Gahan Wilson is one of the masters of macabre cartooning, ranked with Charles Addams, Edward Gorey, and Gary Larson. He is also a masterful storyteller. From the horror of "blot" to the gentle unease of "Campfire Story," from the classic oral-horror style of "The Marble Boy" to the science fiction scares of "It Twineth Round Thee in Thy Joy," the collection in The Cleft and Other Odd Tales shows Wilson at his very best.
Originally published in Playboy, Omni, and notable anthologies such as Again, Dangerous Visions, Wilson's short fiction is gathered here for the first time. The 24 stories are each accompainied by an original, full-page illustration done especially for this volume.
Gahan Wilson has won two World Fantasy Awards and the Bram Stoker Award for Life Achievement. His most recent cartoon collection is Gahan Wilson's Even Weirder. His latest CD-ROM is Gahan Wilson's The Ultimate Haunted House.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Gahan Wilson is one of the masters of macabre cartooning, ranked with Charles Addams, Edward Gorey, and Gary Larson. He is also a masterful storyteller. From the horror of "blot" to the gentle unease of "Campfire Story," from the classic oral-horror style of "The Marble Boy" to the science fiction scares of "It Twineth Round Thee in Thy Joy," the collection in The Cleft and Other Odd Tales shows Wilson at his very best.
Originally published in Playboy, Omni, and notable anthologies such as Again, Dangerous Visions, Wilson's short fiction is gathered here for the first time. The 24 stories are each accompainied by an original, full-page illustration done especially for this volume.
Gahan Wilson has won two World Fantasy Awards and the Bram Stoker Award for Life Achievement. His most recent cartoon collection is Gahan Wilson's Even Weirder. His latest CD-ROM is Gahan Wilson's The Ultimate Haunted House.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
eBookFirst Edition (First Edition)
Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
Related collections and offers
Overview
Gahan Wilson is one of the masters of macabre cartooning, ranked with Charles Addams, Edward Gorey, and Gary Larson. He is also a masterful storyteller. From the horror of "blot" to the gentle unease of "Campfire Story," from the classic oral-horror style of "The Marble Boy" to the science fiction scares of "It Twineth Round Thee in Thy Joy," the collection in The Cleft and Other Odd Tales shows Wilson at his very best.
Originally published in Playboy, Omni, and notable anthologies such as Again, Dangerous Visions, Wilson's short fiction is gathered here for the first time. The 24 stories are each accompainied by an original, full-page illustration done especially for this volume.
Gahan Wilson has won two World Fantasy Awards and the Bram Stoker Award for Life Achievement. His most recent cartoon collection is Gahan Wilson's Even Weirder. His latest CD-ROM is Gahan Wilson's The Ultimate Haunted House.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Product Details
| ISBN-13: | 9781466870543 |
|---|---|
| Publisher: | Tom Doherty Associates |
| Publication date: | 05/06/2014 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 320 |
| File size: | 4 MB |
About the Author
Gahan Wilson divides his time between Los Angeles and Long Island, New York. His writings and cartoons are included in such titles as Gahan Wilson: 50 Years of Playboy Cartoons, Still Weird, Nuts and The Big Book of Freaks.
GAHAN WILSON is an author, cartoonist, and illustrator. His cartoons have appeared in Playboy, The New Yorker, Gourmet, Punch and The National Lampoon. Fifteen individual collections of his work have been published, including Is Nothing Sacred? Playboy's Gahan Wilson, The Man in the Cannibal Pot, and and then we'll get him! Wilson has also written and illustrated a number of children's books, including the adventures of Harry, the Fat Bear Spy. For adults, Wilson has written two mystery novels, Eddy Deco's Last Caper and Everybody's Favorite Duck, and short stories which have appeared in Playboy, Omni, The Magazine of Fantasy&Science Fiction, and numerous anthologies. Other projects include graphic novels adapting the works of Ambrose Bierce and Edgar Allan Poe, a set of trading cards featuring Wilson's demonic baseball players, and his first animated work, a cartoon short, "Gahan Wilson's Diner," released by 20th-Century Fox.
Read an Excerpt
CHAPTER 1
The Cleft
The monastery was located atop a huge mountain formed of one enormous rock thrusting upward at a slight angle from the surrounding plain. The top of the mountain stood a full hundred feet high. Its tilted upper surface had posed endless problems for the architects and the resulting building was at the same time both oddly beautiful and amusing to see.
If asked why this sacred edifice had been erected in such an unlikely place, a monk would explain that the eleventh Patriarch, passing by on a journey to the north, saw the Holy One in the form of shining gold standing atop the mountain pointing at the stern rock under his sandaled feet and that the Patriarch had heard Him say: "Even here, in this peculiar place, shall the Truth be known."
