The Fallen Angels

by Bernard Cornwell, Susannah Kells

Overview

“If you love historical drama…then look no further.”
 —Boston Globe

The magnificent sequel to A Crowning Mercy, Fallen Angels reunites New York Times bestseller Bernard Cornwell—whom the Washington Post calls, “perhaps the greatest writer of historical adventure novels today”—with co-author Susannah Kells for a breathtaking story brimming with excitement, intrigue, danger, and passion. A tale that ranges from the splendor of a grand English estate to the streets of revolutionary Paris during France’s Reign of Terror, Fallen Angels is a novel that will equally delight followers of Cornwell’s Richard Sharpe, Nathaniel Starbuck, and other bestselling series as well as readers who love the sweeping historical dramas of Diana Gabaldon and Sharon Kay Penman.

Product Details

ISBN-13:	9780061725456
Publisher:	HarperCollins Publishers
Publication date:	12/01/2009
Edition description:	Reprint
Pages:	450
Product dimensions:	5.20(w) x 7.90(h) x 0.90(d)

About the Author

BERNARD CORNWELL is the author of the acclaimed New York Times bestselling Saxon Tales series, which includes The Last Kingdom, The Pale Horseman, Lords of the North, Sword Song, The Burning Land, Death of Kings, The Pagan Lord, and, most recently, The Empty Throne and Warriors of the Storm, and which serves as the basis for the hit television series The Last Kingdom. He lives with his wife on Cape Cod and in Charleston, South Carolina.

Susannah Kells is the pen name of Bernard's wife, Judy Cornwell. They live on Cape Cod, Massachusetts.

Read an Excerpt

The Fallen Angels

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By Bernard Cornwell

HarperCollins Publishers, Inc.

Copyright © 2005 Bernard Cornwell
All right reserved.
ISBN: 0060725656

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Chapter One

Fear, like the rumor of plague, can empty a city's streets.

Paris, on that hot September evening of 1792, seemed empty. The citizens stayed behind closed doors as though, after a week of slaughter, they were suddenly ashamed of the horrors they had fetched on their city. There was a silence in Paris, not an absolute quiet, but a strange, almost reverent, hush in which a raised voice seemed out of place.

Fear, on that evening, smelled like a charnel house.

Four horsemen rode through the streets. There was a menace in the sound of their hooves, a menace that made the hidden, listening citizens hold their breath until the sound passed. Death had become a commonplace that week, not decent death at sickness's end, but the death of the slaughterhouse. The hollow sound of the hooves was urgent, as if the horsemen had business with the horrors that had choked Paris' gutters with blood.

It was a hot evening. If it had not been for the stink in the city it would have been a beautiful evening. The roofs were outlined with startling clarity against a watercolor sky. Clouds banded the west where the sun, like a huge, blood-red globe, was suspended over the horizon.

The whole summer of 1792 had been hot. The soldiers who had gone north to fight the invading Austrians and Prussians had marched through Paris with a grime of sweat and dust caked on their faces. Rumor said that those soldiers were now losing the war on France's northern frontier, and that too had made this city fearful.

The summer had been so hot that the leaves, withered and dry, had fallen early. On the day that the King was taken prisoner, he had walked from the Tuileries Palace to the National Assembly and his son, the dauphin, had kicked the piles of fallen leaves into the air as if it was a game. That had been the second week of August, only the second week, yet the leaves had fallen. Never, it was said, had there been a summer so hot, a heat that had not diminished as autumn came, that turned the corpses into the stench which fouled the exhausted city.

The four horsemen rode into a square where martins dipped over the darkening cobbles. They slowed their horses to a walk.

Facing the four men was a great building with an imposing archway. The gates were open. In the entrance of the building was a small crowd, oddly cheerful and noisy on this evening of silence and fear. The people in the small crowd were tired, yet the bottles from which they drank, and the memories of their great day, gave them a feverish energy and ebullience. Nearly all of them wore soft red hats that sat rakishly on their long hair.

The oldest of the four horsemen motioned with his hand for his companions to hold back while he rode on alone. The crowd, eager for more excitement, came to meet him.

The horseman looked over the group. "Who's in charge?"

One man stepped forward, a man with a great belly that sagged over the rope belt of his trousers. He looked up at the horseman and then, instead of answering, took a slow drink from his bottle. When he had finished all the wine, he belched. The crowd laughed. The fat man, pleased with his performance, spat, and looked truculently at the rider. "And who, citizen, are you?"

The horseman took a folded square of paper from a pouch on his belt and handed it wordlessly to the fat man who made a great pantomime with it. First he handed his empty bottle to a companion, then he brushed his moustache, then he planted his feet wide, and finally, with a flourish, he shook the square of paper open.

He read it slowly, his lips moving. He frowned, looked suspiciously at the horseman, then turned the paper over as though its blank reverse might hold an answer to his puzzlement. He turned it back.

He stared at the signature at the foot of the paper. He stared at the seal. "You're from the English Embassy?" The horseman sighed. He spoke in patient French.

"The British embassy."

"All of you?"

The horseman gestured at his companions. Closest to him was a young man with bright red hair. "That is Mr. Lazender, behind him is Mr. Drew, and my name is Pierce. Our names are all listed there." He did not bother to introduce the fourth horseman who hung back as if he did not wish to be associated with the three Englishmen. The fourth man was the only one in the group who was armed. At his left hip there hung a long, blackscabbarded sword.

The fat man frowned. The signature seemed genuine, and the seal seemed genuine, and the orders did not seem particularly troublesome. He scratched his cheek, pulled up his trousers, then handed the paper back to the man called Pierce. "Who are you looking for?"

"A woman."

"Name?"

"Lucille de Fauquemberghes. You've heard of her?"

The fat man shook his head. "Never heard of her." He looked at the fourth horseman, a young man dressed entirely in black who, unseen to the three Englishmen, gave the smallest nod to the fat man. The fat man seemed relieved by the signal. He waved carelessly toward the archway. "Go on, then!"

The three Englishmen dismounted and gave their reins to the man in black who tethered their horses to a grating beside the archway. His own horse, a superb black mare, he let stand free. He walked to the open prison gates. The gutter that came out of the building was darkly choked, smelly, and busy with flies. A dog, its ribs stark against its matted skin, licked at the black substance that clogged the drain.

The fat man watched the three Englishmen go into the prison. He waited till they had disappeared, then grinned at the man in black and offered his hand ...

Continues...

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Excerpted from The Fallen Angels by Bernard Cornwell Copyright © 2005 by Bernard Cornwell. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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