The Day the Crayons Quit

by Drew Daywalt, Oliver Jeffers (Illustrator)

Overview

Crayons have feelings, too, in this funny back-to-school story illustrated by the creator of Stuck and This Moose Belongs to Me—now a #1 New York Times bestseller!
Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Beige Crayon is tired of playing second fiddle to Brown Crayon. Black wants to be used for more than just outlining. Blue needs a break from coloring all those bodies of water. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun.

What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best?
 

Kids will be imagining their own humorous conversations with crayons and coloring a blue streak after sharing laughs with Drew Daywalt and New York Times bestseller Oliver Jeffers. This story is perfect as a back-to-school gift, for all budding artists, for fans of humorous books such as Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith, and for fans of Oliver Jeffers' Stuck, The Incredible Book Eating Boy, Lost and Found, and This Moose Belongs to Me.

Product Details

ISBN-13:	9780399255373
Publisher:	Penguin Young Readers Group
Publication date:	06/27/2013
Pages:	40
Sales rank:	396
Product dimensions:	10.30(w) x 10.20(h) x 0.50(d)
Lexile:	AD730L (what's this?)
Age Range:	3 - 7 Years

About the Author

Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and five-month-old German Shepherd. His favorite crayon is Black.

Oliver Jeffers (www.oliverjeffersworld.com) makes art and tells stories. His books include How to Catch a Star; Lost and Found, which was the recipient of the prestigious Nestle Children’s Book Prize Gold Award in the U.K. and was later adapted into an award-winning animated film; The Way Back Home; The Incredible Book Eating Boy; The Great Paper Caper; The Heart and the Bottle, which was made into a highly acclaimed iPad application narrated by Helena Bonham Carter; Up and Down, the New York Times bestselling Stuck; The Hueys in the New Sweater, a New York Times Best Illustrated Book of the Year; and This Moose Belongs to Me, a New York Times bestseller. Originally from Belfast, Northern Ireland, Oliver now lives and works in Brooklyn, New York.
 

What People are Saying About This

From the Publisher

“Hilarious. . . Each spread includes a reproduction of an actual letter (written in crayon, of course) on the verso, facing an appropriate composition such as a childlike crayon drawing or a colored-in page from a coloring book. The crayons themselves, with deceptively simple line and dot faces, are rich in emotion and character, and it’s entertaining to consider each crayon’s representation in light of the voice in its letter. While potential lessons in inference, point of view, and persuasive writing abound in the crayons’ letters, this is guaranteed to see just as much use for being just plain fun. Move over, Click, Clack, Moo (BCCB 9/00); we’ve got a new contender for most successful picture-book strike."—BCCB

Editorial Reviews

Although the crayons in this inventive catalogue stop short of quitting, most feel disgruntled. The rank and file express their views in letters written to a boy, Duncan. Red complains of having to “work harder than any of your other crayons” on fire trucks and Santas; a beige crayon declares, “I’m tired of being called ‘light brown’ or ‘dark tan’ because I am neither.” White feels “empty” from Duncan’s white-on-white coloring, and a “naked” Peach wails, “Why did you peel off my paper wrapping?” Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers’s (This Moose Belongs to Me) crayoned images underscore the waxy cylinders’ sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon’s hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, “That’s a lot of space to color in all by myself”). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes. Ages 3–7. Author’s agent: Jeff Dwyer, Dwyer & O’Grady. (June)

Publishers Weekly

Goodreads' 2013 Picture Book of the Year!

Amazon's Best Picture Book of the Year!

A Barnes & Noble Best Book of 2013!