There was only one mode of access to the monastery from the plain beneath, and this was by way of a shallow cleft which meandered up the side of the mountain from its base to its peak. Because it zigzagged at reasonable angles and because its rough surface provided sufficient traction, the cleft formed a crude but usable natural stairway. It was, however, only wide enough to allow for the passage of a single user at a time; this limitation had led to a meticulous etiquette that had been elaborated on and added to through the centuries until the pilgrims' passage up or down the mountain was not only physically taxing but one which demanded spiritual and ritualistic exercises of extreme complexity, surrounded by a multitude of harsh enforcements.
In the early period a simple instruction by a monk stationed at the foot of the cleft sufficed to give the novice climber enough information to make his way to the top in full confidence he was ascending with complete correctness.
First the aspiring climber was instructed to listen quietly for a moment in order to hear whether a huge gong standing at the cleft's head was ringing. If he did not hear the gong he was to sound one note on an identical gong situated by his side at the cleft's foot. If he then heard the gong above ring once in reply he knew the cleft was clear for ascent, but two ringings gave warning that a personage was about to begin the process of descent and that the cleft was therefore in full use and that he would have to wait.
Once the signals indicated the way was clear, the climber was handed a small, portable gong in order to perform the secondary precaution of ringing it every fifth step along the way up and told to listen carefully for the next five steps just in case there was a reply to be heard from a descending party who was somehow on his way down in spite of the previous business with the two large gongs. If he did hear such a thing he was to turn around immediately and return to the base of the cleft as it was understood that people going down always had priority over people coming up since it was considerably more difficult for the descenders to retrace their steps, particularly if they were aged or otherwise infirm.
This simple procedure worked admirably and it is not unreasonable to speculate that it would have continued to work well up to the present day if it had been left alone, but as the good monks of the monastery found their attention drawn to the process again and again, since it was in constant usage with them, they simply could not resist adding elaborations to it.
For example, when a visiting abbot scoldingly observed that there was not a single image of the Holy One throughout the entire length of the cleft, the monks placed statues of Him at both the cleft's base and head and carved a bas-relief of Him into its middle. Some decades later it occurred to another abbot that incense should be burnt at each one of these points, and yet a third abbot composed three prayers, one to be intoned at what had come to be called the Upper Lord, one for the Middle, and one for the Bottom or Welcoming Lord.
The accumulation of these improvements seemed to cry out for the construction of a temple at each stopping place, so a lovely little one was duly set up at each place of the Three Lords, the middle one being an absolute masterpiece of cantilevering.
Of course once these edifices had been erected it seemed obvious that they called for the devising of more elaborate rituals, but the creation of each new rite only led the way to another of increased subtlety and depth, and as this process continued with the passing of time the necessary proprieties en route became so involved and required so much apparatus that no one but an advanced adept could be expected to work his way through them in a manner which would be pleasing to the increasingly watchful and ever more astoundingly expert authorities.
The answer to this was to create an entire subclass of priests whose sole duty was to see to it that the rituals of the cleft were always scrupulously performed. Anyone wishing to mount or descend it had to be accompanied by at least two of these priests attending, one to read the appropriate prayers and incantations and commit the proper sacrifices, the other to carry the large quantity of scrolls, costumes, gongs, banners, incense burners, and other equipment which was now absolutely vital for the execution of a satisfactory passage.
There were many expansions of cleft ceremonies for special occasions, the most elaborate recorded being the visit of a particularly devout and especially high-ranking dignitary in which the ascent and descent of the cleft took no less than thirteen days, required the services of some 2,438 persons, not counting the said dignitary's own personal staff and choir, and called for the sacrifice of armies of goats, uncounted wicker baskets stuffed with doves, and an elephant. This last sacrifice had to be performed at the foot of the mountain once it was realized the creature could not be fitted into the cleft itself.
A month or so after the possible excesses of this last event, at the first light of a bright morning in the spring of the year, an unlettered monk began pushing an enormous bundle wrapped in ragged fabric from the scullery, where he worked, to the edge of the mountain directly opposite the cleft.
As a growing number of other monks watched in fascination, their brother pounded several huge stakes into cracks in the rock, tied a thick rope extending from the bundle firmly around them, then pulled aside the stitched and tattered covering to reveal an enormously long rope worked into large knots at regular intervals. He kicked the rope off the edge of the mountain and stood watching calmly as it tumbled its full length and its bottom end dangled less than a foot above the ground of the plain beneath.
Saying not a single word, the scullery monk climbed down the rope, going hand over hand from knot to knot, and when he reached the ground he walked away without a backward glance, leaving his brothers above to watch him dwindle to a dot and eventually vanish into a far gully. He never returned.
