Tragedy and Scepticism in Shakespeare's England

by George Cardinal Pell Archbisho Sydney

Overview

English Renaissance drama in general, says Hamlin (Shakespeare, Renaissance drama, and early modern literature; Washington State U.), but particularly the tragedy tends to examine topics from multiple angles, their constituent elements subsumed within a skeptical milieu that allows every perspective to be entertained and every utterance to be treated as provisional. He looks at the reception of ancient skepticism in Elizabethan and Jacobian England, and at a number of illustrative example tragic plays. Annotation ©2006 Book News, Inc., Portland, OR

Product Details

ISBN-13:	9781349523344
Publisher:	Palgrave Macmillan UK
Publication date:	06/01/2005
Series:	Early Modern Literature in History Series
Edition description:	1st ed. 2005
Pages:	306
Product dimensions:	5.51(w) x 8.50(h) x (d)

About the Author

William M. Hamlin teaches Shakespeare, Renaissance drama, and early-modern literature at Washington State University.

Table of Contents

Acknowledgments A Note on Citation, Quotation and Abbreviation Introduction: Engaging Doubt PART ONE: THE RECEPTION OF ANCIENT SCEPTICISM IN ELIZABETHAN AND JACOBEAN ENGLAND The Continental Background Crossed Opinions: The Elizabethan Years Seeming Knowledge: The Jacobean Years and Beyond PART TWO: FOOLS OF NATURE, SCEPTICISM AND TRAGEDY Literary Adaptation: Sceptical Paradigms, Sceptical Values Casting Doubt in Doctor Faustus The Spanish Tragedy : Doom and the Exile of Justice The Plague of Opinion: Troilus and Cressida Temporizing as Pyrrhonizing in The Malcontent Mariam and the Critique of Pure Reason False Fire: Providence and Violence in Webster's Tragedies The Changeling : Blood, Will and Intellectual Eyesight Criterion Anxiety in 'Tis Pity She's a Whore Select Bibliography Index

Editorial Reviews

'William Hamlin engages with doubt in a refreshingly new and interdisciplinary manner, grounding his project in archival research and in a deep understanding of the ways in which literary and non-literary discourses can inform one another. Finding in Elizabethan and Jacobean tragedy a congenial environment for explorations of perception, knowledge and judgement, Hamlin masterfully combines a reading of Montaigne and the texts of ancient Pyrrhonism in order to clarify the historical reception of sceptical ideas in early modern England. The result is a book that convincingly approaches Shakespeare and his fellow dramatists from the perspective of a sceptical orientation whose importance in the Renaissance must not be underestimated'. - David Bevington, Professor of English, University of Chicago, USA

'William Hamlin's careful scholarly detective work shows in most illuminating fashion that sceptical themes are prevalent in some of the major literary writings in English at the time of Shakespeare, and that many authors were influenced, in varying ways, by Sextus Empiricus and by Montaigne. This is a very significant scholarly book which should be of great value to readers in many fields'. - Richard Popkin, Professor Emeritus of Philosophy, Washington University, USA, and adjunct Professor of Philosophy and History at the University of California, Los Angeles, USA

'This is an erudite and innovative study that establishes the centrality of early modern scepticism in English literary culture. Casting a wide net, William Hamlin provides a superb account of the diffusion of various strains of scepticism in Elizabethan and Jacobean England, along with the manner in which such ideas permeated contemporary drama, especially tragedy. Hamlin's meticulously researched, forcefully argued, and deftly presented analysis should prove invaluable both to literary scholars and intellectual historians.' - Mordechai Feingold, Professor of History, California Institute of Technology, USA

From the Publisher