Publishers Weekly
09/16/2013
Lasky (the Guardians of Ga’Hoole series) delivers a well-researched and uncompromising standalone novel focusing on the Nazi genocide of the Roma and Sinti peoples. Lilo—a Sinti girl of 15 at the beginning of the book—is taken by the Nazis when they start rounding up the Romani of Austria. Lilo’s losses mount quickly as she’s separated from her father and many of her friends; only the opportunity to be an extra in the cast of a film by Nazi propagandist Leni Riefenstahl might save her. Along with a musically gifted boy named Django, Lilo learns the ins and outs of the concentration camps and witnesses the genocide as it affects her loved ones. Lasky’s novel is thorough in its attention to detail, mixing facts like Riefenstahl’s awful behavior toward her charges with the horrific lives of the fictional characters. Only a slightly rushed ending throws off the pace, but even then, between the constant, appalling brutality of the camps and Lilo’s growth over the years, Lasky draws remarkable depth, realism, and even charm out of a bleak story. Ages 12–up. (Oct.)
From the Publisher
[A] touching story of survival.
—Kirkus Reviews
Lasky delivers a well-researched and uncompromising standalone novel focusing on the Nazi genocide of the Roma and Sinti peoples. ... Lasky’s novel is thorough in its attention to detail, mixing facts like Riefenstahl’s awful behavior toward her charges with the horrific lives of the fictional characters. … [B]etween the constant, appalling brutality of the camps and Lilo’s growth over the years, Lasky draws remarkable depth, realism, and even charm out of a bleak story.
—Publishers Weekly
Lasky’s introduction of a historical character, who really was Hitler’s favorite filmmaker, gives a unique twist to an otherwise oft-told tale. Her characters are well realized, as well... Touches of humor provided by a camp-smart boy offer a little relief. Above all, Lasky’s accessible style balances the grim realities of a Nazi camp with a girl’s enduring will to survive — a girl who comes of age among some of history’s greatest horrors.
—VOYA
Lasky has written a harrowing and deeply moving novel that focuses attention on a seldom-told story of the Nazis’ attempt to exterminate the Romani people. Thoroughly researched and insightful, the book is ideal for classroom use and discussion.
—Booklist
The war’s Gypsy genocide is undertreated in literature for youth, and this brings the plight of the Zigeuner during the Holocaust (or, in their terms, the devouring) into sharp relief; the irony of the layers of deception and fiction that drove the Nazi regime will not be lost on YA readers.
—Bulletin of the Center for Children's Books
Inspired by actual events, Lasky’s intense novel exposes readers to the atrocities endured by Gypsies during World War II, specifically those who worked on the film Tiefland. ... [The story] convey[s] the horrors she witnesses with frightening clarity.
—School Library Journal
Exposing the experiences of non-Jews at the hands of the Nazis, Lasky spotlights a group that is rarely focused on. Lilo also experiences medical experiments, and she discovers that both good and bad Nazis exist. This book is a welcomed addition to any children’s history collection. The ability to see the Holocaust from another point of view is also a benefit, showing that it was not only the Jews who were interned and exterminated.
—Library Media Connection
This is a Holocaust narrative that is rarely told and Lasky delivers with a deft hand, powerfully and poignantly. The mix of actual history and fictional protagonist works seamlessly. ... This is absolutely a book worth reading and discussing.
—Jewish Book World
[R]ealistic dialogue and evocative imagery.
—The Association of Jewish Libraries Newsletter
Children's Literature - Shirley Nelson
Living in Vienna in 1940 is dangerous for fifteen-year old Lilo and her family. Classmates are disappearing and families are being torn apart. As Sinta Gypsies, her family feels superior to the more flamboyant and nomadic Roma. However, all Gypsies are being rounded up by Hitler’s Third Reich and being sent to uncertain futures in concentration camps. When her family is arrested and taken to Buchenwald, Lilo and her mother are separated from her father. Through Lilo’s new friend the Roma boy Django, they are able to learn about him until he is moved to another camp. Django has the skills to gather both food and news to share with them. Soon he brings news of a casting call for a movie being made by Leni Riefenstahl, Hitler’s filmmaker. The three of them manage to obtain roles, hoping for an easier existence. However, while they move from camp to camp, life as an extra is still the hard life of a prisoner. Lasky presents the atrocities of the concentration camps through a fast-paced story without giving too much graphic detail for young readers. The author’s note at the end provides valuable historical insight. Reviewer: Shirley Nelson AGERANGE: Ages 10 to 14.