The monks silently and rather furtively studied their present Patriarch, who had come among them quietly during this strange procedure. They had observed, with growing trepidation, a wide variety of expressions cross his face and were both vastly relieved and somewhat astonished when he finally broke out with a large, beaming smile.
Clasping his hands before him, and bowing in the direction the scullery monk had taken, he declared to the other monks that their brother was a precious example to them and that they must never forget what he had taught them.
Then, in order to begin the long task of commemoration which would continuously accrue over the endless centuries to come, he solemnly ordered that the stakes which held the rope's upper end be thickly coated in the purest gold.
CHAPTER 2
Phyllis
After this nice gentleman catches my eye in the bar mirror a couple of times and sees I don't flinch away in spite of he's giving me The Look, he comes over, kind of unsteady, and asks me would I mind if he bought me a drink, Miss, and I tell him It's a free country and I will have a double Scotch, thank you. So pretty soon we're talking away like anything you could want to mention and in spite of what we are talking about is not concerned with sex, directly, his hand keeps brushing my knee. But I don't jerk away, only sort of shift over so as to let him know I am not stuck-up but I am not the kind of girl with which you can rush things, if you know what I mean.
It turns out his name is Eddie and he is a salesman in from Chicago here for the convention. He says as how they usually have the convention in Chicago but he is just as glad they are having it here this year as it gives him a chance to get away.
After we have a few more drinks he asks me do I live around here and I tell him I live just next door in the third-floor back with Phyllis. He says he wouldn't think a pretty girl like me would want to bother with a roommate and I tell him there is no bother at all with Phyllis and we have been together ever since Daddy died.
Eddie says we sound like a regular team and I say we are, kind of, but we each live our own lives. He asks me Is she like you? and I say Oh heavens no, we are altogether different and in fact it would be hard to imagine two girls who are more different than Phyllis and me. Take like I am always going around all the time, like in bars and like this, but Phyllis she just stays up in the apartment practically for all day.
He asks me What does she do up there? and I say Oh, she just sits up in her corner all the time and knits. Eddie asks me What does she knit? and I say Oh, she just knits, is all.
We have a couple of more drinks and Eddie asks how about we buy a bottle and go up to my place and sort of talk where it's private, if Phyllis wouldn't mind, and I say Sure, why not?
So he gets a bottle and we head up the stairs with him all the time asking me You sure Phyllis won't mind? and me telling him she doesn't mind at all. We get into the living room and I take off my hat and Eddie fixes a couple of drinks at the sink and then he sits down on the sofa beside me and hands me my drink but I put it on the table and say I have had enough for a while and he looks at me and he guesses so has he and puts his drink on the table next to mine and we start doing this and that on the sofa.
Well we have hardly got started when he gets this worried expression on his face and says No offense, Honey, but what is that funny musty smell? I tell him Oh, it isn't anything, and put my arms around his neck, but he still looks worried and asks me No, but what is it? So I say For Pete's sake, it is only Phyllis, and he sits up and says What do you mean?
Well what can I do but sit up and tell him Well that is the way she smells, is all, and it isn't that she isn't clean or anything and we even tried perfume once but it only made it worse. It is not her fault that Phyllis smells that way.
Eddie has some of his drink and asks me Is she sick or something? and I say No she has been that way ever since I met her when Daddy died and left me an orphan and without her I honestly don't know what would have happened to me so if she smells a little it is hardly for me to complain.
I can see it will be No Go for a while so I turn on the radio with some nice quiet music and Eddie fixes a couple more drinks and eventually we get back to fooling around on the sofa again but we haven't hardly more than just got going when so help me up he sits with that worried expression on his face all over.
Well what is the matter now? I ask him, and he says What was that noise for cryeye? Boy I am getting more than just a little tired with him but I say Forget the noise and come back to Mama, but he says It came from over there, and he points to Phyllis' door.
I can tell you I am getting plenty exasperated with him but I sit up and say It is only Phyllis so ignore her. He says It sounded like somebody scratching on the door with a bunch of dry twigs for cryeye, what is she doing scratching on the damn door? I tell him How should I know? And it certainly doesn't take much to get your mind off of certain things after all the big eyes down at the bar. He says Don't get mad, Baby, it's only that it kind of startled me is all.
So I tell him All right, then, just forget it and come back here and let's have some fun, but he says he thinks he could use another drink and he goes over and fixes one but all the time he keeps his eyes on Phyllis' door. Then he starts to come back to the sofa but then he stops by the end table and looks down and points to the floor and asks What the hell is that?
What the hell is what? I say, and I am by now feeling very irritated with him altogether. That stuff, he says, still pointing at the floor. So I lean over the arm of the sofa and look down and say Oh that is only some of Phyllis' knitting.
