[A] lively, helpful guide. . . . [Percy] provides precise advice concerning basics like suspense, setting, and style. . . . His evocative personal anecdotes invigorate even familiar material. . . . In each essay we glimpse an industrious Percy at the daily grind of writing, rereading and editing his fiction. . . . . Beyond craft or theory, and perhaps more helpful than any advice, this book serves as a reminder that writing is hard work.”—The New York Times Book Review
“[Benjamin Percy] peppers his observations of today's literary scene with homey, witty anecdotes, and he couches his analysis in no-nonsense wisdom. . . . Not only does he frame the ins and outs of the writing process with warm, wry reminiscences drawn from his own life, he refuses to lapse into stereotypical preciousness or pretentiousness. He talks bluntly and amiably about how stories work and why they matter, an approach that doesn't take a fellow writer to appreciate.”—NPR Books
“[Benjamin Percy] demonstrates he’s one of contemporary fiction’s sharper critical minds, an author with a rare talent for explaining his craft. . . . Thrill Me is packed with concise, practicable counsel.”—Star Tribune (Minneapolis)
“[Thrill Me] is a fine choice for readers and writers looking for a holistic take on writing that spans genres and styles.”—Tor.com
“Percy dives in head first, and his enthusiasm, in conjunction with his eye for substance and style and his skillful explication, prove a heady mix. . . . Thrill Me is comprehensive in its scope, touching on most of the important pieces of storycraft from stylistic choices to character development . . . with character and vigor, and with a joyful populist tone.”—Electric Literature
“Expertly balanced, extensively researched, and written in a vibrant, demanding style that can offer you a flower as easily as punch you in the gut. . . . Everyone can learn from [Benjamin] Percy’s essays.”—Kenyon Review
“Thrill Me turns the interior, plodding process of writing into a heart-pounding read, and imparts some excellent lessons along the way.”—Washington Independent Review of Books
“Thrill Me offers a concise, lucid anatomy of the bones that support narratives ranging from Jaws to Blood Meridian.”—Locus Magazine
“Percy is a master wordsmith and he delivers his messages with the panache and style of the grizzled veteran he is, both as teacher and author, engaging you so intensely that you don’t even realize you’re learning something, having become so involved in the telling.”—Hellnotes
“Percy’s essays skillfully dissect the structure, mechanics, and concrete details of what makes good writing sparkle.”—Publishers Weekly
“Now we all have the opportunity to learn from Percy, whose genre-busting, electrifying fiction is opening doors for a new generation of writers. . . . This book also reads like a sly memoir, with the killer ratio of brilliant mind to generous heart. Warmly personal and deviously scholarly, Thrill Me is terrific.”—Karen Russell
“Who would not want to keep company with the muscular imagination of Benjamin Percy while he ransacks literature, film, and music? . . . The book is rich with examples—and Percy himself makes a stirring and committed coach.”—Ron Carlson
“The magnificent Benjamin Percy has written a warm, personal and deeply considered book on the nature of storytelling, genre and fiction that I recommend unreservedly. It laughs and snarls and sparks fire in the mind. Masterful.”—Warren Ellis
★ 09/01/2016
Percy (Red Moon; The Dead Lands) has collected 15 useful and entertaining essays on the craft (and art) of fiction writing. What sets it apart from other similar books on the subject is Percy's generosity and ego-free frankness in exploring practical aspects of writing frequently glossed over or—worse—ignored. Instead of waxing negative on the seemingly eternal literary vs. genre argument, Percy advises that we focus on what actually works: "Toss out the worst elements of genre and literary fiction—and merge the best." The resultant narrative fusion combines art, philosophy, and adventure; supplies nuanced prose; and drives readers' page-flipping tension. Percy asks what makes the works we love so potent and enduring. His instructive answers cite titles as disparate as Cormac McCarthy's The Road, Margaret Atwood's The Handmaid's Tale, Stephen King's Carrie, and F. Scott Fitzgerald's The Great Gatsby—noting how these authors create iconic scenes enveloped in emotional, psychological, and physical realism. Above all, Percy's compulsively readable essays compel writers to enter unknown spaces and with authentic treasure retrieve readers' sense of wonder. VERDICT This will appeal not only to writers and readers of contemporary suspense and horror but anyone interested in learning more about the inherent demands, excursions, and rewards of the creative process. [See Prepub Alert, 4/18/16.]—William Grabowski, McMechen, WV
2016-08-03
An accomplished writer comes to the defense of genre.Percy (The Dead Lands, 2015, etc.) has practiced what he preaches. His novels can be considered genre novels, but they’re more. In this deeply personal and intriguing apologia for the “pop lit” and pop film that he grew up on—he’s read The Gunslinger more than any other book; Jaws is his favorite movie—the author enthusiastically argues for good “plotted fiction,” books that are “neither fish nor fowl, both literary and genre.” He loves story, “discovering what happened next.” Too much literary fiction, he argues, has “fallen under the indulgent spell of…pretty sentences.” Born out of past lectures and articles, this is a craft book about how to be a better writer, but it’s also a colorful memoir about a young boy who loved reading, especially horror and fantasy books, and realized he wanted to be a writer. Each chapter takes on a specific topic. With setting, aim for a few “indelible moments.” Research your setting fully, and “know what you write.” With tension and suspense, “strategize the delivery of bad news.” Violence? Avoid at all costs “gorenography,” which is “hollow, excessive, masturbatory.” Make the ordinary extraordinary, or “we won’t be willing to follow you to long ago and far away.” Also, don’t provide too much back story. Occasionally, Percy is prescriptive. The book abounds with numerous, sometimes-lengthy excerpts from works, including his own, that he admires. One of the book’s strengths is the many instructive examples of close, in-depth readings. Curious as to why The Girl with the Dragon Tattoo was so popular and “compulsively readable,” he read it twice, then color-coded key passages throughout to reveal what made it tick. Percy is in “awe, hypnotized, overwhelmed” by Michael Chabon’s sentences, which “lavishly uncoil.” On Donna Tartt’s sentences in The Goldfinch: your “eyes bug and your heart hurries.” Would-be writers will find Percy’s passionate, pragmatic cheerleading inspiring and energizing.