VOYA - Austin Bell
This reviewer enjoyed this book because it helped with understanding the Nazis from a new perspective. Not only Jews but also Gypsies were put into concentration camps, and Lilo was a Gypsy who lost everything, yet maintained her hope that she would someday find her freedom again. Teens who would enjoy this book are those who like history and who also like a good story. Reviewer: Austin Bell, Teen Reviewer
VOYA - Marla Unruh
As Lilo walks home from school with a friend, they are wondering why a classmate has disappeared. Since the Nuremberg Laws were passed, another Gypsy girl has gone too. Then, the jackbooted officers knock on Lilo's door, and she and her parents are taken away to a labor camp. Ironically, the movie maker Leni Riefenstahl, admired by Lilo's father before the Nazi take-over, appears at Lilo's camp looking for extras to play parts in a film she is making. She chooses Lilo. For a time, Lilo enjoys slightly better treatment on the fringe of Riefenstahl's make-believe world. The brutality goes on, however, and Lilo realizes that to live she must escape. The story begins, as so many about Nazism do, with a picture of Lilo's family life that is soon to end: her parents are respected and skilled artisans who love her and are concerned about her progress in school. Too soon, normalcy is gone forever as they enter Nazi camps. Lasky's introduction of a historical character, who really was Hitler's favorite filmmaker, gives a unique twist to an otherwise oft-told tale. Her characters are well realized, as well: Leni Reifenstahl's veneer of kindness over her cruelty, Lilo's precocious maturity, her mother's helplessness, a guard who dares to help. Touches of humor provided by a camp-smart boy offer a little relief. Above all, Lasky's accessible style balances the grim realities of a Nazi camp with a girl's enduring will to survive—a girl who comes of age among some of history's greatest horrors. Reviewer: Marla Unruh
School Library Journal - Audio
02/01/2014
Gr 7 Up—Filling a gap in Holocaust literature, this tale (Candlewick, 2013) of Roma (Gypsy) prisoners brings listeners into the surreal world of filmmaking in concentration camps. Lilo had lived a privileged life until she and her parents were arrested by Nazi troops. Father is imprisoned away from the women, who are selected to be film extras in a romance directed by the Hitler's favorite documentarian, Leni Riefenstahl. The filmmaker is a brutal adherent to Nazi ideology who will starve and demoralize Roma, even disposing of those deemed "unnecessary" in the making of her self-aggrandizing film. Details about forced sterilization, Ravensbruck concentration camp, and Roma society's class system embellish the tale. Lasky builds the narrative based on true events. Her references and vocabulary can be precise to the point of being strained or arcane, which might confound listeners. Arielle DeLisle's narration provides dramatic accents, enlivening the German characters. Despite its drawbacks, titles about Roma history during the Nazi occupation of Europe can be difficult to find for teens, and The Extra is worth including in libraries with robust Holocaust collections.—Robin Levin, U.S. Holocaust Memorial Museum, Teacher/Fellow
School Library Journal
12/01/2013
Gr 8 Up—In 1940 Vienna, 15-year-old Lilo lives with her mother and father under the watchful eyes of the Nazis, who have recently fingerprinted and identified the family as a part of the "Gypsy plague." Soon after, they are arrested and taken to jail to await deportation to an internment camp. When they are separated, Lilo and her mother are transferred to another camp where they are selected to be extras in Leni Riefenstahl's latest film. Treated as slaves, they are all at the mercy of the mercurial director, who quickly dispatches those who displease her. When her mother disappears, The teen escapes to Salzburg where she is hidden from the Gestapo but then recaptured. Facing extermination, she makes the courageous decision to escape once again, leading to her eventual rescue by Allied forces. Inspired by actual events, Lasky's intense novel exposes readers to the atrocities endured by Gypsies during World War II, specifically those who worked on the film Tiefland. Told from a third-person point of view, the story never really allows readers to feel what Lilo feels yet it manages to convey the horrors she witnesses with frightening clarity. The narrative moves briskly as characters come and go in Lilo's life, which is beneficial since many of the supporting figures are flat and indistinguishable from one another. With its abrupt ending, however, the story seems unfinished and may leave readers wondering what Lilo's future holds.—Audrey Sumser, Cuyahoga County Public Library, Mayfield, OH
Kirkus Reviews
2013-09-01
The rarely told story of the Nazi genocide of the Romani people unfolds through the eyes of a heavily fictionalized "film slave," a Romani girl forced into service as an extra in a Leni Riefenstahl film. Lilo is 15 when the Nazis cart her family off to a concentration camp. She'd assumed they were safe--settled, urban, skilled Sinti, unlike Roma who traveled in caravans and were easier targets of bigotry. But there's no safety in Buchenwald or Maxglan, where her mother is the subject of sadistic procedures and her father vanishes in the night. In a stroke of luck, she's taken to be a forced extra, a film slave in the backdrop of Leni Riefenstahl's film Tiefland. Along with the other Romani imprisoned by Riefenstahl, Lilo fights to stay alive in circumstances less extreme than the camps but still horrific. Filmmaking details provide a unique flavor in a tragic story that's otherwise all too familiar. Amid death and torment, Lilo encounters unexpectedly frequent sparks of human decency. Conveyed in at-times overly expository prose, Lilo's story is fiction laid upon the life of actual Romani Holocaust survivor Anna Blach. Context is provided by a deeply problematic author's note, which dedicates more than four pages to Riefenstahl but only three sentences to the modern Romani, mentioning neither the modern reality of anti-Romani bigotry nor the simple fact that "Gypsy" (used through the note as synonymous with "Romani") is now considered pejorative and should be avoided. In the end, the touching story of survival carries readers over the occasional infelicities. (Historical fiction. 12-16)
