The Getaway

Doc McCoy knows everything there is to know about pulling off the perfect bank job. But there are some things he has forgotten—such as a partner who is not only treacherous but insane and a wife who is still an amateur. Worst of all, McCoy has forgotten that when the crime is big and bloody enough, there is no such thing as a clean getaway.

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The Getaway

Doc McCoy knows everything there is to know about pulling off the perfect bank job. But there are some things he has forgotten—such as a partner who is not only treacherous but insane and a wife who is still an amateur. Worst of all, McCoy has forgotten that when the crime is big and bloody enough, there is no such thing as a clean getaway.

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The Getaway

The Getaway

The Getaway

The Getaway

Paperback(Reprint)

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Overview

Doc McCoy knows everything there is to know about pulling off the perfect bank job. But there are some things he has forgotten—such as a partner who is not only treacherous but insane and a wife who is still an amateur. Worst of all, McCoy has forgotten that when the crime is big and bloody enough, there is no such thing as a clean getaway.


Product Details

ISBN-13: 9780316403979
Publisher: Little, Brown and Company
Publication date: 08/05/2014
Edition description: Reprint
Pages: 224
Product dimensions: 5.50(w) x 8.10(h) x 0.60(d)

About the Author

About The Author

(1906 - 1977) James Meyers Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detective when he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals. Thompson also wrote two screenplays (for the Stanley Kubrick films “The Killing” and “Paths of Glory”). An outstanding crime writer, the world of his fiction is rife with violence and corruption. In examining the underbelly of human experience and American society in particular, Thompson’s work at its best is both philosophical and experimental. Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet (1955), and The Grifters (1963).

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