The History of British Literature on Film, 1895-2015

by Greg M. Colón Semenza, Bob Hasenfratz

Overview

From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.

Product Details

ISBN-13:	9781623561871
Publisher:	Bloomsbury USA
Publication date:	05/21/2015
Series:	History of World Literatures on Film
Sold by:	Barnes & Noble
Format:	eBook
Pages:	488
File size:	7 MB

About the Author

Greg M. Colón Semenza is Professor of English at the University of Connecticut, USA. His books include How to Build a Life in the Humanities (2015), The English Renaissance in Popular Culture (2010), Graduate Study for the 21st Century: How to Build an Academic Career in the Humanities (2005; 2nd ed. 2010), Milton in Popular Culture (2006), and Sport, Politics, and Literature in the English Renaissance (2004). He has published numerous essays on film and adaptation and is now working on a book about Powell and Pressburger's wartime films.

Bob Hasenfratz is Professor of English and Department Head at the University of Connecticut, USA. His books include Reading Old English (2005/11), Ancrene Wisse (2001), and Beowulf Scholarship: An Annotated Bibliography 1979-1990 (1993). He has written articles on medieval literature and culture and edits the Journal of Medieval Religious Cultures.

Table of Contents

List of Figures

Acknowledgments

Introduction

1. Attractions, Tricks, and Fairy-Tales: Visual and Theatrical Culture in the Brit-Lit Film, 1896-1907
2. "Crude, Vicious, and Lascivious Entertainments:†? The Rise of the Brit-Lit Feature Film, 1907-1920

3. Inter-Nationalizing the Brit-Lit Film: Hollywood and the World Film Market, 1920-1927

4. Sound, Studios, and Censorship: The Brit-Lit Film, 1927-1939

5. The Empire Strikes Back: Britain's Reclamation of Brit-Lit, 1939-1957

6. Traditions and Revolutions: The Brit-Lit Film, 1957-1979

7. The Brit-Lit Film after Film: 1979-2015

Notes

Bibliography

Index