The Early Stories of Truman Capote

by Truman Capote, Hilton Als (Foreword by)

Overview

The early fiction of one of the nation’s most celebrated writers, Truman Capote, as he takes his first bold steps into the canon of American literature

Recently rediscovered in the archives of the New York Public Library, these short stories provide an unparalleled look at Truman Capote writing in his teens and early twenties, before he penned such classics as Other Voices, Other Rooms, Breakfast at Tiffany’s, and In Cold Blood. This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers.

Spare yet heartfelt, these stories summon our compassion and feeling at every turn. Capote was always drawn to outsiders—women, children, African Americans, the poor—because he felt like one himself from a very early age. Here we see Capote’s powers of empathy developing as he depicts his characters struggling at the margins of their known worlds. A boy experiences the violence of adulthood when he pursues an escaped convict into the woods. Petty jealousies lead to a life-altering event for a popular girl at Miss Burke’s Academy for Young Ladies. In a time of extraordinary loss, a woman fights to save the life of a child who has her lover’s eyes.

In these stories we see early signs of Capote’s genius for creating unforgettable characters built of complexity and yearning. Young women experience the joys and pains of new love. Urbane sophisticates are worn down by cynicism. Children and adults alike seek understanding in a treacherous world. There are tales of crime and violence; of racism and injustice; of poverty and despair. And there are tales of generosity and tenderness; compassion and connection; wit and wonder. Above all there is the developing voice of a writer born in the Deep South who will use and eventually break from that tradition to become a literary figure like no other.

With a foreword by the celebrated New Yorker critic Hilton Als, this volume of early stories is essential for understanding how a boy from Monroeville, Alabama, became a legend in American literature.

Praise for The Early Stories of Truman Capote

“Succeeds at conveying the writer’s youthful rawness . . . These stories capture a moment when Capote was hungry to capture the rural South, the big city, and the subtle emotions that so many around him were determined to keep unspoken.”—USA Today

“A window on the young writer’s emerging voice and creativity . . . Capote’s ability to conjure a time, place and mood with just a few sentences is remarkable.”—Associated Press

“Blueprints of the august, confident, and delightfully acerbic writer-to-come.”—The Los Angeles Review of Books

“Dazzling.”—The Columbus Dispatch

“[These stories] stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled. . . . Breathtaking in their precocity, craftsmanship, simplicity and the tenderness [Capote] became renowned for.”—The Independent (U.K.)

“These ten-plus stories were written when Capote was a teenager and young man and will shed light on his subsequent work while remaining sharply observed pleasures in their own right.”—Library Journal

“[A] gathering of the great American prose stylist’s earliest pieces, published for the first time . . . Students of both Capote and the short story will find this instructive and entertaining.”—Kirkus Reviews

Product Details

ISBN-13:	9780812987690
Publisher:	Random House Publishing Group
Publication date:	09/06/2016
Pages:	208
Product dimensions:	5.20(w) x 7.80(h) x 0.60(d)

About the Author

Truman Capote was born in New Orleans on September 30, 1924. In 1948 his first novel, Other Voices, Other Rooms, was published to international critical acclaim, assuring Capote a place among the prominent postwar American writers. He won the O. Henry Memorial Short Story Prize twice and was a member of the National Institute of Arts and Letters. His other works include Breakfast at Tiffany’s, The Grass Harp, and the nonfiction masterpiece In Cold Blood. Truman Capote died on August 25, 1984 in Los Angeles.
 
Hilton Als is a staff writer for The New Yorker. His work also appears in The New York Review of Books. He is the author of The Women and White Girls. He lives in New York.

Date of Birth:

September 30, 1924

Date of Death:

August 25, 1984

Place of Birth:

New Orleans, Louisiana

Place of Death:

Los Angeles, California

Education:

Trinity School and St. John's Academy in New York City and Greenwich High School in Connecticut

Editorial Reviews

“[The Early Stories of Truman Capote] succeeds at conveying the writer’s youthful rawness. . . . These stories capture a moment when Capote was hungry to capture the rural South, the big city, and the subtle emotions that so many around him were determined to keep unspoken.”—USA Today
 
“A window on the young writer’s emerging voice and creativity . . . Capote’s ability to conjure a time, place and mood with just a few sentences is remarkable.”—Associated Press

“Blueprints of the august, confident, and delightfully acerbic writer-to-come.”—The Los Angeles Review of Books
 
“Dazzling.”—The Columbus Dispatch

“[Capote’s early] stories are special. Not just because they give a glimpse of an author finding his voice; or for the traces of his masterpieces. But also because they stand in their own right as lovely vignettes of the lives of the lonely, broken and troubled. . . . If you consider they were written when he was a child—aged between eleven and nineteen—then they become breathtaking in their precocity, craftsmanship, simplicity and the tenderness he became renowned for.”—The Independent (U.K.)

