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Product Details
| BN ID: | 2940170832125 |
|---|---|
| Publisher: | Recorded Books, LLC |
| Publication date: | 03/15/2013 |
| Edition description: | Unabridged |
| Age Range: | 8 - 11 Years |
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The Ghost Wore Gray
The Nina Tanleven Mysteries, Book Two
By Bruce Coville
OPEN ROAD INTEGRATED MEDIA
Copyright © 1988 Bruce CovilleAll rights reserved.
ISBN: 978-1-4976-6845-4
CHAPTER 1
The Quackadoodle
"Sigh."
That was me, Nina Tanleven.
"I know. Double sigh."
That was my best friend, Chris Gurley. We were lying on the floor of Chris's bedroom, looking at magazines and being depressed.
"Does everyone feel like this when a play ends?" I asked. Chris and I had been acting in a show being done at one of the local theaters that summer. Now that it was over, life seemed incredibly boring.
"I don't know," said Chris. She rolled a strand of reddish blond hair through her fingers and pulled it over her nose. "I'd look it up, but I'm too depressed."
"I wish we could do another one," I said wistfully. "I wouldn't even complain about rehearsals."
"You have to complain about rehearsals. It's traditional. Anyway, what I really miss are the people."
I knew what she meant. While we were working on The Woman in White the rest of the cast had become like a second family. Now there was no reason for us to get together anymore.
Except for Chris and me. When we met at the auditions, the two of us had become friends almost instantly. We moved from "just friends" to "best friends" when we teamed up to solve the mystery behind the ghost haunting the Grand Theater where the play was being produced. Despite the fact that we go to different schools, we plan to be best friends forever.
We were still lying there feeling sorry for ourselves when Chris's mother poked her head into the room. "Come on, Nine. I'll drive you home."
I sighed again and got up. "See you later," I said to Chris.
She flopped her hand listlessly. "See you later."
We both sighed.
You'd think that when someone is that depressed, the people around them would have the good manners to be a little depressed, too. Not my father. When Mrs. Gurley dropped me off, I dragged myself into the house, only to find Dad dancing around the kitchen, playing a tune on the pots and pans. Now Dad's a little weird, even at his best. But when I saw this act, I began to wonder if he had finally flipped for real.
"This is it, kid!" he yelled when he spotted me in the doorway. Making a lunge in my direction, he swooped me up and began swinging me around in a huge circle.
"What's going on?" I shrieked.
"I got the commission! This is it—the big break!"
"Dad, that's fantastic!"
"I know," he said smugly.
My father is a preservation architect, which means he takes crummy old buildings that used to be beautiful and tries to make them beautiful again. He works for one of the best firms in Syracuse, New York. But for a long time he's been wanting to go out on his own. "Oh, Nine," he would moan when we were having supper. "I want to burst the bonds of employment, shatter the shackles of salary, dump the daily drudge—"
"Yeah, I know," I would say. "You want to be a bum."
Actually, I only said that to tease him. My father works very hard. But he'd much rather be working for himself. For one thing, he has his own ideas about how to do things. They sound great to me. But when you're working for someone else, you usually have to do things their way.
That's why I plan on owning my own business when I grow up.
"So you got the job," I said when he finally put me down. "Is it being too nosy if I ask which one?"
"THE job," said Dad. "The plum I've been trying to pluck for months now. The assignment that will get my name in major design magazines across the country."
"Oh, that job," I said.
He smiled.
"Well, which one is it?" I finally shouted.
"The Quackadoodle."
"Say that again?"
"The Quackadoodle," he repeated.
"What's a Quackadoodle do?" I asked.
"Very funny, twit," he said. "It doesn't do anything. It just sits there."
"Sort of like Sidney?" I asked.
Sidney is our cat. He's big, orange, and lazy. If you see him from the wrong angle, it's easy to get confused and think he's a pillow.
"No, not like Sidney," said Dad. "The Quackadoodle is an inn. A very old inn, located in the Catskill Mountains. A very run-down old inn that is going to be incredibly beautiful when I get done with it!"
A sudden thought struck me.
"When did you get this news?" I asked.
"About three hours ago."
"And have you done anything I ought to know about since then?"
He looked at me, the picture of wounded innocence. "Me?" he asked sweetly.
Ever since my mother left two years ago, I've kind of felt it was my job to keep my father from doing things without thinking. But sometimes he moves pretty fast. I had a feeling this was one of those times.
I looked him straight in the eye. "Dad?"
"Yes?" he said, acting as if this were a brand-new conversation.
"Should I be nervous?"
"Are you kidding?" he said. "When you're living with Henry Tanleven, the number one free-lance preservation architect in Syracuse?"
"I knew it!" I yelled. "I knew it. You quit your job. We'll be living on the street and eating bread crusts within three months."
Actually, I didn't believe that for a minute. In fact, I was secretly very happy. My father is really talented. He should be working for himself. But I didn't want him to take this too lightly.
"Nine," he said. "You wound me. Anyway, I took this job partly for you."
