Too Much Money

The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin’s hot-tempered widow will do anything to conceal the truth.

Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time—the man who knew all the secrets and wasn’t afraid to share them.

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Too Much Money

The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin’s hot-tempered widow will do anything to conceal the truth.

Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time—the man who knew all the secrets and wasn’t afraid to share them.

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Too Much Money

Too Much Money

by Dominick Dunne
Too Much Money

Too Much Money

by Dominick Dunne

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Overview

The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin’s hot-tempered widow will do anything to conceal the truth.

Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time—the man who knew all the secrets and wasn’t afraid to share them.


Product Details

ISBN-13: 9780345464101
Publisher: Random House Publishing Group
Publication date: 09/28/2010
Pages: 288
Sales rank: 297,515
Product dimensions: 15.08(w) x 11.38(h) x 0.61(d)

About the Author

Dominick Dunne was the author of five bestselling novels, two collections of essays, and The Way We Lived Then, a memoir with photographs.  He had been a special correspondent for Vanity Fair for twenty-five years, and the host of the television series Dominick Dunne's Power, Privilege, and Justice. He passed away in 2009 after completing Too Much Money.

Read an Excerpt

Prologue

A few years ago there was a rumor about me that I had been murdered at my house in Prud'homme, Connecticut, by a cross-country serial killer of rich older men. Of course, it wasn't true, although it was a rumor that lingered for awhile. Gus Bailey was dead. There was indeed a serial killer at the time, who was very much in the news. He had just killed a couturier in Miami who was so famous that Princess Diana and Elton John and his husband attended the funeral in Milan. I confess now to have been the person who started the rumor. I couldn't figure out how to finish a novel I was writing at the time, and I wanted desperately to leave the next day for the Cannes Film Festival with Stokes Bishop, my editor at Park Avenue magazine, who assured me in advance that I was to be seated between the French film star Catherine Deneuve and Princess Olga of Greece at the magazine's party at the Hotel du Cap in Antibes. I didn't want to miss that. So I just grabbed the headline news of the murder in Miami and added Gus Bailey to the killer's list, thus ending the novel, and I flew to France. Do I regret having done that? Yes.

My name is Augustus Bailey, but I am called Gus Bailey by everyone who knows me. It happens that I am often recognized by strangers on the street, or in public places, and even those people call me Gus. I only use Augustus Bailey on my passport, my driver's license, the covers of the books I write, my monthly diaries for Park Avenue magazine, and the weekly introductions on my cable television series, Augustus Bailey Presents, which I host. I thought it best to tell you a bit about myself, before I get into the story that I am about to tell. It should be pointed out that it is a regular feature of my life that people whisper things in my ear, very private things, about themselves, or others. I have always understood the art of listening.

The characters in all my novels are based on real people, or combinations of real people, and they are often recognizable to the readers. Many of the ones who recognized themselves in the books became livid with me. If you could have heard the way Marty Lesky, the Hollywood mogul, who has since died, yelled at me over the telephone. There was a time when I would have been paralyzed with fear at such a call from Marty Lesky, but that time has passed. It made him more furious that I was not writhing with apologies, but the dynamic between us had changed over the years and I no longer feared him, as I used to fear male authority figures, going all the way back to the terror my father inspired in me as a child, but that's another story. I've lost several friends over my books. One I missed. One I didn't.

Losing the occasional friend along the way goes with the writer's territory, especially if the writer travels in the same rarefied circles he writes about, as I do. In time, some people come back. Pauline Mendelson did. She was a very good sport about the whole thing. Mona Berg did, sort of. Cecilia Lesky did. Maisie Verdurin adored being a character in one of my books and bought fifty copies to give as Christmas presents. Others didn't, of course. Justine Altemus, my great friend Lil Altemus's daughter, never spoke to me again. Only recently, Justine and I were seated side by side at a dinner dance at the Colony Club, celebrating Sandy Winslow's 90th birthday, and we never so much as looked in each other's direction for the hour and a half we were table companions.

Now I intend to give myself a party on the occasion of my upcoming birthday, a milestone birthday, which I must confess I never thought I would reach, especially in the last two years of stress and high anxiety, leading to a heart malfunction and hospital stay. This was all caused by a monstrously unpleasant experience involving some monstrously unpleasant people, who had no place in my life and took up far too much time in it, particularly when the years left to me are dwindling down to a precious few, as Walter Huston used to sing.

But it is a fact that the fault was mine. I fell hook, line, and sinker for a fake story from an unreliable source. I thought I had the scoop of my career, and I made the fatal mistake of repeating it on a radio show of no importance, and the consequences were dire. If you must know, I accused a Congressman, former Congressman Kyle Cramden, of knowing more than he was admitting about the case of the famous missing intern, Diandra Lomax. I made a mess, I tell you. I try hard not to think about it, and as of late, my attention has been focused more on party planning. When my birthday party list grew to over three hundred, and I was only at the P's, I realized I would have to rethink things. I know entirely too many people. Although I have several very serious enemies in important positions, I hope not to appear immodest when I say that I am a popular fellow, who gets asked to the best parties in New York, Los Angeles, London, and Paris, and goes to most of them.

I decided to limit my party to eighty-five people, which is the age that I will soon be. It is so difficult to hone my friends to eighty-five. It doesn't even scratch the surface. Eighty-five, in fact, really means forty-something, with wives, husbands, lovers, and partners, making up the other forty or so. There will be hurt feelings, to be sure. That's why I don't like to give parties. I go about a great deal in social life, but I never reciprocate. The spacious terrace of my penthouse in the Turtle Bay section of New York City, where I have lived for twenty-five years, has a view of the East River, and could easily hold a hundred people or more without much of a squeeze, but I have never once entertained there.

I feel now, however, as if I deserve a party. I have emerged from the dark cloud that has hovered over my life for several years. The unpleasantness is, thank God, behind me. Hence the desire for a celebration, although my birthday party will never take place, as you will find. Things happen. Everything changes.

I've noticed that concurrent with the growth of my public popularity, there is a small but powerful group of people who are beginning, or have already begun, to despise me. Elias Renthal, still in federal prison in Las Vegas as this story begins, is one of my despisers. Countess Stamirsky, Zita Stamirsky to her very few friends, is another who despises me after I refused to write about her son's suicide from a heroin overdose while wearing women's clothes at the family castle in Antwerp.

And, of course, there is Perla Zacharias, allegedly the third richest woman in the world, who had me followed by investigators trained by the Mossad in Israel, and falsely claimed that I had been involved in an act of child molestation at the Empress Eugenie Hotel in Biarritz during her husband's murder trial. That's the kind of person Perla Zacharias is. That's the kind of story she spreads.

I have written about all these powerful people in Park Avenue, or in a novel, and earned them eternal enmity. Their time would come, I always thought. Elias Renthal knew what he was screaming about when he said, They're going to get you, his face all red and ugly, as he pointed his finger in my face, only moments before he collapsed on the floor of the men's room of the Butterfield Club.

What People are Saying About This

From the Publisher

"The only person writing about high society from inside the aquarium."   —Tina Brown

"Readers mourned Dunne's passing in August 2009, bereft at the thought of life without his keen novels and incisive Vanity Fair profiles...But Dunne grants us one more good read...[his] glittering high-society satire harbors sorrow at its heart as [his] burdened hero ponders his secrets and regrets."—Booklist

"On full display here, Dunne's jaded eye for the foibles of the ultraspoiled, his stylish wit and eavesdropper's ear—they are among the many reasons he is sorely missed."—Kirkus Reviews

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