets, to remember that there was any season other than winter. In addition to the centipedes of school groups and the shutter-happy tourists, it seemed that the whole of the financial district had bled out, men Daniel's age in suits and ties, who smelled of aftershave and envy. They sat with their gyros and chowder and corned beef on rye on the benches near the statue of Red Auerbach. They sneaked sideways glances at Daniel.

He was used to this -- it was unusual for a father to be the primary caretaker of his four-year-old daughter. Women who saw him with Trixie assumed that his wife had died, or that he was newly divorced. Men who saw him quickly looked the other way, embarrassed on his behalf. And yet Daniel would not have traded his setup for the world. He enjoyed molding his job around Trixie's schedule. He liked her questions: Did dogs know they were naked? Is adult supervision a power grown-ups use to fight bad guys? He loved the fact that when Trixie was spacing out in her car seat and wanted attention, she always started with "Dad. . . ?" even if Laura happened to be driving the car.

"What do you want for lunch?" Daniel asked Trixie that day in Boston. "Pizza? Soup? A burger?"

She stared up at him from her stroller, a miniature of her mother with the same blue eyes and strawberry hair, and nodded yes to all three. Daniel had hefted the stroller up the steps to the central food court, the scent of the salted ocean air giving way to grease and onions and stir-fry. He would get Trixie a burger and fries, he decided, and for himself, he'd buy a fisherman's platter at another kiosk. He stood in line at the grill, the stroller jutting out like a stone that altered the flow of human traffic. "A cheeseburger," Daniel yelled out to a cook he hoped was listening. When he was handed the paper plate he juggled his wallet free so that he could pay and then decided that it wasn't worth a second tour of duty just to get himself lunch, too. He and Trixie could share.

Daniel maneuvered the stroller into the stream of people again, waiting to be spit out into the cupola. After a few minutes, an elderly man sitting at a long table shuffled his trash together and left. Daniel set down the burger and turned the stroller so that he could feed Trixie -- but the child inside was a dark-haired, dark-skinned infant who burst into tears when he saw the stranger in front of him.

Daniel's first thought: Why was this baby in Trixie's stroller? His second: Was this Trixie's stroller? Yes, it was yellow and blue with a tiny repeating bear print. Yes, there was a carrying basket underneath. But Graco must have sold millions of these, thousands alone in the Northeast. Now, at closer inspection, Daniel realized that this particular stroller had a plastic activity bar attached on the front. Trixie's ratty security blanket was not folded up in the bottom, just in case of crisis.

Such as now.

Daniel looked down at the baby again, the baby that was not his, and immediately grabbed the stroller and starting running to the grill. Standing there, with a cabbage-cheeked Boston cop, was a hysterical mother whose sights homed in on the stroller Daniel was using to part the crowd like the Red Sea. She ran the last ten feet and yanked her baby out of the safety restraint and into her arms while Daniel tried to explain, but all that came out of his mouth was, "Where is she?" He thought, hysterical, of the fact that this was an open-air market, that there was no way to seal the entrance or even make a general public announcement, that by now five minutes had passed and his daughter could be with the psychopath who stole her on the T heading to the farthest outskirts of the Boston suburbs.

Then he noticed the stroller -- his stroller -- kicked over onto its side, the safety belt undone. Trixie had gotten proficient at this just last week. It had gotten comical -- they would be out walking and suddenly she was standing up in the fabric hammock, facing Daniel, grinning at her own clever expertise. Had she freed herself to come looking for him? Or had someone, seeing a golden opportunity for abduction, done it for her?

In the moments afterward, there were tracts of time that Daniel couldn't remember even to this day. For example, how long it took the swarm of police that converged on Faneuil Hall to do a search. Or the way other mothers pulled their own children close to their side as he passed, certain bad luck was contagious. The detective's hammered questions, a quiz of good parenting: How tall is Trixie? What does she weigh? What was she wearing? Have you ever talked to her about strangers? This last one, Daniel couldn't answer. Had he, or had he just been planning to? Would Trixie know to scream, to run away? Would she be loud enough, fast enough?

The police wanted him to sit down, so that they'd know where to find him if necessary. Daniel nodded and promised, and then was on his feet the moment their backs were turned. He searched behind each of the food kiosks in the central court. He looked under the tables in the cupola. He burst into the women's bathroom, crying Trixie's name. He checked beneath the ruffled skirts of the pushcarts that sold rhinestone earrings, moose socks, your name written on a grain of rice. Then he ran outside.

