Traveling Economies: American Women's Travel Writing

The black and white women travel writers whom Jennifer Bernhardt Steadman investigates in Traveling Economies astonish modern readers with their daring, stamina, and courage. That these women traveled at all is surprising: Nancy Prince spent nearly a decade as an African American member of the Russian Imperial Court; Amy Morris Bradley went to Costa Rica as a governess in hopes of saving her health and finances after years as an impoverished teacher in Maine; and Julia Archibald Holmes carried the banner of dress reform to the heights of Pikes Peak and to the pages of a feminist periodical. Developing the concept of the “ragged edge,” Steadman highlights these women’s shared experiences of penury, work, and independence. Genteel poverty, black skin, outspoken feminism, or sometimes all three impacted the material conditions of their ragged-edge travel (early muckraking journalist Anne Royall walked until her feet were a bloody mass of blisters). Being on the ragged edge also affected the way they represented themselves and their travels (Mary Ann Shadd Cary presented her outspoken advocacy of black emigration to Canada as appropriately feminine). Frances Wright used her travel writing to imagine the new nation as a potential utopia for women citizens; she paid a high price for daring to try to change the social terrain she crossed. Steadman’s interdisciplinary work with archives, newspapers, memoirs, and letters and her thoughtful close readings of the resulting evidence recover these important women’s travels and writing and invite us to rethink where and how women went and what they wrote in antebellum America.
1111385704
Traveling Economies: American Women's Travel Writing

The black and white women travel writers whom Jennifer Bernhardt Steadman investigates in Traveling Economies astonish modern readers with their daring, stamina, and courage. That these women traveled at all is surprising: Nancy Prince spent nearly a decade as an African American member of the Russian Imperial Court; Amy Morris Bradley went to Costa Rica as a governess in hopes of saving her health and finances after years as an impoverished teacher in Maine; and Julia Archibald Holmes carried the banner of dress reform to the heights of Pikes Peak and to the pages of a feminist periodical. Developing the concept of the “ragged edge,” Steadman highlights these women’s shared experiences of penury, work, and independence. Genteel poverty, black skin, outspoken feminism, or sometimes all three impacted the material conditions of their ragged-edge travel (early muckraking journalist Anne Royall walked until her feet were a bloody mass of blisters). Being on the ragged edge also affected the way they represented themselves and their travels (Mary Ann Shadd Cary presented her outspoken advocacy of black emigration to Canada as appropriately feminine). Frances Wright used her travel writing to imagine the new nation as a potential utopia for women citizens; she paid a high price for daring to try to change the social terrain she crossed. Steadman’s interdisciplinary work with archives, newspapers, memoirs, and letters and her thoughtful close readings of the resulting evidence recover these important women’s travels and writing and invite us to rethink where and how women went and what they wrote in antebellum America.
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Traveling Economies: American Women's Travel Writing

Traveling Economies: American Women's Travel Writing

by Jennifer Bernhardt Steadman
Traveling Economies: American Women's Travel Writing

Traveling Economies: American Women's Travel Writing

by Jennifer Bernhardt Steadman

Hardcover(1)

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Overview


The black and white women travel writers whom Jennifer Bernhardt Steadman investigates in Traveling Economies astonish modern readers with their daring, stamina, and courage. That these women traveled at all is surprising: Nancy Prince spent nearly a decade as an African American member of the Russian Imperial Court; Amy Morris Bradley went to Costa Rica as a governess in hopes of saving her health and finances after years as an impoverished teacher in Maine; and Julia Archibald Holmes carried the banner of dress reform to the heights of Pikes Peak and to the pages of a feminist periodical. Developing the concept of the “ragged edge,” Steadman highlights these women’s shared experiences of penury, work, and independence. Genteel poverty, black skin, outspoken feminism, or sometimes all three impacted the material conditions of their ragged-edge travel (early muckraking journalist Anne Royall walked until her feet were a bloody mass of blisters). Being on the ragged edge also affected the way they represented themselves and their travels (Mary Ann Shadd Cary presented her outspoken advocacy of black emigration to Canada as appropriately feminine). Frances Wright used her travel writing to imagine the new nation as a potential utopia for women citizens; she paid a high price for daring to try to change the social terrain she crossed. Steadman’s interdisciplinary work with archives, newspapers, memoirs, and letters and her thoughtful close readings of the resulting evidence recover these important women’s travels and writing and invite us to rethink where and how women went and what they wrote in antebellum America.

Product Details

ISBN-13: 9780814210666
Publisher: Ohio State University Press
Publication date: 09/22/2007
Edition description: 1
Pages: 208
Product dimensions: 6.20(w) x 9.20(h) x 0.80(d)

About the Author


Jennifer Bernhardt Steadman is visiting assistant professor in the graduate studies program at Trinity College.

Table of Contents


Acknowledgments     vii
Introduction: Economies of Travel     1
Ragged-Edge Travelers Amy Morris Bradley and Nancy Prince Evaluate the Economies of Travel     23
Scolding the Nation: The Political Travel Writing of Anne Royall     61
Traveling Uplift: Mary Ann Shadd Cary Creates and Connects Black Communities     85
A "Singular Spectacle of a Female": Frances Wright's Traveling Figure     112
To the Summit of Equality: A Feminist Traveler, Bloomers, and the Antebellum Feminist Press     141
Afterword     167
Notes     171
Bibliography     189
Index     199
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