“These ten-plus stories were written when Capote was a teenager and young man and will shed light on his subsequent work while remaining sharply observed pleasures in their own right.”—Library Journal

“[A] gathering of the great American prose stylist’s earliest pieces, published for the first time . . . Students of both Capote and the short story will find this instructive and entertaining.”—Kirkus Reviews

From the Publisher

Even in his youth, Capote had an observing eye and a listening ear, a precocious ability to use snatches of gossip, stray facts and little details to powerful effect.

The New York Times Book Review - Louisa Thomas

08/03/2015
This volume collects 14 tales that Capote wrote during his teens and 20s; most of them are set in his native South, and most are previously unpublished. At their underwhelming best, they reveal his adept ear for Southern vernacular and make a good attempt at atmosphere, though suffering from adjectival overkill. Early on, Capote’s imagination conjured Southern gothic dramas. An escaped convict with “cold, calculating, insane eyes” pleads for help in “The Moth in the Flame.” “Miss Belle Rankin,” considered “a witch,” is a starving old woman who dies under a japonica tree she refused to sell. The stories are earnest but predictable efforts. And though Capote was adept at posing imaginative scenarios, he seems incapable of producing satisfying endings. Thin characterization and inept narrative development in “Swamp Terror” (two boys get lost in a swamp while an escaped convict is on the loose) and in “Kindred Spirits” (two society matrons plan murder) mark them as puerile efforts. “If I Forget You,” a sentimental story about a girl in love with a man who is leaving town is a vignette without depth, and another, “This Is in Jamie,” a would-be tearjerker in which a little boy receives the dog he desires from a dead child’s father, falls flat. “Traffic West” is a facile version of the novella The Bridge of San Luis Rey, a story popular during Capote’s youth. These stories will be of interest mainly as a budding writer’s efforts to master the techniques of his craft. (Oct.)

Publishers Weekly

06/15/2015
Discovered as manuscript pages in the New York Public Library Archives, often with Capote's edits clearly in place, these ten-plus stories were written when Capote was a teenager and young man and will shed light on his subsequent work while remaining sharply observed pleasures in their own right. The settings seesaw from the rural South to sophisticated 1940s New York, and the characters range from a teenage girl awaiting a date to a little boy who finds his dream dog in Central Park to sadder-but-wiser types making their way in the urban jungle. New Yorker staff writer Hilton Als provides the foreword; look for a big first serial in a publication yet to be disclosed.

Library Journal

2015-07-30
Gathering of the great American prose stylist's earliest pieces, published for the first time. Some of those pieces are very far from Park Avenue. In the first, a teenage Capote (Summer Crossing, 2005, etc.) serves up an odd vignette concerning a young hobo and his older, wizened friend of the road. "Ma an' them don't know I been bummin' around the country for the last two years; they think I'm a traveling salesman," the youngster says, just before the older man helps himself to a ten-spot his companion has been guarding against the day that he can wash up, buy a suit, and head home. The moment of their parting is worthy of de Maupassant. So it is, too, when Capote, Alabaman by upbringing if not inclination, turns in another Southern-fried piece, this one involving a gaggle of kids, a snakebite, and a chicken or three. "The ulcers were burning like mad from the poison," Capote writes in a fine closing, "and she felt sick all over when she thought of what she had done." Capote might have become another Flannery O'Connor had he stuck to his home turf, but instead he relocated to New York, and several of the later stories here reflect that change of venue. Now his characters are more urbane and decidedly more privileged: "The girl had had excellent letters from the Petite Ecole in France and the Mantone Academy in Switzerland." Excellent letters or no, the story in question marks what will become a typical Capote ploy, a scenario of roiling jealousies and intrigue under a superficially calm cover. Another reveals Capote's trademark strangeness, too: "It's one thing to lose a leg," harrumphs one character, "but it's too much to lose an election because of someone else's stupidity." Amputations, petty larceny, and noblesse oblige: it's all of a piece, and all that's missing are the chameleons. Students of both Capote and the short story will find this instructive and entertaining—and, if somewhat unformed still, very readable all the same.

Kirkus Reviews