The courtyard was full of people who didn't know that just twenty feet away from them the world had been overturned. Oblivious, they shopped and milled and laughed as Daniel stumbled past them. The corporate lunch hour had ended, and many of the businessmen were gone. Pigeons pecked at the crumbs they'd left behind, caught between the cobblestones. And huddled beside the seated bronze of Red Auerbach, sucking her thumb, was Trixie.

Until Daniel saw her, he didn't truly realize how much of himself had been carved away by her absence. He felt -- ironically -- the same symptoms that had come the moment he knew she was missing: the shaking legs, the loss of speech, the utter immobility. "Trixie," he said finally, then she was in his arms, thirty pounds of sweet relief.

Now -- ten years later -- Daniel had again mistaken his daughter for someone she wasn't. Except this time, she was no longer a four-year-old in a stroller. This time, she had been gone much longer than twenty-four minutes. And she had left him, instead of the other way around.

Forcing his mind back to the present, Daniel cut the throttle of the snow machine as he came to a fork in the path. Immediately the storm whipped into a funnel -- he couldn't see two feet in front of himself, and when he took the time to look behind, his tracks had already been filled, a seamless stretch. The Yup'ik Eskimos had a word for this kind of snow, the kind that bit at the back of your eyes and landed like a hail of arrows on your bare skin: pirrelvag. The term rose in Daniel's throat, as startling as a second moon, proof that he had been here before, no matter how good a job he'd done of convincing himself otherwise.

He squinted -- it was nine o'clock in the morning, but in December in Alaska, there wasn't much sunlight. His breath hung before him like lace. For a moment, through the curtain of snow, he thought he could see the bright flash of her hair -- a fox's tail peeking from a snug woolen cap -- but as quickly as he saw it, it was gone.

The Yupiit also had a word for the moments when it was so cold that a mug of water thrown into the air would harden like glass before it ever hit the frozen ground: cikuq'erluni. One wrong move, Daniel thought, and everything will go to pieces around me. So he closed his eyes, gunned the machine, and let instinct take over. Almost immediately, the voices of elders he used to know came back to him -- spruce needles stick out sharper on the north side of trees; shallow sandbars make the ice buckle -- hints about how to find yourself, when the world changed around you.

He suddenly thought back to the way, at Faneuil Hall, Trixie had melted against him when they were reunited. Her chin had notched just behind his shoulder, her body went boneless with faith. In spite of what he'd done, she'd still trusted him to keep her safe, to bring her home. In hindsight, Daniel could see that the real mistake he'd made that day hadn't been turning his back momentarily. It had been believing that you could lose someone you loved in an instant, when in reality it was a process that took months, years, her lifetime.

It was the kind of cold that made your eyelashes freeze the minute you walked outside and the insides of your nostrils feel like shattered glass. It was the kind of cold that went through you as if you were no more than a mesh screen. Trixie Stone shivered on the frozen riverbank beneath the school building that was checkpoint headquarters in Tuluksak, sixty miles from the spot where her father's borrowed snow machine was carving a signature across the tundra, and tried to think up reasons to stay right where she was.

Unfortunately, there were more reasons -- better reasons -- to leave. First and foremost, it was a mistake to stay in one place too long. Second, sooner or later, people were going to figure out that she wasn't who they thought she was, especially if she kept screwing up every task they gave her. But then again, how was she supposed to know that all the mushers were entitled to complimentary straw for their sled dogs at several points during the K300 racecourse, including here in Tuluksak? Or that you could take a musher to the spot where food and water was stored. . . but you weren't allowed to help feed the dogs? After those two fiascos, Trixie was demoted to babysitting the dogs that were dropped from a team, until the bush pilots arrived to transport them back to Bethel.

So far the only dropped dog was a husky named Juno. Frostbite -- that was the official reason given by the musher. The dog had one brown eye and one blue eye, and he stared at Trixie with an expression that spoke of being misunderstood.

In the past hour, Trixie had managed to sneak Juno an extra handful of kibble and a couple of biscuits, stolen from the vet's supply. She wondered if she could buy Juno from the musher with some of the money left over in the stolen wallet. She thought maybe it would be easier to keep running if she had someone else to confide in, someone who couldn't possibly tell on her.