I looked at him suspiciously—which is the best tactic to take anytime adults tell you they're doing something for your sake. "What do you mean?"
My father smiled. "I just thought Syracuse's number one ghost buster might enjoy spending the rest of the summer at a haunted inn."
CHAPTER 2Patience
"Will you come to my funeral?" asked Chris.
We were leaning against a monument in Oakwood Cemetery, which is this enormous graveyard about a mile from my house. It's a good place for being alone. We were at our favorite spot, a huge tree we duck under for shelter when the sun gets too hot.
"When are you having it?" I asked, popping the head off a dandelion. "I don't like to make plans more than fifty years in advance, you know."
Chris bounced an acorn off a nearby tombstone. "Probably about a week and a half from now."
I stopped picking dandelions and looked at her. "What," I asked sternly, "are you talking about?"
"Boredom—which is what I'm going to die of after you go." She began sliding down the side of a monument that was right by the tree. "It's starting to happen already! I see a light, Nine! A light at the end of a long, dark tunnel!"
Three seconds later she was stretched out flat on the ground. She reached over, picked up one of my discarded dandelions, and laid it on her chest.
"Ah-hoo," she said weakly.
"Ah-hoo?" I asked.
"It's the sound someone makes when they die of boredom."
I dropped my dandelions on her face. "You think this stupid inn is going to be fun?" I asked. "I bet there won't be anybody there but old people in their forties. I won't know anyone. I'll be cut off from my home and my friends. But is anyone worried about me? Oh, no! Does anyone wonder how I'm going to do, all alone out there in the boondocks? Oh, no! Does anyone—"
"But a ghost!" cried Chris, jumping up and brushing off her jeans. "It's got a ghost. I can't believe it. Your father has a job at a haunted inn! Some people have all the luck."
"It's just an old story," I said, trying to sound like I wasn't really excited.
"Yeah—like the ghost in the Grand Theater was just an old story. What kind of ghost is it, anyway?"
"I don't know. Dad just said the inn was rumored to be haunted. I think he only told me so I wouldn't complain too much about going. Anyway, I wish you could come, too."
I stopped talking and stared into the distance. "Hold on," I whispered. "I think I'm about to be brilliant. Would your parents let you come with us?"
"Probably," Chris said. "They're always glad to get one of us out of their hair for a while."
I could understand that. The Gurleys have a huge family. Chris is the only girl, so visiting her is a little like taking a field trip to the YMCA. Or the monkey house at the zoo.
"OK, when you get home tonight try to talk them into it."
"What good will that do? Your father's the one who counts. And I doubt he's going to want me hanging around for three weeks."
"Sure he will," I said. Actually, I wasn't as confident as I sounded. But I thought if I worked it right I wouldn't have to talk him into it at all.
I started at suppertime.
"Something wrong with the cooking?" asked my father as he watched me shove a carrot back and forth across my plate.
"No," I said quietly. "The cooking's fine." It was, too. Except for the nights when he gets too adventurous, my father's really good in the kitchen.
"Well, if it's not the food, it must be the company," he said. "Sorry I'm boring you."
"Oh, it's not that," I said.
He put down his fork. "OK, Nine. What's up?"
"Nothing."
He tightened the corners of his mouth. "I've seen rocks with more enthusiasm for life than you're showing at the moment."
"Are you going to be very busy while we're at this inn?" I asked.
"Of course," he said. "It's a big project for me."
"Oh. Well, will I see much of you?"
"I expect so," he said, although he sounded a little less certain of himself.
"Will there be many kids there?"
He started to answer me, then stopped. "I'm not sure."
"That's OK," I said. "I was just wondering. Can I be excused? I have to start packing."
I walked slowly away from the table. Then I went in my room, closed the door, and looked at the clock. Six-thirty. I wondered how long it would take. I remembered Cute Edgar, the director of The Woman in White, telling me that one of the great secrets of acting was planting a seed in the audience's mind and then letting it grow by itself.
"Your problem, Nine," he added "is that once you plant the seed, you go overboard with the fertilizer."
Except he didn't say fertilizer.
At seven forty-three my father came through. "Listen, Nine," he said, poking his head into my room, "I've been thinking. I'm going to be awfully busy while we're at the Quackadoodle. Do you suppose Chris might like to come along to keep you company?"
I jumped off my bed with a whoop and gave him a hug. When he left I grabbed my phone and called Chris. "Start packing!" I yelled. "We leave at eight- thirty Wednesday morning!"
About ten minutes later Dad poked his head into the room again. "You know," he said, "you could have just asked." Sometimes I wonder who's fooling who around here.
CHAPTER 3How to Pack
"OK, Sidney," I said, "time to move."
I scooped our cat off my underwear and dumped him onto the floor. Sidney gave my leg a halfhearted whack with his paw, made his cranky sound, and stalked out of my room, twitching his tail angrily.
"That," said Chris, "is one weird cat." She was sitting at the head of my bed, helping me pack, which in this case meant rolling her eyes whenever she considered a piece of clothing too hideous for words.
"Ten minutes!" yelled my father from the living room.
