Thunder and Lightning

by Lauren Redniss

Overview

From the National Book Award finalist Lauren Redniss, author of Radioactive, comes a dazzling fusion of storytelling, visual art, and reportage that grapples with weather in all its dimensions: its danger and its beauty, why it happens and what it means.

WINNER OF THE PEN/E. O. WILSON LITERARY SCIENCE WRITING AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, KIRKUS REVIEWS, AND SHELF AWARENESS

Weather is the very air we breathe—it shapes our daily lives and alters the course of history. In Thunder & Lightning, Lauren Redniss tells the story of weather and humankind through the ages.

This wide-ranging work roams from the driest desert on earth to a frigid island in the Arctic, from the Biblical flood to the defeat of the Spanish Armada. Redniss visits the headquarters of the National Weather Service, recounts top-secret rainmaking operations during the Vietnam War, and examines the economic impact of disasters like Hurricane Katrina. Drawing on extensive research and countless interviews, she examines our own day and age, from our most personal decisions—Do I need an umbrella today?—to the awesome challenges we face with global climate change.

Redniss produced each element of Thunder & Lightning: the text, the artwork, the covers, and every page in between. She created many of the images using the antiquated printmaking technique copper plate photogravure etching. She even designed the book’s typeface.

The result is a book unlike any other: a spellbinding combination of storytelling, art, and science.

Praise for Thunder & Lightning

“[An] aesthetically charged and deeply researched account . . . a wild rainstorm of a book, pelting the reader with ideas and inspiration.”—Nature

“A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . Redniss’s combo of fact, folklore, and vibrant etched copperplate prints enthralls.”—O: The Oprah Magazine

“Eerily beautiful . . . Contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.”—The New York Times

“Magical . . . Redniss has . . . shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition.”—The New York Times Book Review

“[A] twenty-first-century genius . . . Redniss is inventing a new literary genre. . . . The reader willing to put herself fully in Redniss’s hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.”—Elle

“Lends a graphic-novel-like allure to some of nature’s most curious paradoxes.”—Vogue

“Redniss is one of the most creative science writers of our time—her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot.”—Rebecca Skloot

“Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads. This is an illuminated book that is also an illuminating one.”—Adam Gopnik

“A strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent.”—Dave Eggers

“Beautiful and totally original.”—Elizabeth Kolbert

Product Details

ISBN-13:	9780812993172
Publisher:	Penguin Random House Llc
Publication date:	05/28/2015
Edition description:	New Edition
Sales rank:	438,090
Product dimensions:	6.00(w) x 1.25(h) x 9.00(d)

About the Author

Lauren Redniss is the author of Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies and Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout, a finalist for the National Book Award. She teaches at Parsons the New School for Design.

Editorial Reviews

Redniss makes no claims for herself as an expert. She is guide and student, pulling us irresistibly into her interests and connecting the seemingly disparate threads with a combination of authority and enthusiasm. She is, to use a contemporary word, a curator: arranging information with a distinct aesthetic and a point of view. In a way, maybe this book is very much of our time—one of those endeavors whose resistance to traditional labels can feel almost insolent. But at the same time, it puts one in mind of those 19th-century tracts—books like Celia Thaxter's Among the Isles of Shoals or the travel writing of Isabella Bird—that dealt as much with passion as fact, with lore as documented history, and as a result managed to render landscapes intensely human. That is what Redniss has done, too: shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition.

The New York Times Book Review - Sadie Stein

“[An] aesthetically charged and deeply researched account . . . a wild rainstorm of a book, pelting the reader with ideas and inspiration.”—Nature
 
“A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . [Lauren] Redniss’s combo of fact, folklore, and vibrant etched copperplate prints enthralls.”—O: The Oprah Magazine
 
“Eerily beautiful . . . If weather is our favorite default conversational subject, [Redniss] takes anything but a default approach. Thunder & Lightning contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.”—The New York Times
 
“Magical . . . Redniss has . . . shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition. . . . She is, to use a contemporary word, a curator: arranging information with a distinct aesthetic and a point of view.”—The New York Times Book Review
 