She wondered what Zephyr and Moss and anyone else back home in the other Bethel -- Bethel, Maine -- would say if they saw her sitting in a snowbank and eating salmon jerky and listening for the crazy fugue of barking that preceded the arrival of a dog team. Probably, they would think she had lost her mind. They'd say, Who are you, and what have you done with Trixie Stone? The thing is, she wanted to ask the same question.

She wanted to crawl into her favorite flannel pajamas, the ones that had been washed so often they were as soft as the skin of a rose. She wanted to open up the refrigerator and not be able to find anything on its stocked shelves worth eating. She wanted to get sick of a song on the radio and smell her father's shampoo and trip over the curly edge of the rug in the hallway. She wanted to go back -- not just to Maine, but to early September.

Trixie could feel tears rising in her throat like the watermarks on the Portland dock, and she was afraid someone would notice. So she lay down on the matted straw, her nose nearly touching Juno's. "You know," she whispered, "I got left behind once, too."

Her father didn't think she remembered what had happened that day in Faneuil Hall, but she did -- bits and pieces cropped up at the strangest times. Like when they went to the beach in the summer and she smelled the ocean: It suddenly got harder to breathe. Or how at hockey games and movie theaters and other places where she got mixed up in a crowd, she sometimes felt sick to her stomach. Trixie remembered, too, that they had abandoned the stroller at Faneuil Hall -- her father simply carried her back in his arms. Even after they returned from vacation and bought a new stroller, Trixie had refused to ride in it.

Here's what she didn't remember about that day: the getting-lost part. Trixie could not recall unbuckling the safety harness or pushing through the shifting sea of legs to the doors that led outside. Then, she saw the man who looked like he might be her father but who actually turned out to be a statue sitting down. Trixie had walked to the bench and climbed up beside him only to realize that his metal skin was warm, because the sun had been beating down on it all day. She'd curled up against the statue, wishing with every shaky breath that she would be found.

This time around, that's what scared her most. Copyright ©2006 by Jodi Picoult

Reading Group Guide

The Tenth Circle

by Jodi Picoult

ISBN: 0-7434-9670-1

Fourteen-year-old Trixie has been a ghost for fourteen days, seven hours, and thirty-six minutes now, not that she is officially counting. Trixie's protective father has been consumed with attempts to shield her from a new life, one that includes a boy with a proprietary hand around his daughter's waist. But Daniel Stone never for a moment suspected that the same boy might inflict upon his daughter the worst possible harm. Could the boy who once made Trixie's face fill with light when he came to the door have drugged and then raped her? She says that he did, and that is all it takes to make Daniel, a man with a past hidden even from his family, consider taking matters into his own hands in order to protect his daughter.

This is a novel about the unbreakable bond between parent and child, the temptation to play God, and its dangerous repercussions. Using her sensitive, wise touch, Jodi Picoult once again probes deeply into the love and anguish of a young girl and her family. This time, she has added the innovative element of embedding a graphic novel within her text. They are at once the professional work of her character, Daniel Stone, and a unique insight into his fractured and desperate heart.

The Tenth Circle

Group Discussion Questions

1. In Chapter One, Laura says "God, according to Dante, was all about motion and energy, so the ultimate punishment for Lucifer is to not be able to move at all." (p. 16) How do you feel about this concept of hell as the inability to take action? What do you take from this? How does this theory translate into modern-day life?

2. Why does Daniel find villains interesting? Daniel describes Duncan as "a forty-something father who knew that getting old was hell. Who wanted to keep his family safe; whose powers controlled him, instead of the other way around." If "power always involved a loss of humanity," then how does this comic book character maintain his humanity? Compare and contrast Daniel with the character he creates in his comic strip.

3. Early on, Daniel and Trixie seem to have the ideal father-daughter relationship. During Trixie's examination, Daniel reflects that he and Trixie would play the alphabet game with superhero powers. What superhero powers did Daniel wish he had? Why do you think these were so important to him? What does that reveal about his character? Trixie's?

4. It is said that a rape victim is revictimized by the initial examination. Do you think this is true for Trixie? Why do you think the police detective doubts her accusation against Jason?

5. In popular culture, the husband is more often portrayed as the cheater, and the wife typically as the one who makes career sacrifices for the family. Does Daniel as a character seem emasculated by the way these roles are reversed in The Tenth Circle? Why are stay-at-home fathers seen differently by society than mothers who raise their children full time?

