THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA | Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
The Definitive History and Biography of the Original Crime Family: The Borgias
EXCERPT
"Lucrezia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable.
The Borgias will never cease to fascinate the historian and the psychologist. An intelligent friend of mine once asked me why it was that everything about Alexander VI, Cesare, and Lucrezia Borgia, every little fact regarding their lives, every newly discovered letter of any of them, aroused our interest much more than did anything similar concerning other and vastly more important historic characters. I know of no better explanation than the following: the Borgias had for background the Christian Church; they made their first appearance issuing from it; they used it for their advancement; and the sharp contrast of their conduct with the holy state makes them appear altogether fiendish. The Borgias are a satire on a great form or phase of religion, debasing and destroying it. They stand on high pedestals, and from their presence radiates the light of the Christian ideal. In this form we behold and recognize them. We view their acts through a medium which is permeated with religious ideas. Without this, and placed on a purely secular stage, the Borgias would have fallen into a position much less conspicuous than that of many other men, and would soon have ceased to be anything more than representatives of a large species ...
Victor Hugo painted her as a moral monster, in which form she still treads the operatic stage, and this is the conception which mankind in general have of her. The lover of real poetry regards this romanticist's terrible drama of Lucrezia Borgia as a grotesque manifestation of the art, while the historian laughs at it; the poet, however, may excuse himself on the ground of his ignorance, and of his belief in a myth which had been current since the publication of Guicciardini's history."
ABOUT LUCREZIA BORGIA
Lucrezia Borgia (18 April 1480 – 24 June 1519) was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.
Lucrezia's family later came to epitomize the ruthless Machiavellian politics and sexual corruption alleged to be characteristic of the Renaissance Papacy. Lucrezia was cast as a femme fatale, a role she has been portrayed as in many artworks, novels, and films.
Very little in fact is known of Lucrezia, and the extent of her complicity in the political machinations of her father and brothers is unclear. They certainly arranged several marriages for her to important or powerful men in order to advance their own political ambitions. Lucrezia was married to Giovanni Sforza (Lord of Pesaro), Alfonso of Aragon (Duke of Bisceglie), and Alfonso I d'Este (Duke of Ferrara). Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that Cesare may have had him murdered after his political value waned.
1030921257
The Definitive History and Biography of the Original Crime Family: The Borgias
EXCERPT
"Lucrezia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable.
The Borgias will never cease to fascinate the historian and the psychologist. An intelligent friend of mine once asked me why it was that everything about Alexander VI, Cesare, and Lucrezia Borgia, every little fact regarding their lives, every newly discovered letter of any of them, aroused our interest much more than did anything similar concerning other and vastly more important historic characters. I know of no better explanation than the following: the Borgias had for background the Christian Church; they made their first appearance issuing from it; they used it for their advancement; and the sharp contrast of their conduct with the holy state makes them appear altogether fiendish. The Borgias are a satire on a great form or phase of religion, debasing and destroying it. They stand on high pedestals, and from their presence radiates the light of the Christian ideal. In this form we behold and recognize them. We view their acts through a medium which is permeated with religious ideas. Without this, and placed on a purely secular stage, the Borgias would have fallen into a position much less conspicuous than that of many other men, and would soon have ceased to be anything more than representatives of a large species ...
Victor Hugo painted her as a moral monster, in which form she still treads the operatic stage, and this is the conception which mankind in general have of her. The lover of real poetry regards this romanticist's terrible drama of Lucrezia Borgia as a grotesque manifestation of the art, while the historian laughs at it; the poet, however, may excuse himself on the ground of his ignorance, and of his belief in a myth which had been current since the publication of Guicciardini's history."
ABOUT LUCREZIA BORGIA
Lucrezia Borgia (18 April 1480 – 24 June 1519) was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.
Lucrezia's family later came to epitomize the ruthless Machiavellian politics and sexual corruption alleged to be characteristic of the Renaissance Papacy. Lucrezia was cast as a femme fatale, a role she has been portrayed as in many artworks, novels, and films.
Very little in fact is known of Lucrezia, and the extent of her complicity in the political machinations of her father and brothers is unclear. They certainly arranged several marriages for her to important or powerful men in order to advance their own political ambitions. Lucrezia was married to Giovanni Sforza (Lord of Pesaro), Alfonso of Aragon (Duke of Bisceglie), and Alfonso I d'Este (Duke of Ferrara). Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that Cesare may have had him murdered after his political value waned.
THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA | Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
The Definitive History and Biography of the Original Crime Family: The Borgias
EXCERPT
"Lucrezia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable.