“[A] twenty-first-century genius . . . Lauren Redniss is inventing a new literary genre. The artist brings her intrepid reporting and sharp intelligence to subjects as wide-ranging as Marie Curie, gay soldiers in WWII, and now stormy weather. . . . [Redniss is] a reporter, a painter, a social historian, a biographer, and a feminist who creates stories and tableaux that are published as books, which are at once sexual and prim, grotesque and romantic, scientific and soft. . . . The reader willing to put herself fully in Redniss’s hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.”—Elle
 
“From Superstorm Sandy to the California drought, weather is a constant presence in our lives, shaping the way we think, feel—and vote. Lauren Redniss’s latest, Thunder & Lightning: Weather Past, Present, Future, takes a deep dive into human efforts to grapple with the elements, with forays into mythology, commerce and politics. Combining etchings and text—the National Book Award–nominated author and artist designed her own font for the book—Thunder & Lightning lends a graphic-novel-like allure to some of nature’s most curious paradoxes.”—Vogue

“Lauren Redniss is one of the most creative science writers of our time—her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot. Thunder & Lighting is a fascinating meditation on how climate affects the earth’s landscape and the lives inhabiting it, but also how the landscape of a book—the layout of its text, the images on its pages—impacts the telling of a story. This is an important book about a topic that couldn’t be more important to us all.”—Rebecca Skloot
 
“In Thunder & Lightning, Lauren Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads. This is an illuminated book that is also an illuminating one.”—Adam Gopnik
 
“Lauren Redniss’s Thunder & Lightning is such a strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent. It’s the way you wish science would always be taught—with a mix of stories and facts, legend and hard science.”—Dave Eggers
 
“Beautiful and totally original.”—Elizabeth Kolbert

From the Publisher

05/01/2015
Redniss, whose Radioactive: Marie & Pierre Curie, a Tale of Love and Fallout was a National Book Award finalist, moves chapter by chapter in graphic format through fog, wind, snow, clouds, and more to acquaint us with various meteorological phenomena—so safe to talk about but important to us in so many ways. Not just pretty pictures: Redniss based this book on more than 100 interviews and travels to the ends of the earth to see all sorts of weather.

Library Journal

★ 2015-07-25
Redniss (Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout, 2010) delivers an arrestingly unconventional exploration of weather. This is a terrific celebration of weather as an elemental force in not only our daily lives, but in our global stories, myths, history, and cultural identities. It is part powerful graphic novel (with impeccable color sense) and part meteorological text. The author divides the book into chapters such as Cold, Rain, Sky, Heat, Dominion, Profit, and Forecasting, and within each chapter is an array of anecdotes and factoids, vest-pocket biographies, and elegant place descriptions. After an introduction to the Arctic explorer Vilhjálmur Stefánsson, Redniss discusses the demographics of the far-north Svalbard archipelago ("Today, Svalbard has a population of approximately 2000 people and 3000 polar bears"). Then she moves on to a lightshow in South America's Atacama Desert: "in the shifting light, the Atacama's sands turn gold, orange, and violet. In the shadows, the landscape is blue, green, violet. Treeless, plantless expanses of stark grandeur roll out like a Martian landscape." Redniss details what we know about the dynamics of lightning and why lightning often gives us the shivers. "Lightning can charge out of a bright blue sky," she writes, "traveling horizontally 10 or more miles from a nearby storm. Lightning can, and does, strike twice." The author also looks at the meteorological effects of the death of Kim Jong II as reported by North Korea's official news outlets ("winds were stronger, waves higher, and temperatures the coldest of the season"), the money to be made off ice at Walden Pond, and Benjamin Franklin, who "was a proponent of air baths, the practice of sitting naked by an open window." This book is not simply a collection of oddments and odd fellows, but rather a genuine demonstration of weather as a phenomena and how it is fantastical on both the symbolic and systematized levels. A highly atmospheric, entertainingly earnest, and intimate engrossment with the world's most popular topic of conversation.

Kirkus Reviews