6. In Chapter Four, regarding trauma, Picoult writes, "It was a catch-22: If you didn't put the trauma behind you, you couldn't move on. But if you did put the trauma behind you, you willingly gave up your claim to the person you were before it happened." Which characters would agree with this statement and why?

7. Trixie is consistently revictimized at school, and her own best friend doesn't believe that she was raped. If Trixie's school was a kind of hell for her, then what would Dante say about her situation and the best way to get out of it?

8. Discuss reality versus perception, intention versus action. Why are Trixie's and Jason's versions of what happened so different? Whose do you believe is the truth? Do you think there IS a definitive truth?

9. After Laura and Daniel have a romantic episode, Daniel continues to express his resentment for her infidelity. In that moment his sexual urge is not to make love to her but to "take her back." How does his urge compare to Jason's urge in raping Trixie?

10. Throughout the story Trixie is struggling to get back to her life prior to the rape, and similarly Daniel and Laura are trying to return to a place in their marriage prior to Laura's infidelity. What does this story say about whether or not we can recapture our past? How does Daniel's childhood figure into this theme?

11. Does a victim get justice when the perpetrator takes his or her own life? When Daniel abuses Jason, is he helping or hurting Trixie? When Trixie runs away, did you believe that she killed Jason? What did you think about this surprise ending? How can you map the breakdown in trust between these relationships: Trixie and Jason, Laura and Daniel, Daniel and Trixie, Trixie and Zephyr. How has this breakdown contributed to the demise of all parties?

12. How did Daniel's artwork, embedded inside The Tenth Circle, affect your reading experience? In what ways does reading the graphic novel give you insight into Daniel's behavior during the narrative part of the novel?

13. In the story there is a thread of control -- characters losing and gaining control over their lives and their environments. Discuss what control means to each character.

14. After Daniel takes his revenge, does he believe he is more of a superhero? Does he really think he has avenged Trixie? What is the story saying about retribution?

15. Why is snow symbolic in the story? What other symbols are there?

16. Trixie is haunted by Jason's ghost. Is this a figment of her imagination or a manifestation of guilt?

The Tenth Circle

Reading Group Tips

1. Research Dante; one great website is www3.iath.virginia.edu/dante/

2. List some interesting tidbits about the first comic book superheroes (refer to geocities.com/Athens/8580/Hist1.html for some great information)

3. For more information on Jodi Picoult and to sign up for her newsletter, visit jodipicoult.com/. Be sure to listen to her discuss The Tenth Circle in her AuthorBytes presentation, and to read the conversation with her about the research behind the novel.

Introduction

The Tenth Circle

by Jodi Picoult

ISBN: 0-7434-9670-1

Fourteen-year-old Trixie has been a ghost for fourteen days, seven hours, and thirty-six minutes now, not that she is officially counting. Trixie's protective father has been consumed with attempts to shield her from a new life, one that includes a boy with a proprietary hand around his daughter's waist. But Daniel Stone never for a moment suspected that the same boy might inflict upon his daughter the worst possible harm. Could the boy who once made Trixie's face fill with light when he came to the door have drugged and then raped her? She says that he did, and that is all it takes to make Daniel, a man with a past hidden even from his family, consider taking matters into his own hands in order to protect his daughter.

This is a novel about the unbreakable bond between parent and child, the temptation to play God, and its dangerous repercussions. Using her sensitive, wise touch, Jodi Picoult once again probes deeply into the love and anguish of a young girl and her family. This time, she has added the innovative element of embedding a graphic novel within her text. They are at once the professional work of her character, Daniel Stone, and a unique insight into his fractured and desperate heart.

The Tenth Circle

Group Discussion Questions

1. In Chapter One, Laura says "God, according to Dante, was all about motion and energy, so the ultimate punishment for Lucifer is to not be able to move at all." (p. 16) How do you feel about this concept of hell as the inability to take action? What do you take from this? How does this theory translate into modern-day life?

2. Why does Daniel findvillains interesting? Daniel describes Duncan as "a forty-something father who knew that getting old was hell. Who wanted to keep his family safe; whose powers controlled him, instead of the other way around." If "power always involved a loss of humanity," then how does this comic book character maintain his humanity? Compare and contrast Daniel with the character he creates in his comic strip.

3. Early on, Daniel and Trixie seem to have the ideal father-daughter relationship. During Trixie's examination, Daniel reflects that he and Trixie would play the alphabet game with superhero powers. What superhero powers did Daniel wish he had? Why do you think these were so important to him? What does that reveal about his character? Trixie's?

