The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

Thanks to current portrayals of Jesus of Nazareth, we are apt to think of him as having long hair and a short beard. But, the holy scriptures do not describe Christ’s physiognomy, and his representations are inconsistent in early Christian and medieval arts. How did this long-haired archetype come to be accepted in the late ninth century as the standard iconography of the Son of God? To answer this question, The Many Faces of Christ examines the complex historical and cultural dynamics underlying the making and final establishment of Christ’s image between late antiquity and the early Renaissance.
 
Taking into account a broad spectrum of iconographic and textual sources, Michele Bacci describes the process of creating Christ’s image against the backdrop of ancient and biblical conceptions of beauty and physicality as indicators of moral, ascetic, or messianic qualities. He investigates the increasingly dominant role played by visual experience in Christian religious practice, which promoted belief in the existence of ancient documents depicting Christ’s appearance, and he shows how this resulted in the shaping of portrait-like images that were said to be true to life. With glances at analogous progressions in the Jewish, Muslim, Buddhist, Hindu, Jain, and Taoist traditions, this beautifully illustrated book will be of interest to specialists of Late Antique, Byzantine, and medieval studies, as well as anyone interested in the shifting, controversial conceptions of the historical figure of Jesus Christ.
1117105965
The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

Thanks to current portrayals of Jesus of Nazareth, we are apt to think of him as having long hair and a short beard. But, the holy scriptures do not describe Christ’s physiognomy, and his representations are inconsistent in early Christian and medieval arts. How did this long-haired archetype come to be accepted in the late ninth century as the standard iconography of the Son of God? To answer this question, The Many Faces of Christ examines the complex historical and cultural dynamics underlying the making and final establishment of Christ’s image between late antiquity and the early Renaissance.
 
Taking into account a broad spectrum of iconographic and textual sources, Michele Bacci describes the process of creating Christ’s image against the backdrop of ancient and biblical conceptions of beauty and physicality as indicators of moral, ascetic, or messianic qualities. He investigates the increasingly dominant role played by visual experience in Christian religious practice, which promoted belief in the existence of ancient documents depicting Christ’s appearance, and he shows how this resulted in the shaping of portrait-like images that were said to be true to life. With glances at analogous progressions in the Jewish, Muslim, Buddhist, Hindu, Jain, and Taoist traditions, this beautifully illustrated book will be of interest to specialists of Late Antique, Byzantine, and medieval studies, as well as anyone interested in the shifting, controversial conceptions of the historical figure of Jesus Christ.
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The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

by Michele Bacci
The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

The Many Faces of Christ: Portraying the Holy in the East and West, 300 to 1300

by Michele Bacci

Hardcover

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Overview


Thanks to current portrayals of Jesus of Nazareth, we are apt to think of him as having long hair and a short beard. But, the holy scriptures do not describe Christ’s physiognomy, and his representations are inconsistent in early Christian and medieval arts. How did this long-haired archetype come to be accepted in the late ninth century as the standard iconography of the Son of God? To answer this question, The Many Faces of Christ examines the complex historical and cultural dynamics underlying the making and final establishment of Christ’s image between late antiquity and the early Renaissance.
 
Taking into account a broad spectrum of iconographic and textual sources, Michele Bacci describes the process of creating Christ’s image against the backdrop of ancient and biblical conceptions of beauty and physicality as indicators of moral, ascetic, or messianic qualities. He investigates the increasingly dominant role played by visual experience in Christian religious practice, which promoted belief in the existence of ancient documents depicting Christ’s appearance, and he shows how this resulted in the shaping of portrait-like images that were said to be true to life. With glances at analogous progressions in the Jewish, Muslim, Buddhist, Hindu, Jain, and Taoist traditions, this beautifully illustrated book will be of interest to specialists of Late Antique, Byzantine, and medieval studies, as well as anyone interested in the shifting, controversial conceptions of the historical figure of Jesus Christ.

Product Details

ISBN-13: 9781780232683
Publisher: Reaktion Books, Limited
Publication date: 08/15/2014
Pages: 256
Product dimensions: 6.30(w) x 9.30(h) x 1.10(d)

About the Author


Michele Bacci is professor of medieval art history in the Faculty of Humanities and director of the Medieval Institute at the University of Fribourg, Switzerland. He is the author or editor of seven books published in Italian.

Table of Contents


Introduction
 
Part One: The Myth of the Archetypal Image
 
Lifetime Portraits in Asia
 
Christian Acheiropoieta and the Authentic Portraits of Christ and the Virgin mary
 
Mythic and Material Images
 
Material Indicators of Holy Persons’ Earthly Presence
 
The Exercise of Sight and the Art of Body Inspection
 
Figurative and Written Records of the Holy Men’s Physical Characteristics
 
Part Two: The Looks and Locks of Jesus of Nazareth
 
Christ’s Controversial Visibility
 
Handsome or Ugly?
 
Conflicting Hairstyles
 
Christ’s ‘Identikit’
 
The Colour of Christ’s Skin
 
Disputations on Curly and Woolly Hair
 
Hair and Priestly Fashion
 
Christ’s Long Hair and St. Paul’s Baldness
 
Epilogue
 
References
 
Bibliography
 
Acknowledgements
 
Photo Acknowledgements
 
Index
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