The Sea-Gull
When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre, with Stanislavsky as Trigorin, and was an immediate success, changing for ever the nature and possibilities of drama. Chekhov's description of the play was characteristically self-mocking: 'A comedy - three f., six m., four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love'.
1116703359
The Sea-Gull
When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre, with Stanislavsky as Trigorin, and was an immediate success, changing for ever the nature and possibilities of drama. Chekhov's description of the play was characteristically self-mocking: 'A comedy - three f., six m., four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love'.
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Overview

When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre, with Stanislavsky as Trigorin, and was an immediate success, changing for ever the nature and possibilities of drama. Chekhov's description of the play was characteristically self-mocking: 'A comedy - three f., six m., four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love'.

Product Details

ISBN-13: 9781421850955
Publisher: 1st World Publishing
Publication date: 11/10/2013
Pages: 108
Product dimensions: 5.50(w) x 8.50(h) x 0.38(d)

Table of Contents

Anton Chekhov: 1860-1904v
Plotxi
Commentaryxx
The Seagull in contextxx
The seagull and the enchanted lakexxv
The play-within-the-playxxviii
Time and memory; youth and age; sleep and dreamxxxiii
Art and life; love and destructionxxxvi
Comedy or tragedy?xxxix
Problems of translationxli
Critical perspectivesxlvi
The Seagull in productionliv
Further Readinglxxvii
Translator's Introductionlxxix
A Note on the Translationxciii
Pronunciation of the Namesxcvii
The Seagull1
Notes68
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