The Blade of Unmaking [Treasures series 1]
Alyssa's parents wanted a son, and have never let her forget it. Despite her best efforts, they still dislike her. But that which does not kill you makes you strong, and when two mages arrive to take her on a quest for the Blade of Unmaking, she will need all the strength she possesses.

This story was originally published in SWORD & SORCERESS 14, March 1997.
1029826499
The Blade of Unmaking [Treasures series 1]
Alyssa's parents wanted a son, and have never let her forget it. Despite her best efforts, they still dislike her. But that which does not kill you makes you strong, and when two mages arrive to take her on a quest for the Blade of Unmaking, she will need all the strength she possesses.

This story was originally published in SWORD & SORCERESS 14, March 1997.
0.99 In Stock
The Blade of Unmaking [Treasures series 1]

The Blade of Unmaking [Treasures series 1]

by Elisabeth Waters
The Blade of Unmaking [Treasures series 1]

The Blade of Unmaking [Treasures series 1]

by Elisabeth Waters

eBook

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Overview

Alyssa's parents wanted a son, and have never let her forget it. Despite her best efforts, they still dislike her. But that which does not kill you makes you strong, and when two mages arrive to take her on a quest for the Blade of Unmaking, she will need all the strength she possesses.

This story was originally published in SWORD & SORCERESS 14, March 1997.

Product Details

BN ID: 2940043317377
Publisher: Marion Zimmer Bradley Literary Works Trust
Publication date: 09/26/2010
Series: Treasures of Albion , #1
Sold by: Barnes & Noble
Format: eBook
File size: 76 KB

About the Author

Elisabeth Waters sold her first short story in 1980 to Marion Zimmer Bradley for THE KEEPER'S PRICE, the first of the Darkover anthologies. She then went on to sell dozens of short stories to a variety of anthologies. Her first novel, a fantasy called CHANGING FATE, was awarded the 1989 Gryphon Award. She is now working on a sequel to it, in addition to her short-story writing and anthology editing.
She has also worked as a supernumerary with the San Francisco Opera, where she appeared in La Gioconda, Manon Lescaut, Madama Butterfly, Khovanshchina, Das Rheingold, Werther, and Idomeneo.
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