The Ends of Satire: Legacies of Satire in Postwar German Writing

How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory.

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The Ends of Satire: Legacies of Satire in Postwar German Writing

How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory.

103.99 In Stock
The Ends of Satire: Legacies of Satire in Postwar German Writing

The Ends of Satire: Legacies of Satire in Postwar German Writing

by Daniel Bowles
The Ends of Satire: Legacies of Satire in Postwar German Writing

The Ends of Satire: Legacies of Satire in Postwar German Writing

by Daniel Bowles

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$103.99 

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Overview

How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory.


Product Details

ISBN-13: 9783110386844
Publisher: De Gruyter
Publication date: 02/24/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 238
File size: 840 KB
Age Range: 18 Years

About the Author

Daniel Bowles, Boston College, Massachusetts, USA.

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