The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

This is the first book to look at the quasi-religious aspects of the romantic cult of Shakespeare. Focusing on England, Hungary, and some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of 1864. Surveying both the verbal and non-verbal manifestations of the Shakespeare cult, the author highlights their analogies with those of traditional religious cults and shows the appropriation of Shakespeare and his texts to be inseparable from quasi-religious acts of reverence such as literary pilgrimages, relic worship, the erection and dedication of monuments, and public celebrations of anniversaries. This cult made use of some important romantic notions (genius, originality, imagination, transcendental analogies of artistic creation), and the ensuing quasi-transcendental authority was to be utilized for political purposes. The book suggests a theoretical framework and a comprehensive anthropological context for the interpretation of literature.

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The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

This is the first book to look at the quasi-religious aspects of the romantic cult of Shakespeare. Focusing on England, Hungary, and some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of 1864. Surveying both the verbal and non-verbal manifestations of the Shakespeare cult, the author highlights their analogies with those of traditional religious cults and shows the appropriation of Shakespeare and his texts to be inseparable from quasi-religious acts of reverence such as literary pilgrimages, relic worship, the erection and dedication of monuments, and public celebrations of anniversaries. This cult made use of some important romantic notions (genius, originality, imagination, transcendental analogies of artistic creation), and the ensuing quasi-transcendental authority was to be utilized for political purposes. The book suggests a theoretical framework and a comprehensive anthropological context for the interpretation of literature.

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The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

by P. Davidhazi
The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective

by P. Davidhazi

Hardcover(1998)

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Overview

This is the first book to look at the quasi-religious aspects of the romantic cult of Shakespeare. Focusing on England, Hungary, and some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of 1864. Surveying both the verbal and non-verbal manifestations of the Shakespeare cult, the author highlights their analogies with those of traditional religious cults and shows the appropriation of Shakespeare and his texts to be inseparable from quasi-religious acts of reverence such as literary pilgrimages, relic worship, the erection and dedication of monuments, and public celebrations of anniversaries. This cult made use of some important romantic notions (genius, originality, imagination, transcendental analogies of artistic creation), and the ensuing quasi-transcendental authority was to be utilized for political purposes. The book suggests a theoretical framework and a comprehensive anthropological context for the interpretation of literature.


Product Details

ISBN-13: 9780312212872
Publisher: Palgrave Macmillan UK
Publication date: 08/19/1998
Series: Romanticism in Perspective:Texts, Cultures, Histories Series
Edition description: 1998
Pages: 240
Product dimensions: 5.51(w) x 8.50(h) x 0.03(d)

About the Author

Péter Dávidházi is Head of Department at the Institute for Literary Studies, Hungarian Academy of Sciences, Budapest.

Table of Contents

Preface
Part I: The Exploration of a Literary Cult: Theoretical Assumptions and Methodological Problems
Part II: The Genesis of a Ritual: The Shakespeare Cult in English Romanticism
Part III: A Middle European Case Study: The Formation of the Shakespeare Cult in Hungary
Part IV: The European Context: Typological Problems of Dissemination
Part V: The Postponed Question of Judgment: Functions and Values Reconsidered
• Notes
• Bibliography
• Index

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