Terpsichore in Sneakers: Post-Modern Dance / Edition 1

by Sally Banes

Overview

Drawing on the postmodern perspective and concerns that informed her groundbreaking Terpischore in Sneakers, Sally Bane’s Writing Dancing documents the background and development of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire.

Product Details

ISBN-13:	9780819561602
Publisher:	Wesleyan University Press
Publication date:	06/01/1987
Series:	Wesleyan Paperback Series
Edition description:	Reprint
Pages:	311
Product dimensions:	7.03(w) x 9.02(h) x 0.85(d)

About the Author

SALLY BANES is associate professor of dance history and theater studies at Cornell University. She graduated from University of Chicago (B.A. 1972) and New York University (Ph.D. 1980) and has taught at Wesleyan University, the State University of New York at Purchase, Florida State University, and the New York City School of Visual Arts. Banes has received Guggenheim, Mellon, and The American Council of Learned Socities fellowships. She has been editor of Dance Research Journal and performance art critic for the Village Voice, and she was formerly a senior critic at Dance Magazine, a contributing editor to Dance Scope and Performing Arts Journal, and the dance editor of the Chicago Reader and Soho Weekly News. Her books include Democracy’s Body: Judson Dance Theater 1962-1964; Fresh: Hip Hop Don’t Stop, with Nelson George, Susan Flinker, and Patty Romanowski; Our National Passion: 200 Years of Sex in America, with Sheldon Frank and Tem Horwitz; Sweet Home Chicago: The Real City Guide, with Sheldon Frank and Tem Horowitz; and Amazing Grace: Images in the Avant-Garde Arts of the 1960s, to be published in 1990. She has edited Footnote to History, by Si-lan Chen Leyda, and Soviet Choreographers in the 1920s by Elizabeth Souritz. She lives in Freeville, New York.

Table of Contents

List of Illustrations
Acknowledgements
Preface to the Wesleyan Paperback Edition
Introduction to the Wesleyan Paperback Edition
Introduction: Sources of Post-Modern Dance
Simone Forti: Dancing as if Newborn
Simone Forti, Animal Stories
Yvonne Rainer: The Aesthetics of Denial
Yvonne Rainer, Chart from “A Quasi Survey of Some ‘Minimalist’ Tendencies in the Quantitatively Minimal Dance Activity
Midst the Plethora, or an Analysis of Trio A”
Steve Paxton: Physical Things
Steve Paxton, Satisfyin Lover
Trisha Brown: Gravity and Levity
Trisha Brown, Skymap
David Gordon: The Ambiguities
David Gordon, Response
Deborah Hay: The Cosmic Dance
Deborah Hay, Excerpts from the Grand Dance
Lucinda Childs: The Act of Seeing
Lucinda Childs, Street Dance
Meredith Monk: Homemade Metaphors
Meredith Monk, Notes on the Voice
Kenneth King: Being Dancing Beings
Kenneth King, from Print-Out
Douglas Dunn: Cool Symmetries
Douglas Dunn, “Talking Dancing”
The Grand Union: The Presentation of Everyday Life as Dance
The Grand Union, Q&A
Chronology
Selected Bibliography
Notes
Index

Editorial Reviews

Sally Banes writes criticism with a dancer’s feel for dancing, a personal acquaintance with the choreographers she writes about, a solid knowledge of critical theory, and an awareness of the many relationships of post-modernism to the contemporary cultural context. Terpsichore in Sneakers is a first-rate contribution … the best book we have on post-modern dance.”—Milton H. Snoeyenbos, Journal of Aesthetics and Art Criticism

“Banes’ lucid assessment is a timely and extremely worthwhile book. Banes is highly respected as a dance critic, but she is also a conscientious historian, and it is this side of her that predominates the book.”—Susan Reiter, American Dance Guild Newsletter

“An impressive achievement and a valuable document of dance history … Terpsichore in Sneakers is going to be in demand for a long time, both as a guide to one of the least predictable realms of art and as an example of dance criticism that truly helps us see.”—Laura Shapiro, The Real Pape

From the Publisher