The Transmission of "Beowulf": Language, Culture, and Scribal Behavior

Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of "Beowulf," Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation?

Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem’s written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf’s analysis reveals that the scribes earnestly attempted to standardize and modernize the text’s orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien’s Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien’s general views on the transmission of Beowulf and evaluates his position on various textual issues.

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The Transmission of "Beowulf": Language, Culture, and Scribal Behavior

Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of "Beowulf," Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation?

Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem’s written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf’s analysis reveals that the scribes earnestly attempted to standardize and modernize the text’s orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien’s Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien’s general views on the transmission of Beowulf and evaluates his position on various textual issues.

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The Transmission of

The Transmission of "Beowulf": Language, Culture, and Scribal Behavior

The Transmission of

The Transmission of "Beowulf": Language, Culture, and Scribal Behavior

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Overview

Beowulf, like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of "Beowulf," Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation?

Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem’s written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf’s analysis reveals that the scribes earnestly attempted to standardize and modernize the text’s orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien’s Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien’s general views on the transmission of Beowulf and evaluates his position on various textual issues.


Product Details

ISBN-13: 9781501708275
Publisher: Cornell University Press
Publication date: 05/15/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 3 MB

About the Author

Leonard Neidorf is Professor of English at Nanjing University and a former Junior Fellow at the Harvard Society of Fellows. He is the editor of The Dating of Beowulf: A Reassessment and coeditor of Old English Philology: Studies in Honour of R. D. Fulk.



Gregory Nagy is the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature and the Director of the Center for Hellenic Studies at Harvard University.

Table of Contents

1. Introduction

1. The Duration of Transmission

2. The Detection of Scribal Error

3. Meter and Alliteration

4. Probabilistic Reasoning

5. General Prefatory Remarks

2. Language History

1. Diachronic Variation

2. Dialectal Variation

3. Syntactic Misconstruction

4. Trivialization

5. Interpolation

3. Cultural Change

1. Obliteration of Personal Names

2. Obliteration of Ethnic Names

3. Erroneous Spacing

4. Scribal Self-Correction

5. Chronological Significance

4. Scribal Behavior

1. The Lexemic Theory

2. Competing Theories

3. Variation in Parallel Texts

4. The Four Poetic Codices

5. Theory and Evidence

5. Conclusion

1. The Unity of Beowulf

2. Linguistic Regularities

3. Methodological Considerations

4. Textual Criticism

5. Manuscript Context

Appendix: J. R. R. Tolkien's Beowulf Textual Criticism

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