* “Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers’s (This Moose Belongs to Me) crayoned images underscore the waxy cylinders’ sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon’s hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, 'That’s a lot of space to color in all by myself'). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes."—Publishers Weekly, starred review — Publisher's Weekly

"Jeffers delivers energetic and playful illustrations. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s 'white cat in the snow' perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability. A comical, fresh look at crayons and color."—Kirkus Reviews

"Fresh and funny. Oliver Jeffers's quirky, joyful illustrations convey the strength and comedy of the crayons' sentiments, and children ages 4-8 will laugh in recognition at seeing their own color preferences reflected back at them."—The Wall Street Journal

“Hilarious. . . Each spread includes a reproduction of an actual letter (written in crayon, of course) on the verso, facing an appropriate composition such as a childlike crayon drawing or a colored-in page from a coloring book. The crayons themselves, with deceptively simple line and dot faces, are rich in emotion and character, and it’s entertaining to consider each crayon’s representation in light of the voice in its letter. While potential lessons in inference, point of view, and persuasive writing abound in the crayons’ letters, this is guaranteed to see just as much use for being just plain fun. Move over, Click, Clack, Moo (BCCB 9/00); we’ve got a new contender for most successful picture-book strike."—BCCB

From the Publisher

The rebellion of the crayons is foreshadowed on the jacket/cover as the anthropomorphized crayons scowl in protest. Duncan, a young boy, is surprised to find a series of letters from his crayons when he goes to take them out of their box. Each crayon is then depicted on a double page with a note in its color stating its complaint and sample drawings. Red feels overworked doing fire engines, apples, valentines, and Santa. Purple is glad to be used but is upset when Duncan colors outside the lines. Beige is tired of being second to Brown; Gray is sick of being used for big things like elephants and whales. And so each color states its complaints alongside examples. Blue is almost used up from all the oceans, lakes, etc. Peach is embarrassed because it is naked without its paper wrapping. Duncan answers all their complaints with a solution sure to amuse and perhaps inspire young readers. The crayons, also filling the end pages, are portrayed naturalistically but with stick arms, legs, and features. Their sample illustrations are indeed crayon-made, almost child-like, as are the notes. A couple of pages reproduced from a coloring book add authenticity. Readers may be inspired to produce some notes and examples of their own. Reviewer: Ken Marantz and Sylvia Marantz

Children's Literature - Ken Marantz and Sylvia Marantz

K-Gr 2—In this delightfully imaginative take on a beloved childhood activity, a young boy's crayons have had enough. Fed up with their workload and eager to voice their grievances, they pen letters to Duncan detailing their frustrations. Energetic and off-the-wall, the complaints are always wildly funny, from the neurotically neat Purple ("If you DON'T START COLORING INSIDE the lines soon… I'm going to COMPLETELY LOSE IT") to the underappreciated White ("If I didn't have a black outline, you wouldn't even know I was THERE!"). Daywalt has an instinctive understanding of the kind of humor that will resonate with young children, such as Orange and Yellow duking it out over which of them represents the true color of the sun or Peach's lament that ever since its wrapper has fallen off, it feels naked. Though Jeffers's messily scrawled crayon illustrations are appropriately childlike, they're also infused with a sophisticated wit that perfectly accompanies the laugh-out-loud text; for example, a letter from Beige, in which he bemoans being tasked with drawing dull items like turkey dinners, is paired with an image of the crestfallen crayon drooping over beside a blade of wheat. Later on, Pink grumbles about constantly being passed over for less-feminine colors while the opposite page depicts a discomfited-looking pink monster and cowboy being derided by a similarly hued dinosaur. This colorful title should make for an uproarious storytime and may even inspire some equally creative art projects.—Mahnaz Dar, Library Journal

School Library Journal

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons' demands in this humorous tale. Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He's naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan's "white cat in the snow" perfectly capture the crayons' conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale's overall believability. A comical, fresh look at crayons and color. (Picture book. 3-7)

Kirkus Reviews

Clearly, Duncan's crayons had had enough. When he opened his art box that day, he found not a single crayon, only letters from disgruntled color sticks. Their complaints were various: Some felt overused or misused; others, neglected. Blue, for example, wondered how many oceans he would be obliged to color and Beige despaired that all the good jobs were going to Brown. For poor Duncan, this spontaneous strike called for quick action. Almost instantly, the aspiring artist becomes a mediator. A very entertaining picture book from debut author Drew Daywalt and illustrator Oliver Jeffers (This Moose Belongs to Me; Stuck).