The Kingdom of God is Within You, What is Art
The present volume contains two contrasting treatises. The first is religious, and shows in Count Tolstoï's earnest and eloquent manner the meaning of Christ's words which he takes for his text,—"The Kingdom of God is within you." The outward forms of religion, however helpful they may be to some souls, are not essential; the superstitions with which Faith sometimes clothes or masks herself may or may not be uplifting; but the foundation of Christianity is the truth contained in Christ's words, his simple, plain, undogmatic commands and prohibitions.
One word sums it all up, and that word is Love. If the world should take love for its guiding star, it is evident that all the evils of the world would cease,—wars, crimes, poverty, ambitions; the millennium would come! Count Tolstoï shows how that blessed period may begin in every man. The translation of this beautiful and inspiring book has been made by Mrs. Aline Delano of Boston.
In answering the question, "What is Art?" Count Tolstoï analyzes and tests the various definitions given by other writers. He shows up with merciless severity what he considers the fallacy in the popular delusion that the fetish of Art pardons bestiality, obscenity, and whatever conduces to stimulating the passions. The work is strongly controversial, and attacks unsparingly[vi] many of the popular notions of the day, as, for instance, that "Art is the manifestation of some mysterious idea of God," or "the expression of man's emotions by external signs," or the production of pleasing objects. He believes that art has a loftier function, and he proceeds elaborately to argue in favor of this universal activity, which should be to effect a union among men so that they may have the same noble feelings and progress together toward universal and individual well-being. "Art for art's sake" is meaningless to him. It is interesting to notice that the most original and independent of the French critics has recently taken practically the same ground in a lecture, in which he asserts that it is the critic's business to test art and literature, and that art has a most intimate relation with morality.
Much of the book is racy and amusing; much of it is abstruse, and requires close attention. But whether one follows the author in his individual opinions or not, it cannot be denied that the general tone of the treatise is helpful and uplifting, and that it is based on sound common sense. Mr. Aylmer Maude of England is the translator of this work, and has had the benefit of Count Tolstoï's own suggestions in regard to certain points. As the special preface explains, the translation accurately represents the author's views, while the edition published in Russia was in many ways garbled and distorted. The translators of both treatises have seized the opportunity of carefully revising their work.
[vii]
1117366139
The Kingdom of God is Within You, What is Art
The present volume contains two contrasting treatises. The first is religious, and shows in Count Tolstoï's earnest and eloquent manner the meaning of Christ's words which he takes for his text,—"The Kingdom of God is within you." The outward forms of religion, however helpful they may be to some souls, are not essential; the superstitions with which Faith sometimes clothes or masks herself may or may not be uplifting; but the foundation of Christianity is the truth contained in Christ's words, his simple, plain, undogmatic commands and prohibitions.
One word sums it all up, and that word is Love. If the world should take love for its guiding star, it is evident that all the evils of the world would cease,—wars, crimes, poverty, ambitions; the millennium would come! Count Tolstoï shows how that blessed period may begin in every man. The translation of this beautiful and inspiring book has been made by Mrs. Aline Delano of Boston.
In answering the question, "What is Art?" Count Tolstoï analyzes and tests the various definitions given by other writers. He shows up with merciless severity what he considers the fallacy in the popular delusion that the fetish of Art pardons bestiality, obscenity, and whatever conduces to stimulating the passions. The work is strongly controversial, and attacks unsparingly[vi] many of the popular notions of the day, as, for instance, that "Art is the manifestation of some mysterious idea of God," or "the expression of man's emotions by external signs," or the production of pleasing objects. He believes that art has a loftier function, and he proceeds elaborately to argue in favor of this universal activity, which should be to effect a union among men so that they may have the same noble feelings and progress together toward universal and individual well-being. "Art for art's sake" is meaningless to him. It is interesting to notice that the most original and independent of the French critics has recently taken practically the same ground in a lecture, in which he asserts that it is the critic's business to test art and literature, and that art has a most intimate relation with morality.
Much of the book is racy and amusing; much of it is abstruse, and requires close attention. But whether one follows the author in his individual opinions or not, it cannot be denied that the general tone of the treatise is helpful and uplifting, and that it is based on sound common sense. Mr. Aylmer Maude of England is the translator of this work, and has had the benefit of Count Tolstoï's own suggestions in regard to certain points. As the special preface explains, the translation accurately represents the author's views, while the edition published in Russia was in many ways garbled and distorted. The translators of both treatises have seized the opportunity of carefully revising their work.
[vii]
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The Kingdom of God is Within You, What is Art

