Tricky Vic: The Impossibly True Story of the Man Who Sold the Eiffel Tower (PagePerfect NOOK Book)

by Greg Pizzoli

Overview

A New York Times Book Review Best Illustrated Children's Book of 2015

In the early 1900s, Robert Miller, a.k.a. “Count Victor Lustig,” moved to Paris hoping to be an artist. A con artist, that is. He used his ingenious scams on unsuspecting marks all over the world, from the Czech Republic, to Atlantic ocean liners, and across America. Tricky Vic pulled off his most daring con in 1925, when he managed to "sell" the Eiffel Tower to one of the city’s most successful scrap metal dealers! Six weeks later, he tried to sell the Eiffel Tower all over again. Vic was never caught. For that particular scam, anyway. . . .
 
Kids will love to read about Vic's thrilling life, and teachers will love the informational sidebars and back matter. Award-winner Greg Pizzoli’s humorous and vibrant graphic style of illustration mark a bold approach to picture book biography.


From the Hardcover edition.

Product Details

ISBN-13:	9780698139947
Publisher:	Penguin Young Readers Group
Publication date:	03/10/2015
Sold by:	Penguin Group
Format:	eBook
Pages:	48
Lexile:	1230L (what's this?)
File size:	22 MB
Note:	This product may take a few minutes to download.
Age Range:	7 - 9 Years

About the Author

Greg Pizzoli is an author, illustrator and screen printer from Philadelphia. His first picture book, The Watermelon Seed, was published by Disney*Hyperion Books and was the 2014 recipient of the Theodor Seuss Geisel Award. Greg's work has been featured in The New York Times, Communication Arts, 3x3 Magazine and he's won two Portfolio Honor Awards from the Society of Children's Book Writers and Illustrators. After college, Greg spent two years as a full-time volunteer in AmeriCORPS from 2005-2006. In 2009, he received his MFA from the University of the Arts in Philadelphia, where he now teaches. Greg lives in Philadelphia with his wife and two unruly cats.

What People are Saying About This

From the Publisher

"What a con job! I mean that in the best possible way. Vic was tricky but so is Greg Pizzoli. His storytelling and mixed-media artwork is rendered with expert sleight of hand."—Lane Smith, author/illustrator of It's a Book and  the Caldecott Honor book Grandpa Green

"It's hard enough to make a well-told story out of real-life things—it’s almost unfair that he could also make it this pretty."—Jon Klassen, author and illustrator of the Caldecott Medal winner This Is Not My Hat

• "An appealingly colorful, deadpan account of a remarkably audacious and creative criminal."—Kirkus Reviews, starred review

"Elementary-school kids impressed by brazen acts of skulduggery will be snowed by this well-told true story."—Booklist

"A fascinating story, with quirky, retro-style, mixed-media art that will appeal to readers."—School Library Journal

Editorial Reviews

01/19/2015
Pizzoli (Number One Same) writes a complex, wordy biography of a con artist named Robert Miller—until Miller chooses the alias “Count Victor Lustig,” which sounds better when he’s trying to fleece passengers on cruise liners. The story opens slowly as Pizzoli reviews Lustig’s early career and first con jobs, but picks up when the man conceived of a wild plan to sell the Eiffel Tower to a scrap dealer. In those days, Pizzoli explains, the Eiffel Tower was not the beloved icon it is now, and tearing it down was not an outlandish idea. Posing as a municipal employee, Lustig sells bids on the tower’s scrap value. The victim who “wins” is too embarrassed to report his loss to the police, and Lustig gets away with it—the first time. Pizzoli’s stylish illustrations combine flat, graphic elements with archival photography; he imagines the enigmatic Miller as a faceless figure with a thumbprint for a head. While Pizzoli’s recounting entertains, the sense is of a shorter story struggling to free itself from a thicket of detail. Ages 7–9. Agent: Steven Malk, Writers House. (Mar.)

Publishers Weekly

12/01/2014
Gr 3–6—This picture book takes a look at Robert Miller, a successful con man who managed to dupe many and by posing as a government official was even able to "sell" the Eiffel Tower to scrap metal dealers, before being caught and imprisoned. Miller used more than 45 aliases during his life but was known to many as Tricky Vic. This is a fascinating story, with quirky, retro-style, mixed-media art that will appeal to readers. Beyond a line or two at the beginning about Vic turning to a life of crime, Pizzoli doesn't moralize about his subject's actions. Tricky Vic is a little-known subject, and some may wonder if there's an audience for this title. However, this is an intriguing account, and through sidebars, the book offers some effective avenues for discussing related historical events, people, and places, such as Al Capone, Prohibition, counterfeiting, and Alcatraz. An attractive, though esoteric, offering.—Dorcas Hand, Annunciation Orthodox School, Houston, TX

School Library Journal

★ 2014-12-06
Geisel winner Pizzoli turns from early readers to biography with this story of a consummate 20th-century con man. In the early 1900s, Robert Miller moved from Eastern Europe to Paris to pursue a university education, ending his studies when he discovered his calling as a professional gambler. Trouble forced Miller to reinvent himself as "Count Victor Lustig" and take to the high seas, where he conned passengers on ocean liners. When World War I ended trans-Atlantic travel, "Lustig" operated in several major European cities. After numerous arrests, Miller went to the United States, where he earned the trust of crime boss Al Capone and pulled off many successful scams. When the police caught on to his schemes, Miller returned to Paris, where he orchestrated his ultimate con, selling the Eiffel Tower to scrap metal dealers. Pizzoli tells this remarkable story with straightforward economy, informational sidebars offering insight into Miller's times and crimes. The truth behind Miller's exploits is often difficult to discern, and Pizzoli notes the research challenges in an afterword. His mixed-media graphic artwork perfectly complements the quirky, humorous tone of the story. A particularly nice touch is the use of a fingerprint to stand in for Miller's face, most appropriate for a man who would be known by 45 different aliases. An appealingly colorful, deadpan account of a remarkably audacious and creative criminal. (glossary, bibliography) (Picture book/biography. 7-9)

Kirkus Reviews