Kirkus
Review Date: AUGUST 01, 2004
STARRED
A young Jewish girl and her sister, "passing" as Polish in WWII Warsaw, plot to sneak food, brought by collaborating train passengers, into the ghetto. Their scheme is jeopardized when the Gestapo meets the train with dogs that sniff out both smugglers and contraband food. To foil the Nazis, the sisters gather up the feral cats of Krasinski Square in baskets. They release the cats as a distraction to the dogs, thus allowing the food to be smuggled into the ghetto. Skilled pacing renders the cat solution a satisfyingly subversive surprise while Watson's illustration of the flummoxed Nazis underscores the ensuing chaos. The illustrations, with their soft but firm line and monochromatic sepia-toned palette, have an appropriate retro look. Among the great historical avalanche of Holocaust stories, Hesse has found a little-known vignette that she treats with her customary modest but elevating free-verse style, making a grave subject enormously accessible, gently humorous, and affectingly triumphant. (author's note, historical note) (Picture book. 6-10)
School Library Journal
November 1, 2004
Gr 3-5-Set in Warsaw in 1942, this picture book brings to life a little-known incident of Jewish resistance. A young girl who has escaped the Ghetto lives with her older sister who, with friends, plans to smuggle food to those still there. Somehow the Gestapo has heard of the plan and has designs of its own-dogs to sniff out the bundles of food arriving with the resisters on a train. With quick thinking, the friends gather all of the cats living in Krasinski Square into baskets and head for the station. Just as the train pulls in, the felines are let loose, the dogs chase the cats, chaos erupts, and eventually the contraband is passed through the chinks in the Ghetto wall. Illustrated by Watson in an arresting departure from her usual style in muted tans, browns, and oranges, the cats, the people, the buildings of Warsaw, and even the snarling dogs are bathed in a warm yellow light-a kind of innocent luminescence of hope that belies the evil that is being done. The play of light and the naturalness of the cats' poses are almost a comfort in a story that adults sense as keenly distressing, and that beckons for adult interpretation or guidance. What is clear is the immediate poignancy of these cats and the author's evocative language in describing them: "They belonged once to someone. They slept on sofa cushions- they purred- nuzzling the chins of their beloveds." They could be the Polish Jewry of the Warsaw Ghetto.-Harriett Fargnoli, Great Neck Library, NY Copyright 2004 Reed Business Information.
Booklist
STARRED October 15, 2004
Gr. 2-5. In luminous free verse, Hesse's latest picture book tells a powerful story of a young Jewish girl who, together with her older sister, ingeniously fights the Nazi occupation of Warsaw. After escaping from the Jewish ghetto, the girl avoids detection: I wear my Polish look, / I walk my Polish walk. / Polish words float from my lips / and I am almost safe, / almost invisible. She finds joy in playing with the city's abandoned cats, who show her holes in the ghetto wall, which the girl's older sister and their resistance friends will use to pass supplies shipped by train to Warsaw. The Gestapo learns of the scheme, and soldiers wait at the train station with dogs. Luckily, the cats inspire a solution; they distract the dogs and protect the supplies. It's an empowering story about the bravery and impact of young people, and Hesse's clear, spare poetry, from the girl's viewpoint, refers to the hardships suffered without didacticism. In bold, black lines and washes of smoky gray and ochre, Watson's arresting images echo the pared-down language as well as the hope that shines like the glints of sunlight on Krasinski Square. An author's note references the true event
In her spare yet lyrical narrative, Newbery medalist Hesse (Out of the Dust) relays a haunting story based on an actual incident involving Poland's Warsaw Ghetto. Watson, best known for Father Fox's Pennyrhymes, makes a stunning stylistic departure here, with artwork in muted tones of brown, gold and brick red. An aerial view of Krasinski Square on the title spread depicts buildings with gaping holes that define a plaza overrun with tanks and soldiers. Into this atmosphere, author and illustrator introduce the young narrator, who approaches a line of stray cats emerging from a pile of rubble. "I look like any child/ playing with cats/ in the daylight/ in Warsaw,/ my Jewish armband/ burned with the rags I wore/ when I escaped the Ghetto." The girl comforts the many homeless cats who "belonged once to someone /[and] slept on sofa cushions/ and ate from crystal dishes," whispering to them that she has "no food to spare." Yet she has more to eat than her friend Michal, who lives on the other side of the Wall. The child's older sister, Mira ("all that is left of our family"), describes the "newest plan" to smuggle food into the Ghetto: friends will come by train, hiding food in their satchels, which the sisters and others will sneak through the cracks in the Wall. When word comes that the Gestapo has caught wind of the plan and will meet the train with dogs to sniff out the smugglers, the narrator comes up with a plan of her own to foil the Nazis. Watson achieves an impressive versatility with her pencil, ink and watercolor artwork; her fine ink line emphasizes the starkness of the Ghetto's confines while her warmly toned watercolor wash conveys the coziness of Mira's home, spare though it may be. Other touches--the almost comical chaos that erupts at the train station in a flurry of cats and dogs, and the town carousel, a universal mark of childhood--allow readers to experience the terrifying events from somewhat of a cushioned distance. Author and artist take a complex situation and make its most important aspects comprehensible to a child. Older readers will most appreciate the bravery and intelligence of this impressive heroine. Ages 7-10. (Sept.) Copyright 2004 Reed Business Information.