The Kingdom of God is Within You, What is Art

by Leo Tolstoy
The Kingdom of God is Within You, What is Art

The Kingdom of God is Within You, What is Art

by Leo Tolstoy

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Overview

The present volume contains two contrasting treatises. The first is religious, and shows in Count Tolstoï's earnest and eloquent manner the meaning of Christ's words which he takes for his text,—"The Kingdom of God is within you." The outward forms of religion, however helpful they may be to some souls, are not essential; the superstitions with which Faith sometimes clothes or masks herself may or may not be uplifting; but the foundation of Christianity is the truth contained in Christ's words, his simple, plain, undogmatic commands and prohibitions.
One word sums it all up, and that word is Love. If the world should take love for its guiding star, it is evident that all the evils of the world would cease,—wars, crimes, poverty, ambitions; the millennium would come! Count Tolstoï shows how that blessed period may begin in every man. The translation of this beautiful and inspiring book has been made by Mrs. Aline Delano of Boston.
In answering the question, "What is Art?" Count Tolstoï analyzes and tests the various definitions given by other writers. He shows up with merciless severity what he considers the fallacy in the popular delusion that the fetish of Art pardons bestiality, obscenity, and whatever conduces to stimulating the passions. The work is strongly controversial, and attacks unsparingly[vi] many of the popular notions of the day, as, for instance, that "Art is the manifestation of some mysterious idea of God," or "the expression of man's emotions by external signs," or the production of pleasing objects. He believes that art has a loftier function, and he proceeds elaborately to argue in favor of this universal activity, which should be to effect a union among men so that they may have the same noble feelings and progress together toward universal and individual well-being. "Art for art's sake" is meaningless to him. It is interesting to notice that the most original and independent of the French critics has recently taken practically the same ground in a lecture, in which he asserts that it is the critic's business to test art and literature, and that art has a most intimate relation with morality.
Much of the book is racy and amusing; much of it is abstruse, and requires close attention. But whether one follows the author in his individual opinions or not, it cannot be denied that the general tone of the treatise is helpful and uplifting, and that it is based on sound common sense. Mr. Aylmer Maude of England is the translator of this work, and has had the benefit of Count Tolstoï's own suggestions in regard to certain points. As the special preface explains, the translation accurately represents the author's views, while the edition published in Russia was in many ways garbled and distorted. The translators of both treatises have seized the opportunity of carefully revising their work.
[vii]

Product Details

BN ID: 2940148921394
Publisher: Lost Leaf Publications
Publication date: 11/09/2013
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

About The Author
Count Leo Tolstoy was born in 1828 on the family estate of Yasnaya Polyana, in the Tula province, where he spent most of his early years, together with his several brothers. In 1844 he entered the University of Kazan to read Oriental Languages and later Law, but left before completing a degree. He spent the following years in a round of drinking, gambling and womanizing, until weary of his idle existence he joined an artillery regiment in the Caucasus in 1851.

He took part in the Crimean war and after the defence of Sevastopol wrote The Sevastopol Sketches (1855-6), which established his literary reputation. After leaving the army in 1856 Tolstoy spent some time mixing with the literati in St Petersburg before traveling abroad and then settling at Yasnaya Polyana, where he involved himself in the running of peasant schools and the emancipation of the serfs. His marriage to Sofya Andreyevna Behrs in 1862 marked the beginning of a period of contentment centred around family life; they had thirteen children. Tolstoy managed his vast estates, continued his educational projects, cared for his peasants and wrote both his great novels, War and Peace (1869) and Anna Karenina (1877).

During the 1870s he underwent a spiritual crisis, the moral and religious ideas that had always dogged him coming to the fore. A Confession (1879¿82) marked an outward change in his life and works; he became an extreme rationalist and moralist, and in a series of pamphlets written after 1880 he rejected church and state, indicted the demands of flesh, and denounced private property. His teachings earned him numerous followers in Russia and abroad, and also led finally to his excommunication by the Russian Holy Synod in 1901. In 1910 at the age of eighty-two he fled from home "leaving this worldly life in order to live out my last days in peace and solitude;" he died some days later at the station master's house at Astapovo.

Author biography courtesy of Penguin Books LTD.

Date of Birth:

September 9, 1828

Date of Death:

November 2, 1910

Place of Birth:

Tula Province, Russia

Place of Death:

Astapovo, Russia

Education:

Privately educated by French and German tutors; attended the University of Kazan, 1844-47
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