The Children

by Edith Wharton, Marilyn French (Introduction)

Overview

A bestseller when it was first published, The Children is a comic, bittersweet novel about the misadventures of a bachelor and a band of precocious children. The seven Wheater children, stepbrothers and stepsisters grown weary of being shuttled from parent to parent are eager for their parents' latest reconciliation to last. A chance meeting between the children and the solitary 46-year old Martin Boyne leads to a series of unforgettable encounters.

Product Details

ISBN-13:	9781844082926
Publisher:	Virago UK
Publication date:	04/28/2006
Series:	VMC Series
Edition description:	New
Pages:	368
Product dimensions:	5.00(w) x 8.00(h) x 1.00(d)

About the Author

America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years, they spent their time in the high society of Newport (Rhode Island), then Lenox (Massachusetts) and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction, in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribner's Magazine, and though she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it wasn't until 1905, with the publication of the bestselling The House of Mirth, that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906, Wharton visited Paris, which inspired Madame de Treymes (1907), and she made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement, when Ethan Frome (1911), The Reef (1912), and The Custom of the Country (1913) were published. During the war, she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and continued, in France, to write about New England and the Newport society she had known so well in Summer (1917), the companion to Ethan Frome, and The Age of Innocence (1920), for which she won the Pulitzer Prize. Wharton died in France in 1937. Her other works include Old New York (1924), The Mother's Recompense (1925), The Writing of Fiction (1925), The Children (1928), Hudson River Bracketed (1929), and her autobiography, A Backward Glance (1934).

Date of Birth:

January 24, 1862

Date of Death:

August 11, 1937

Place of Birth:

New York, New York

Place of Death:

Saint-Brice-sous-Forêt, France

Education:

Educated privately in New York and Europe

Read an Excerpt

Chapter 1

As the big liner hung over the tugs swarming about her in the bay of Algiers, Martin Boyne looked down from the promenade deck on the troop of first-class passengers struggling up the gangway, their faces all unconsciously lifted to his inspection.

"Not a soul I shall want to speak to -- as usual!"

Some men's luck in travelling was inconceivable. They had only to get into a train or on board a boat to run across an old friend; or, what was more exciting, make a new one. They were always finding themselves in the same compartment, or in the same cabin, with some wandering celebrity, with the owner of a famous house, of a noted collection, or of an odd and amusing personality -- the latter case being, of course, the rarest as it was the most rewarding.

There was, for instance, Martin Boyne's own Great-Uncle Edward. Uncle Edward's travel-adventures were famed in the family. At home in America, amid the solemn upholstery of his Boston house, Uncle Edward was the model of complacent dulness; yet whenever he got on board a steamer, or into a train (or a diligence, in his distant youth), he was singled out by fate as the hero of some delightful encounter. It would be Rachel during her ill-starred tour of the States; Ruskin on the lake of Geneva; the Dean of Canterbury as Uncle Edward, with all the appropriate emotions, was gazing on the tomb of the Black Prince; or the Duke of Devonshire of his day, as Uncle Edward put a courteous (but probably pointless) question to the housekeeper showing him over Chatsworth. And instantly he would receive a proscenium box from Rachel for her legendary first night in Boston, or be entreated byRuskin to join him for a month in Venice; or the Dean would invite him to stay at the Deanery, the Duke at Chatsworth; and the net result of these experiences would be that Uncle Edward, if questioned, would reply with his sweet frosty smile: "Yes, Rachel had talent but no beauty"; or: "No one could be more simple and friendly than the Duke"; or: "Ruskin really had all the appearances of a gentleman." Such were the impressions produced on Uncle Edward by his unparalleled success in the great social scenes through which, for a period of over sixty years, he moved with benignant blindness.

Far different was the case of his great-nephew. No tremor of thought or emotion would, in similar situations, have escaped Martin Boyne: he would have burst all the grapes against his palate. But though he was given to travel, and though he had travelled much, and his profession as a civil engineer had taken him to interesting and out-of-the-way parts of the world, and though he was always on the alert for agreeable encounters, it was never at such times that they came to him. He would have loved adventure, but adventure worthy of the name perpetually eluded him; and when it has eluded a man till he is over forty it is not likely to seek him out later.

"I believe it's something about the shape of my nose," he had said to himself that very morning as he shaved in his spacious cabin on the upper deck of the big Mediterranean cruising-steamer.

