The Aesthetics of Violence: Art, Fiction, Drama and Film
Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the affects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).
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The Aesthetics of Violence: Art, Fiction, Drama and Film
Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the affects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).
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The Aesthetics of Violence: Art, Fiction, Drama and Film

The Aesthetics of Violence: Art, Fiction, Drama and Film

by Robert Appelbaum
The Aesthetics of Violence: Art, Fiction, Drama and Film

The Aesthetics of Violence: Art, Fiction, Drama and Film

by Robert Appelbaum

eBook

$44.99 

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Overview

Violence at an aesthetic remove from the spectator or reader has been a key element of narrative and visual arts since Greek antiquity. Here Robert Appelbaum explores the nature of mimesis, aggression, the affects of antagonism and victimization and the political uses of art throughout history. He examines how violence in art is formed, contextualised and used by its audiences and readers. Bringing traditional German aesthetic and social theory to bear on the modern problem of violence in art, Appelbaum engages theorists including Kant, Schiller, Hegel, Adorno and Gadamer. The book takes the reader from Homer and Shakespeare to slasher films and performance art, showing how violence becomes at once a language, a motive, and an idea in the experience of art. It addresses the controversies head on, taking a nuanced view of the subject, understanding that art can damage as well as redeem. But it concludes by showing that violence (in the real world) is a necessary condition of art (in the world of mimetic play).

Product Details

ISBN-13: 9781786605047
Publisher: Dutton Penguin Group USA
Publication date: 11/30/2017
Series: Venus Rising
Sold by: Barnes & Noble
Format: eBook
Pages: 196
File size: 4 MB
Age Range: 18 Years

About the Author

Robert Appelbaum is Professor of English Literature at Uppsala University, Sweden. He is the author of Literature and Utopian Politics in Seventeenth-Century England (2002), Dishing It Out (2011), Working the Aisles: A Life in Consumption (2014) and Terrorism Before the Letter: the Mythography of Political Violence in England, Scotland and France (2015).
Robert Appelbaum is Professor of English Literature at Uppsala University, Sweden. He is the author of Literature and Utopian Politics in Seventeenth-Century England (Cambridge UP, 2002), Dishing It Out (Reaktion, 2011), Working the Aisles: A Life in Consumption (Zero, 2014) and Terrorism Before the Letter: the Mythography of Political Violence in England, Scotland and France (Oxford UP, 2015).

Table of Contents

1. Playing with Violence / 2. Hansel or Gretel / 3. Winners and Losers / 4. Revelry / 5. Puzzle / Epilogue: Art Without Violence, Violence Without Art / Bibliography / Index
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