He says It don't look like any knitting I ever saw. He says It looks like a bunch of fluffed-up dirty Kleenex. Then he bends down and touches it and when he straightens up it has all stuck to him except where it's still stuck to the floor.
For God's sake, he says, It's all sticky! I tell him Of course it is, you dope, if it wasn't sticky it wouldn't work. He looks at me and his face goes pale and he drops his drink and begins to pull at Phyllis' knitting to try to get it off him but it won't break and he just gets himself more tangled up.
Well, I say to him, I had hoped we could have had some fun but have it your way, and I walk over to Phyllis' door and open it and out she comes.
I am hardly ready for bed by the time she is all done with Eddie and there is only that mummy thing she leaves. Well, I say to her, I hope you enjoyed him as he was a complete waste of time as far as I'm concerned. But I can tell from the bored way she cleans her forelegs with her fangs that she also considers he was pretty much a washout.
CHAPTER 3
Leavings
I was not happy when I saw the looks on the faces of Officers Mancini and Parkhurst because I could see right off we had a couple of cops way out of their league and floundering, and enough difficult things had already happened to put Inspector Nolan in a bad mood, and here it was only eight-fifteen in the morning.
I drove more or less up to the curb, with a police car you don't have to be all that precise, and Nolan stepped out of the car. He blew on his big hands against the chilly, dirty Eighty-sixth Street wind, crammed them into his pockets when that didn't work, and by then I was standing next to him and we were both looking down at the sobbing man.
He was an old, worn-out bum, hunkered up on a little bit of concrete located just inside the doorway of a failed shop where the two patrolmen had crammed him in order to keep civilians from stepping all over his body. He had a weird, shriveled look, and you could smell the poor bastard from a yard off.
"Alright, Sergeant Mancini," said Nolan, "We haven't got all day here, for Christ's sake. What's it all about?"
His voice had a real edge to it, so I suppose the old man's sobbing was getting to him the same as it was to me.
"I hate to bother you with this, Inspector," Mancini said, dry-mouthed and shooting occasional glances over at his partner for signs of reassurance, but not getting any. "Only this is the first time I know maybe all this craziness is for real."
"It's cold, Mancini," said Nolan. "Get to the point."
Mancini bent down, then took hold of the sleeves of the old man's coat and flapped them one by one like raggedy flags, all the time looking back up at us over his shoulder. The old man winced each time Mancini touched him, then his sobbing broke off and he gave a soft, short little howl like a dog might make.
"Jesus!" I said.
Nolan gave me a quick look, then frowned down at Mancini.
"Alright," he said, "So the poor bastard hasn't got any arms."
"They end like right here," Mancini said, tapping his own shoulders and looking back and forth from Nolan to me as if he was afraid we might not understand what he was trying to say. "Smooth as a whistle, see? Like his skin was polished. No scars at all. Parkhurst and me, we looked. Didn't we, Parkhurst?"
Parkhurst glared into the street, not saying a word.
"Come on, Parkhurst, goddammit," Mancini shouted at him. "You got to back me up on this! It's like the poor old shit was born that way, right?"
"Maybe he was born that way, Mancini," said Nolan, after a pause. "Babies do get born without arms all the time, these days. It's the price of progress. What's your fucking point?"
Mancini swallowed, then blurted it out.
"That's just it, Inspector," he said, talking in a rush. "We know goddam well he wasn't born that way, Parkhurst and me, because just yesterday we damn near busted him for stealing a couple of pineapples offen the Greeks' vegetable stand down the street there. He run near half a block with those pineapples before we got him, and he was using arms to hold the goddam things, two of them, just like you and me got! Isn't that right, Parkhurst, goddammit?"
Parkhurst only screwed up his mouth a little tighter.
"This has got to be bullshit, Mancini," said Nolan.
"Ask my goddam statue partner, there, if it's bullshit!"
Parkhurst still never looked at us, but I could see his lips move. Then they moved again and we could make his voice out.
"Yeah, alright," he said. "Like Mancini says. He had arms."
(Continues…)
Excerpted from "The Cleft and Other Odd Tales"
by .
Copyright © 1998 Gahan Wilson.
Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Title Page,
Copyright Notice,
The Cleft,
Phyllis,
Leavings,
blot,
Sea Gulls,
The Casino Mirago,
The Frog Prince,
The Manuscript of Dr. Arness,
Hansel and Grettel,
The Sea Was Wet as Wet Could Be,
Mister Ice Cold,
Traps,
Yesterday's Witch,
Them Bleaks,
The Marble Boy,
End Game,
A Gift of the Gods,
It Twineth Round Thee in Thy Joy,
The Book,
M-I,
Come One, Come All,
Best Friends,
Campfire Story,
The Power of the Mandarin,
Acknowledgments,
By Gahan Wilson from Tom Doherty Associates,
Copyright,