The nose in question was undoubtedly not adventurous in shape; it did not thrust itself far forward into other people's affairs; and the eyes above, wide apart, deep-set, and narrowed for closer observation, were of a guarded twilight gray which gave the nose no encouragement whatever.

"Nobody worth bothering about -- as usual," he grumbled. For the day was so lovely, the harbour of Algiers so glittering with light and heat, his own mood so full of holiday enterprise -- it was his first vacation after a good many months on a hard exhausting job -- that he could hardly believe he really looked to the rest of the world as he had seen himself that morning: a critical cautious man of forty-six, whom nobody could possibly associate with the romantic or the unexpected.

"Usual luck; best I can hope for is to keep my cabin to myself for the rest of the cruise," he pondered philosophically, hugging himself at the prospect of another fortnight of sea-solitude before -- well, before the fateful uncertainty of what awaited him just beyond the voyage...

"And I haven't even seen her for five years!" he reflected, with that feeling of hollowness about the belt which prolonged apprehension gives.

Passengers were still climbing the ship's side, and he leaned and looked again, this time with contracted eyes and a slight widening of his cautious nostrils. His attention had been drawn to a young woman -- a slip of a girl, rather -- with a round flushed baby on her shoulder, a baby much too heavy for her slender frame, but on whose sleepy countenance her own was bent with a gaze of solicitude which wrung a murmur of admiration from Boyne.

"Jove -- if a fellow was younger!"

Men of forty-six do not gasp as frequently at the sight of a charming face as they did at twenty; but when the sight strikes them it hits harder. Boyne had not been looking for pretty faces but for interesting ones, and it rather disturbed him to be put off his quest by anything so out of his present way as excessive youth and a rather pathetic grace.

"Lord -- the child's ever so much too heavy for her. Must have been married out of the nursery: damned cad, not to --"

The young face mounting toward him continued to bend over the baby, the girl's frail shoulders to droop increasingly under their burden, as the congestion ahead of her forced the young lady to maintain her slanting position halfway up the liner's flank.

A nurse in correct bonnet and veil touched her shoulder, as if offering to relieve her; but she only tightened her arm about the child. Whereupon the nurse, bending, lifted in her own arms a carrot-headed little girl of four or five in a gaudy gipsy-like frock.

"What -- another? Why, it's barbarous; it ought to be against the law! The poor little thing --"

Here Boyne's attention was distracted by the passage of a deck-steward asking where he wished his chair placed. He turned to attend to this matter, and saw, on the chair next to his, a tag bearing the name: "Mrs. Cliffe Wheater."

Cliffe Wheater -- Cliffe Wheater! What an absurd name...and somehow he remembered to have smiled over it in the same way years before...But, good Lord, of course! How long he must have lived out of the world, on his engineering jobs, first in the Argentine, then in Australia, and since the war in Egypt -- how out of step he must have become with the old social dance of New York, not to situate Cliffe Wheater at once as the big red-faced Chicagoan who was at Harvard with him, and who had since become one of the showiest of New York millionaires. Cliffe Wheater, of course -- the kind of fellow who was spoken of, respectfully, as having "interests" everywhere: Boyne recalled having run across Wheater "interests" even in the Argentine. But the man himself, at any rate since his marriage, was reputed to be mainly interested in Ritz Hotels and powerful motorcars. Hadn't he a steam-yacht too? He had a wife, at any rate -- it was all coming back to Boyne: he had married, it must be sixteen or seventeen years ago, that good-looking Mervin girl, of New York -- Joyce Mervin -- whom Boyne himself had danced and flirted with through a remote winter not long after Harvard. Joyce Mervin: she had written to him to announce her engagement, had enclosed a little snap-shot of herself with "Goodbye, Martin," scrawled across it. Had she rather fancied Boyne -- Boyne wondered? He had been too poor to try to find out...And now he and she were going to be deck-neighbours for a fortnight on the magic seas between Algiers and Venice! He remembered the face he had contemplated that morning in his shaving-glass, and thought: "Very likely she hasn't changed a bit; smart women last so wonderfully; but she won't know me." The idea was half depressing and hal

Editorial Reviews

A writer for our time—Marilyn French

An engrossing picture of middle-aged infatuation—The TIMES

From the Publisher