4. It is said that a rape victim is revictimized by the initial examination. Do you think this is true for Trixie? Why do you think the police detective doubts her accusation against Jason?

5. In popular culture, the husband is more often portrayed as the cheater, and the wife typically as the one who makes career sacrifices for the family. Does Daniel as a character seem emasculated by the way these roles are reversed in The Tenth Circle? Why are stay-at-home fathers seen differently by society than mothers who raise their children full time?

6. In Chapter Four, regarding trauma, Picoult writes, "It was a catch-22: If you didn't put the trauma behind you, you couldn't move on. But if you did put the trauma behind you, you willingly gave up your claim to the person you were before it happened." Which characters would agree with this statement and why?

7. Trixie is consistently revictimized at school, and her own best friend doesn't believe that she was raped. If Trixie's school was a kind of hell for her, then what would Dante say about her situation and the best way to get out of it?

8. Discuss reality versus perception, intention versus action. Why are Trixie's and Jason's versions of what happened so different? Whose do you believe is the truth? Do you think there IS a definitive truth?

9. After Laura and Daniel have a romantic episode, Daniel continues to express his resentment for her infidelity. In that moment his sexual urge is not to make love to her but to "take her back." How does his urge compare to Jason's urge in raping Trixie?

10. Throughout the story Trixie is struggling to get back to her life prior to the rape, and similarly Daniel and Laura are trying to return to a place in their marriage prior to Laura's infidelity. What does this story say about whether or not we can recapture our past? How does Daniel's childhood figure into this theme?

11. Does a victim get justice when the perpetrator takes his or her own life? When Daniel abuses Jason, is he helping or hurting Trixie? When Trixie runs away, did you believe that she killed Jason? What did you think about this surprise ending? How can you map the breakdown in trust between these relationships: Trixie and Jason, Laura and Daniel, Daniel and Trixie, Trixie and Zephyr. How has this breakdown contributed to the demise of all parties?

12. How did Daniel's artwork, embedded inside The Tenth Circle, affect your reading experience? In what ways does reading the graphic novel give you insight into Daniel's behavior during the narrative part of the novel?

13. In the story there is a thread of control — characters losing and gaining control over their lives and their environments. Discuss what control means to each character.

14. After Daniel takes his revenge, does he believe he is more of a superhero? Does he really think he has avenged Trixie? What is the story saying about retribution?

15. Why is snow symbolic in the story? What other symbols are there?

16. Trixie is haunted by Jason's ghost. Is this a figment of her imagination or a manifestation of guilt?

The Tenth Circle

Reading Group Tips

1. Research Dante; one great website is http://www3.iath.virginia.edu/dante/

2. List some interesting tidbits about the first comic book superheroes (refer to http://www.geocities.com/Athens/8580/Hist1.html for some great information)

3. For more information on Jodi Picoult and to sign up for her newsletter, visit http://www.jodipicoult.com/. Be sure to listen to her discuss The Tenth Circle in her AuthorBytes presentation, and to read the conversation with her about the research behind the novel.

Editorial Reviews

This deftly written novel borrows its Dantesque title from an autobiographical graphic novel penned by its protagonist, comic book artist Daniel Stone. Like his main character, Stone grew up as a violent, alienated white outsider in an Alaskan Inuit community. Time, though, has been kind to him, and he now lives as an attentive, stay-at-home dad in Bethel, Maine. All that changes, however, when his 14-year-old daughter returns home after being raped at a party by her ex-boyfriend. With the news, Stone's emotional control dissolves and he begins a painful reentry into an inferno that he had left behind. According to reviewers and general readers, the thirteenth novel by the author of Vanishing Acts and My Sister's Keeper measures up to its predecessors. Now in mass-market paperback and NOOK Book.