"Ten minutes," I muttered. "I can't possibly be ready in ten minutes!"
"You had all last week," Chris said quietly.
"Don't you start on me," I snapped.
What Chris had said was true, of course. But I was already feeling sorry for myself because I had realized that while my father is good at a whole lot of things a mother usually does, helping me get ready for a trip is not one of them. I was also feeling a little silly, because I realized it was no big deal, and guilty, because I knew I was going to make us late. Also cranky, because I really didn't want Chris to watch me pack.
"I think I'll go talk to Sidney," said Chris. "He's in a better mood."
I waited until she was gone, then sighed in relief. Now I could get started! Using what I call the grab-and-stuff method, I snatched up the pile of underwear and threw it in the suitcase. Socks, shirts, jeans, and T-shirts came next. A couple of sweaters, a few good skirts and blouses, and I was just about finished.
It's a very efficient system, but not the kind of thing you particularly want someone else to watch. I almost made it, too. I was just trying to close the lid when Chris came back into the room. "Good grief," she said, when she saw the stack of clothes being squashed into the suitcase.
"Be quiet and help me push," I said. She got on the other corner of the suitcase. Between the two of us we managed to get it closed and fastened.
"Uh-oh," said Chris.
The cuff of a red sweater was sticking out on the right side.
"Forget it," I said. "Getting it in now would be more trouble than it's worth."
"The Golden Chariot awaits," called my father. The Golden Chariot is what Dad likes to call his car, which is this ancient 1964 Cadillac he bought when I was a little kid. It's yellow and white. It has huge fins. And it's longer than almost every parking space in town. It also breaks down at least once a month, but Dad claims the repair bills are no worse than the car payments most people make. He says its worth it to have a car with class.
I think it makes sense for a preservation architect to have a car like that. It's like the buildings he loves—big, old, and kind of funky.
Chris had ridden in the Chariot several times. But she still wasn't prepared for how much room we had in the trunk. After Dad opened it, she stood looking inside for a moment then said, with awe in her voice, "You know, if you put in plumbing, you could rent that out as an apartment."
Like I said, it's a big car.
Since I believe in first things first, my box of books was already in the trunk. Dad's tennis racket and golf clubs lay next to them.
"Hey, Mr. T," said Chris, "I thought this was a working trip."
"It's an experiment," I said. "He hasn't played golf in seven years."
"I am ignoring you both," said my father, throwing in the last of the suitcases. He went back into the house. A minute later he came out with the cat carrier. Sidney was inside, complaining mightily.
"Is he coming with us?" asked Chris.
"He's staying with my grandmother," I said.
"Lucky Gramma," said Chris, climbing into the backseat of the Chariot. I climbed in next to her.
Dad started the car.
"Are we almost there?" I teased when we got to the end of the block.
"Did I tell you I found a kennel that takes kids?" replied Dad.
I decided to be quiet for a while. It was four hours before I asked that same question again, and this time I was serious. I was sick of riding. Dad glanced at his watch, and at the map beside him. "Another hour and a half," he said, "assuming Baltimore's directions are accurate."
"Baltimore?" asked Chris.
"Baltimore Cleveland," said Dad. "The man who owns the Quackadoodle."
"You really know a human being named Baltimore Cleveland?" I asked.
He glanced over his shoulder. "Not only do I know him, but he's going to be our host for the next three weeks. And he's going to be paying me a lot of money."
"It's a wonderful name," I said. "Just wonderful. I think I'll look at the scenery for a while."
The scenery was worth looking at. Steep, rocky hills covered with pines stretched up to our right. Little streams splashed and bounced down these same hills, then disappeared under the road, only to pop up on the other side, where they meandered off through the more gentle territory that sloped away in that direction. It reminded me of pictures I had seen of England.
"It won't be that much farther now," announced my father as he turned the Golden Chariot onto a narrow, winding road. Dad's idea of not much farther is different from my own, but eventually we saw a sign that said "Quackadoodle Inn—3 miles."
Eventually we saw the inn itself.
Dad stopped the car. He stared at the inn with a kind of glazed expression on his face. I couldn't tell if he was struck with a vision of what the place could be—or appalled by what it looked like right then.
"Well, Mr. Tanleven," said Chris cheerfully, "it looks like you've got your work cut out for you."
Dad's dream project was a rambling old three-story building, surrounded by a wide porch cluttered with big wooden chairs. The top of the inn was a strange jumble of towers, turrets, dormers, and cupolas.
It was fascinating. But it was also a mess. The porch was sagging, the roof was mossy, and the walls were marked by dark spots where shingles had fallen away.
I shivered. I had never seen a place that looked more likely to be haunted.
CHAPTER 4Baltimore Cleveland
The lobby was empty.
"Hello?" called my father, juggling two suitcases, a tennis racket, and golf clubs.
"Be right with you!" yelled someone in another room.
"That's Baltimore," my father said. "I recognize his voice."
We put down our suitcases and looked around.
(Continues...)
Excerpted from The Ghost Wore Gray by Bruce Coville. Copyright © 1988 Bruce Coville. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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