The Woman on the Stairs: A Novel

by Bernhard Schlink, Joyce Hackett (Translator), Bradley Schmidt (Translator)

Overview

In a museum far from home a man stumbles onto a painting of a woman for whom he once, long ago, risked everything and who then mysteriously disappeared from his life. 

As a young lawyer, the nameless protagonist of The Woman on the Stairs became entangled in the affairs of three people mired in a complex and destructive relationship. An artist, the woman whose portrait he had painted, and her husband became a triangle that drew the lawyer deeper and deeper into their tangled web. Now, encountering the painting that triggered it all, the lawyer must reconcile his past and present selves; when he eventually locates the woman, he is forced to confront the truth of his love and the reality that his life has been irrevocably changed. 

With The Woman on the Stairs, the internationally acclaimed author of The Reader delivers a powerful new novel about obsession, creativity, and love. Intricately crafted, poignant, and beguiling, this is Bernhard Schlink writing at his peak.

Product Details

ISBN-13:	9781101870723
Publisher:	Knopf Doubleday Publishing Group
Publication date:	03/14/2017
Sold by:	Random House
Format:	eBook
Pages:	240
Sales rank:	386,874
File size:	1 MB

About the Author

Bernhard Schlink is the author of the internationally best-selling novel The Reader. He is a former judge and teaches public law and legal philosophy at Humboldt University of Berlin and at the Benjamin N. Cardozo School of Law in New York City.

Read an Excerpt

1
 
Perhaps you will see the painting one day. Long lost, suddenly resurfaced—all the museums will want to display it. By now, Karl Schwind is one of the most famous and expensive painters in the world. When he turned seventy, I saw him in every paper, on every channel. Still, I had to look a long time before I recognized the young man in the old.
 
The painting, I recognized immediately. I walked into the last court of the Art Gallery and there it hung. It moved me as it had when I entered the parlour of Gundlach’s villa, and saw it for the first time.
 
A woman descends a staircase. The right foot lands on the lower tread, the left grazes the upper, but is on the verge of its next step. The woman is naked, her body pale; her hair is blonde, above and below; the crown of her head gleams with light. Nude, pale and blonde—against a gray-green backdrop of blurred stairs and walls, the woman moves lightly, as if floating, towards the viewer. And yet her long legs, ample hips, and full breasts give her a sensual weight.
 
I approached the painting slowly. I felt awkward, just as I had back then. Then, it was because the woman who, a day before, had sat in my office in jeans, blouse, and jacket approached me in the painting naked. Now I felt awkward because the painting brought up what happened back then, what I’d gotten myself into, and what I had soon banished from memory.
 
Woman on Staircase, the label read. The painting was on loan. I found the curator and asked him who had lent the painting. He said he couldn’t disclose the name. I told him I knew the woman in the painting, and the owner of the painting, and that its ownership would likely be contested. He furrowed his brow, but again said he couldn’t tell me the name.