The Borgias will never cease to fascinate the historian and the psychologist. An intelligent friend of mine once asked me why it was that everything about Alexander VI, Cesare, and Lucrezia Borgia, every little fact regarding their lives, every newly discovered letter of any of them, aroused our interest much more than did anything similar concerning other and vastly more important historic characters. I know of no better explanation than the following: the Borgias had for background the Christian Church; they made their first appearance issuing from it; they used it for their advancement; and the sharp contrast of their conduct with the holy state makes them appear altogether fiendish. The Borgias are a satire on a great form or phase of religion, debasing and destroying it. They stand on high pedestals, and from their presence radiates the light of the Christian ideal. In this form we behold and recognize them. We view their acts through a medium which is permeated with religious ideas. Without this, and placed on a purely secular stage, the Borgias would have fallen into a position much less conspicuous than that of many other men, and would soon have ceased to be anything more than representatives of a large species ...
Victor Hugo painted her as a moral monster, in which form she still treads the operatic stage, and this is the conception which mankind in general have of her. The lover of real poetry regards this romanticist's terrible drama of Lucrezia Borgia as a grotesque manifestation of the art, while the historian laughs at it; the poet, however, may excuse himself on the ground of his ignorance, and of his belief in a myth which had been current since the publication of Guicciardini's history."
ABOUT LUCREZIA BORGIA
Lucrezia Borgia (18 April 1480 – 24 June 1519) was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.
Lucrezia's family later came to epitomize the ruthless Machiavellian politics and sexual corruption alleged to be characteristic of the Renaissance Papacy. Lucrezia was cast as a femme fatale, a role she has been portrayed as in many artworks, novels, and films.
Very little in fact is known of Lucrezia, and the extent of her complicity in the political machinations of her father and brothers is unclear. They certainly arranged several marriages for her to important or powerful men in order to advance their own political ambitions. Lucrezia was married to Giovanni Sforza (Lord of Pesaro), Alfonso of Aragon (Duke of Bisceglie), and Alfonso I d'Este (Duke of Ferrara). Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that Cesare may have had him murdered after his political value waned.
The Definitive History and Biography of the Original Crime Family: The Borgias
EXCERPT
"Lucrezia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable.
The Borgias will never cease to fascinate the historian and the psychologist. An intelligent friend of mine once asked me why it was that everything about Alexander VI, Cesare, and Lucrezia Borgia, every little fact regarding their lives, every newly discovered letter of any of them, aroused our interest much more than did anything similar concerning other and vastly more important historic characters. I know of no better explanation than the following: the Borgias had for background the Christian Church; they made their first appearance issuing from it; they used it for their advancement; and the sharp contrast of their conduct with the holy state makes them appear altogether fiendish. The Borgias are a satire on a great form or phase of religion, debasing and destroying it. They stand on high pedestals, and from their presence radiates the light of the Christian ideal. In this form we behold and recognize them. We view their acts through a medium which is permeated with religious ideas. Without this, and placed on a purely secular stage, the Borgias would have fallen into a position much less conspicuous than that of many other men, and would soon have ceased to be anything more than representatives of a large species ...
Victor Hugo painted her as a moral monster, in which form she still treads the operatic stage, and this is the conception which mankind in general have of her. The lover of real poetry regards this romanticist's terrible drama of Lucrezia Borgia as a grotesque manifestation of the art, while the historian laughs at it; the poet, however, may excuse himself on the ground of his ignorance, and of his belief in a myth which had been current since the publication of Guicciardini's history."
ABOUT LUCREZIA BORGIA
Lucrezia Borgia (18 April 1480 – 24 June 1519) was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.
Lucrezia's family later came to epitomize the ruthless Machiavellian politics and sexual corruption alleged to be characteristic of the Renaissance Papacy. Lucrezia was cast as a femme fatale, a role she has been portrayed as in many artworks, novels, and films.
Very little in fact is known of Lucrezia, and the extent of her complicity in the political machinations of her father and brothers is unclear. They certainly arranged several marriages for her to important or powerful men in order to advance their own political ambitions. Lucrezia was married to Giovanni Sforza (Lord of Pesaro), Alfonso of Aragon (Duke of Bisceglie), and Alfonso I d'Este (Duke of Ferrara). Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that Cesare may have had him murdered after his political value waned.
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THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
THE BORGIAS (Special Nook Edition) THE LIFE OF LUCREZIA BORGIA Bestselling Biography of the Original Crime Family: The Borgias NOOKbook Lucrezia Borgia
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Product Details
| BN ID: | 2940012510129 |
|---|---|
| Publisher: | Literary Classics Press |
| Publication date: | 12/12/2012 |
| Series: | The Borgias | The Borgias History | The Borgias Biography | Nook | The Original Crime Family NOOKbook , #1 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| File size: | 379 KB |
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