As Picoult notes, one in six American women will be the victim of a rape or attempted rape during her lifetime. Those who have survived a sexual assault will recognize Trixie's subsequent dissociation, the cold horror of the emergency room and police interview, the sense of a life being irrevocably broken, as well as the rage and guilt of Trixie's parents. Trixie accuses Jason of rape, but when her name is leaked to local media, she's ostracized and tormented by her schoolmates, who accuse her of having been a willing participant.
— The Washington Post

Elizabeth Hand

Some of Picoult's best storytelling distinguishes her twisting, metaphor-rich 13th novel (after Vanishing Acts) about parental vigilance gone haywire, inner demons and the emotional risks of relationships. Comic book artist Daniel Stone is like the character in his graphic novel with the same title as this book-once a violent youth and the only white boy in an Alaskan Inuit village, now a loving, stay-at-home dad in Bethel, Maine-traveling figuratively through Dante's circles of hell to save his 14-year-old teenage daughter, Trixie. After she accuses her ex-boyfriend of rape, Trixie-and Daniel, whose fierce father-love morphs to murderous rage toward her assailant-unravel in the aftermath of the allegation. At the same time, wife and mother Laura, a Dante scholar, tries to mend her and Daniel's marriage after ending her affair with one of her students. Picoult has collaborated with graphic artist Dustin Weaver to illustrate her deft, complex exploration of Daniel and his beast within, but the drawings, though well-done, distract from the powerful picture she has drawn with words. Laura and Daniel follow their runaway daughter to Alaska, at which point Picoult drives the story with the heavy-handed Dante metaphor-not the characters. Still, this story of a flawed family on the brink of destruction grips from start to finish. 20-city author tour. (Mar.) Copyright 2005 Reed Business Information.

Publishers Weekly

When a comic book artist married to a Dante scholar writes a graphic novel, what better title than The Tenth Circle? Of course, Daniel Stone feels he's descended into hell when his 14-year-old daughter, Trixie, is date raped by Jason Underhill. Despite his soft and gentle Maine demeanor, Daniel had a wild and violent past growing up in Alaska, and letting the police investigation proceed is setting off a rage he had long suppressed. The night of the attack, he also learns his wife, Laura, is having an affair. Hell would be preferable. Picoult's (Vanishing Acts) latest novel actually features Daniel's artwork in a tale that parallels his real life, and readers are drawn into the mystery surrounding the events of the rape and its subsequent effects on all concerned. What truths will be revealed? And who, ultimately, will find justice? Picoult had this reader up until the very end of this fast-paced tale. As with her previous novels (e.g., My Sister's Keeper), Picoult doesn't guarantee a happy ending, but something here just missed its mark. Still, this best-selling author is going to be in demand. Recommended for most public libraries. [See Prepub Alert, LJ 11/15/05.]-Bette-Lee Fox, Library Journal Copyright 2005 Reed Business Information.

Library Journal

Picoult (Vanishing Act, 2005, etc.) fumbles in this 13th novel of, predictably, a family in crisis. To all outward appearances, the family Stone seems a happy trio: Mother Laura teaches Dante at the local university; her 14-year-old Trixie is popular, dating the town's high school hockey hero Jason Underhill; and Daniel, a stay-at-home dad, has finally hit it big with the debut of his own comic book, The Tenth Circle. Inspired by his wife's work, Daniel's hero Duncan/Wildclaw descends into hell in search of his kidnapped daughter (sections of the comic book, illustrated by Dustin Weaver, appear at the end of each chapter). As his alter ego tours the circles of hell with Virgil, Daniel's family begins to unravel: On the night that Trixie is raped by her boyfriend, Daniel discovers Laura has been having an affair with a student. Picoult usually infuses a bit of suspense into her dramas, and this effort is no different as Trixie's testimony comes into question-is Trixie just out for revenge on the boyfriend who dumped her? As the DA and detective try to build a rape case, Trixie becomes ostracized at school, continues to self-mutilate and then finally attempts suicide. She's saved in time, but soon after her recovery, Jason is found dead, and it's beginning to look like Trixie killed him. Afraid she'll be charged with Jason's murder, Trixie runs away to the Alaskan Eskimo village where Daniel was raised (and tormented as the only white boy), forcing Daniel to confront his past, save his daughter, save his marriage and make everything okay in the universe, as every superhero should. As a third-act whodunit-the culprit is an easy guess-the story fails. Picoult, who is so often an inventive andcompelling storyteller, relies here on convention and sentimentality.

Kirkus Reviews

"Picoult is a master of the craft of storytelling." — Houston Chronicle

"Picoult skillfully twists and turns this story in so many ways, keeping readers wondering how things will turn out until nearly the last, satisfying page." — Orlando Sentinel

"This book will take your breath away. . . . Grade A." — Entertainment Weekly

"Picoult spins fast-paced tales of family dysfunction, betrayal, and redemption. . . . [Her] depiction of these rites of contemporary adolescence is exceptional: unflinching, unjudgmental, utterly chilling." — The Washington Post

From the Publisher