A Jewish girl escapes the Warsaw Ghetto and must pretend a Polish heritage to survive. She and her sister plan to sneak food into the Ghetto, but the Gestapo catches wind of the plan. The Gestapo plans to meet the train of smuggled food with their dogs trained to sniff out the food. Demonstrating both courage and creativity the girls gather stray cats into baskets, and they, along with other Jewish Resistance fighters, meet the train and release the cats. Chaos ensues as the dogs are distracted from the task and the food reaches the ghetto safely. Based on a true story, Hesse has captured a story of courage and hope in a bleak historical era. Her simple language is poetic and richly detailed. She does a beautiful job of balancing the dismal plight of the Jews and protecting young readers from the horror. Watson's muted colors and uses of shadows create a gloomy mood tinged with hope, matching perfectly with the text. This is highly recommended for use in a middle school or elementary school social studies program. 2004, Scholastic Press, Ages 7 to 10.
—Mary Helen Sheriff
Gr 3-5-Set in Warsaw in 1942, this picture book brings to life a little-known incident of Jewish resistance. A young girl who has escaped the Ghetto lives with her older sister who, with friends, plans to smuggle food to those still there. Somehow the Gestapo has heard of the plan and has designs of its own-dogs to sniff out the bundles of food arriving with the resisters on a train. With quick thinking, the friends gather all of the cats living in Krasinski Square into baskets and head for the station. Just as the train pulls in, the felines are let loose, the dogs chase the cats, chaos erupts, and eventually the contraband is passed through the chinks in the Ghetto wall. Illustrated by Watson in an arresting departure from her usual style in muted tans, browns, and oranges, the cats, the people, the buildings of Warsaw, and even the snarling dogs are bathed in a warm yellow light-a kind of innocent luminescence of hope that belies the evil that is being done. The play of light and the naturalness of the cats' poses are almost a comfort in a story that adults sense as keenly distressing, and that beckons for adult interpretation or guidance. What is clear is the immediate poignancy of these cats and the author's evocative language in describing them: "They belonged once to someone. They slept on sofa cushions- they purred- nuzzling the chins of their beloveds." They could be the Polish Jewry of the Warsaw Ghetto.-Harriett Fargnoli, Great Neck Library, NY Copyright 2004 Reed Business Information.
A young Jewish girl and her sister, "passing" as Polish in WWII Warsaw, plot to sneak food, brought by collaborating train passengers, into the ghetto. Their scheme is jeopardized when the Gestapo meets the train with dogs that sniff out both smugglers and contraband food. To foil the Nazis, the sisters gather up the feral cats of Krasinski Square in baskets. They release the cats as a distraction to the dogs, thus allowing the food to be smuggled into the ghetto. Skilled pacing renders the cat solution a satisfyingly subversive surprise while Watson's illustration of the flummoxed Nazis underscores the ensuing chaos. The illustrations, with their soft but firm line and monochromatic sepia-toned palette, have an appropriate retro look. Among the great historical avalanche of Holocaust stories, Hesse has found a little-known vignette that she treats with her customary modest but elevating free-verse style, making a grave subject enormously accessible, gently humorous, and affectingly triumphant. (author's note, historical note) (Picture book. 6-10)
