Three Plays for Puritans

Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.

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Three Plays for Puritans

Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.

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Three Plays for Puritans

Three Plays for Puritans

Three Plays for Puritans

Three Plays for Puritans

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Overview

Shaw believed that theatre audiences of the 1890s deserved more than the hollow spectacle and sham he saw displayed on the London stage. But he also recognized that people wanted to be entertained while educated, and to see purpose mixed with pleasure. In these three plays of ideas, Shaw employed traditional dramatic forms - Victorian melodrama, the history play and the adventure story - to turn received wisdom upside down. Set during the American War of Independence, The Devil's Disciple exposes fake Puritanism and piety, while Caesar and Cleopatra, a cheeky riposte to Shakespeare, redefines heroism in the character of the ageing Roman leader. And in Captain Brassbound's Conversion, an expedition in Morocco is saved from disaster by a lady explorer's skilful manipulation of the truth.


Product Details

ISBN-13: 9780140437928
Publisher: Penguin Publishing Group
Publication date: 01/28/2001
Series: Bernard Shaw Library Series
Pages: 368
Product dimensions: 5.07(w) x 7.79(h) x 0.87(d)
Age Range: 18 Years

About the Author

Dublin-born George Bernard Shaw (1856-1950) was an active Socialist and a brilliant platform speaker. He was strongly critical of London theatre and closely associated with the intellectual revival of British drama. Dan H. Laurence (series editor) has edited Shaw's Collected Letters and Collected Plays with their Prefaces. He was Literary Advisor to the Shaw Estate until his retirement in 1990. Michael Billington (introducer) has been Drama Critic of the Guardian since 1971.

Table of Contents

Three Plays for PuritansPreface
Why for Puritans?
On Diabolonian Ethics
Better than Shakespear?

The Devil's Disciple: A Melodrama
Notes to The Devil's Disciple:
General Burgoyne
Brudenell

Caesar and Cleopatra: A History
Notes to Caesar and Cleopatra:
Cleopatra's Cure for Baldness
Apparent Anachronisms
Cleopatra
Britannus
Julius Caesar

Captain Brassbound's Conversion: An Adventure
Notes to Captain Brassbound:
Sources of the Play
English and American Dialects

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