The majestic beauty of the Italian Alps at the turn of the twentieth century is the setting of the first meeting of Enza, a practical beauty, and Ciro, a strapping mountain boy. When Ciro catches the local priest in a scandal, he is banished and sent to hide in America. Soon Enza's family faces disaster and she, too, is forced to go to America.
Unbeknownst to one another, they both build fledgling lives in America. Ciro masters shoemaking and Enza takes a factory job until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I as Enza begins her impressive career as a seamstress at the Metropolitan Opera House. Over time, these star-crossed lovers meet and separate, until the power of their love changes both of their lives forever.
Inspired by Adriana Trigiani's own family history and the love of tradition, The Shoemaker's Wife defines an era with operatic scope that will live on in the imaginations of readers for years to come.
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The Shoemaker's Wife
The majestic beauty of the Italian Alps at the turn of the twentieth century is the setting of the first meeting of Enza, a practical beauty, and Ciro, a strapping mountain boy. When Ciro catches the local priest in a scandal, he is banished and sent to hide in America. Soon Enza's family faces disaster and she, too, is forced to go to America.
Unbeknownst to one another, they both build fledgling lives in America. Ciro masters shoemaking and Enza takes a factory job until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I as Enza begins her impressive career as a seamstress at the Metropolitan Opera House. Over time, these star-crossed lovers meet and separate, until the power of their love changes both of their lives forever.
Inspired by Adriana Trigiani's own family history and the love of tradition, The Shoemaker's Wife defines an era with operatic scope that will live on in the imaginations of readers for years to come.
The majestic beauty of the Italian Alps at the turn of the twentieth century is the setting of the first meeting of Enza, a practical beauty, and Ciro, a strapping mountain boy. When Ciro catches the local priest in a scandal, he is banished and sent to hide in America. Soon Enza's family faces disaster and she, too, is forced to go to America.
Unbeknownst to one another, they both build fledgling lives in America. Ciro masters shoemaking and Enza takes a factory job until fate intervenes and reunites them. But it is too late: Ciro has volunteered to serve in World War I as Enza begins her impressive career as a seamstress at the Metropolitan Opera House. Over time, these star-crossed lovers meet and separate, until the power of their love changes both of their lives forever.
Inspired by Adriana Trigiani's own family history and the love of tradition, The Shoemaker's Wife defines an era with operatic scope that will live on in the imaginations of readers for years to come.
Adriana Trigiani is an award-winning playwright, television writer, and documentary filmmaker. Her books include the New York Times bestseller The Shoemaker's Wife; the Big Stone Gap series; Very Valentine; Brava, Valentine; Lucia, Lucia; and the bestselling memoir Don't Sing at the Table, as well as the young adult novels Viola in Reel Life and Viola in the Spotlight. She wrote the screenplay for Big Stone Gap, which she also directed. She lives in New York City with her husband and daughter.
Hometown:
New York, New York
Place of Birth:
Roseto, Pennsylvania; (Grew up in Big Stone Gap, Virginia)
KS: This is by far your most epic novel to date. How long did it take you to write The Shoemaker's Wife? AT: I worked on this story for over twenty years as I wrote scripts and novels and had my own family. There are scraps of paper, dinner napkins, and bills with timelines and notes scrawled across them. There are old notebooks filled with my grandmother's musings from 1985. I collected train tickets, copies of ships' manifests, and a silk tag with my grandmother's name from garments she had created. I traveled as far as the Italian Alps and as close as the few blocks it takes me to walk to Little Italy in New York City to capture the historical aspects of the story. All of this went into the novel. It was a delicious gestation period.
KS: This is a novel, but it is inspired by a true story—a family story, right? AT: Yes—my grandparents, Lucia and Carlo. Their love was a dance with fate. It is riddled with near misses against a landscape of such massive world events that it's a wonder they got together at all. My challenge was to present their world to the reader so it might feel it was happening in the moment. I wanted the reader to have the experience I had when stories were told to me by the woman who lived them.
KS: The novel takes place during the first half of the twentieth century—what is so compelling about this period of time to you? AT: The cusp of the twentieth century was a time everything was new—cars, phones, planes, electricity, even sportswear, and in each innovation was a kind of explosive potential. No one could predict where all the inventions would lead, people only knew that change was unavoidable.
My grandparents were delighted every time America presented them with something they had never seen before. And my grandparents' sense of wonder never left them, so I tried not to let it leave the page, be it a cross-country train ride or the first snap of the bobbin on an electric Singer sewing machine.
KS: Through the remarkable story of Enza and Ciro, your novel tells the larger story of the immigrant experience in America. AT: What a gift immigrants were and are to this country! They bring their talents and loyalty and make our country even greater. My grandparents were proud to be new Americans. Assimilation was not about copying an American ideal, but aspiring to their own version of it. The highest compliment you could pay a fellow immigrant was: he (or she) was a hard worker. I hear the phrase work like an immigrant said, but really, it's bigger than that—we must also dream like immigrants.
KS: The Shoemaker's Wife seamlessly brings together fictional characters and historical figures—how did the wonderful Caruso enter the novel? AT: It started with a three-foot stack of vinyl records—my grandmother Lucia's collection of Caruso. Her absolute devotion to The Great Voice lasted her whole life long. I knew, in order to write this novel, I had to fall in love with Caruso too, because he sang the score of my grandparents' love affair.
When Lucia passed, I went to my first opera, seeking understanding and comfort. As the music washed over me, I began to understand why my grandmother was such a fan. The words were Italian, and the emotions were big; nothing was left unexpressed in the music. If only life were that way.
This year’s Pulitzer Prize winners are an interesting batch, with subject manner running the gamut from North Korean orphanages to the real-life Count of Monte Cristo. Here’s the lowdown on these newly anointed winners—let us know if you’ve read any of them in the comments, or share what book you would have nominated for a […]
