Read an Excerpt
Wake-Robin
A Collection of Essays About the Birds
By John Burroughs Dover Publications, Inc.
Copyright © 2017 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-82078-1
CHAPTER 1
THE RETURN OF THE BIRDS.
Spring in our northern climate may fairly be said to extend from the middle of March to the middle of June. At least, the vernal tide continues to rise until the latter date, and it is not till after the summer solstice that the shoots and twigs begin to harden and turn to wood, or the grass to lose any of its freshness and succulency.
It is this period that marks the return of the birds, — one or two of the more hardy or half-domesticated species, like the song-sparrow and the bluebird, usually arriving in March, while the rarer and more brilliant wood-birds bring up the procession in June. But each stage of the advancing season gives prominence to certain species, as to certain flowers. The dandelion tells me when to look for the swallow, the dog-toothed violet when to expect the wood-thrush, and when I have found the wake-robin in bloom I know the season is fairly inaugurated. With me this flower is associated, not merely with the awakening of Robin, for he has been awake some weeks, but with the universal awakening and rehabilitation of nature.
Yet the coming and going of the birds is more or less a mystery and a surprise. We go out in the morning, and no thrush or vireo is to be heard; we go out again, and every tree and grove is musical; yet again, and all is silent. Who saw them come? Who saw them depart?
This pert little winter-wren, for instance, darting in and out the fence, diving under the rubbish here and coming up yards away, how does he manage with those little circular wings to compass degrees and zones, and arrive always in the nick of time? Last August I saw him in the remotest wilds of the Adirondacs, impatient and inquisitive as usual; a few weeks later, on the Potomac, I was greeted by the same hardy little busybody. Does he travel by easy stages from bush to bush and from wood to wood? or has that compact little body force and courage to brave the night and the upper air, and so achieve leagues at one pull?
And yonder bluebird with the earth tinge on his breast and the sky tinge on his back, — did he come down out of heaven on that bright March morning when he told us so softly and plaintively that if we pleased, spring had come? Indeed, there is nothing in the return of the birds more curious and suggestive than in the first appearance, or rumors of the appearance, of this little blue-coat. The bird at first seems a mere wandering voice in the air; one hears its call or carol on some bright March morning, but is uncertain of its source or direction; it falls like a drop of rain when no cloud is visible; one looks and listens, but to no purpose. The weather changes, perhaps a cold snap with snow comes on, and it may be a week before I hear the note again, and this time or the next perchance see the bird sitting on a stake in the fence lifting his wing as he calls cheerily to his mate. Its notes now become daily more frequent, the birds multiply, and, flitting from point to point, call and warble more confidently and gleefully. Their boldness increases till one sees them hovering with a saucy, inquiring air about barns and out-buildings, peeping into dove-cotes, and stable windows, inspecting knot-holes and pump-trees, intent only on a place to nest. They wage war against robins and wrens, pick quarrels with swallows, and seem to deliberate for days over the policy of taking forcible possession of one of the mud-houses of the latter. But as the season advances they drift more into the background. Schemes of conquest which they at first seemed bent upon are abandoned, and they settle down very quietly in their old quarters in remote stumpy fields.
Not long after the bluebird comes the robin, sometimes in March, but in most of the Northern States April is the month of the robin. In large numbers they scour the fields and groves. You hear their piping in the meadow, in the pasture, on the hillside. Walk in the woods, and the dry leaves rustle with the whir of their wings, the air is vocal with their cheery call. In excess of joy and vivacity, they run, leap, scream, chase each other through the air, diving and sweeping among the trees with perilous rapidity.
In that free, fascinating, half-work and half-play pursuit, sugar-making, — a pursuit which yet lingers in many parts of New York, as in New England, — the robin is one's constant companion. When the day is sunny and the ground bare, you meet him at all points and hear him at all hours. At sunset, on the tops of the tall maples, with look heavenward, and in a spirit of utter abandonment, he carols his simple strain. And sitting thus amid the stark, silent trees, above the wet, cold earth, with the chill of winter still in the air, there is no fitter or sweeter songster in the whole round year. It is in keeping with the scene and the occasion. How round and genuine the notes are, and how eagerly our ears drink them in! The first utterance, and the spell of winter is thoroughly broken, and the remembrance of it afar off.
Robin is one of the most native and democratic of our birds; he is one of the family, and seems much nearer to us than those rare, exotic visitants, as the orchard starling or rose-breasted grossbeak, with their distant, high-bred ways. Hardy, noisy, frolicsome, neighborly and domestic in his habits, strong of wing and bold in spirit, he is the pioneer of the thrush family, and well worthy of the finer artists whose coming he heralds and in a measure prepares us for.
I could wish Robin less native and plebeian in one respect, — the building of his nest. Its coarse material and rough masonry are creditable neither to his skill as a workman nor to his taste as an artist. I am the more forcibly reminded of his deficiency in this respect from observing yonder hummingbird's nest, which is a marvel of fitness and adaptation, a proper setting for this winged gem, the body of it composed of a white, felt-like substance, probably the down of some plant or the wool of some worm, and toned down in keeping with the branch on which it sits by minute tree-lichens, woven together by threads as fine and frail as gossamer. From Robin's good looks and musical turn we might reasonably predict a domicile of equal fitness and elegance. At least I demand of him as clean and handsome a nest as the king-bird's, whose harsh jingle, compared with Robin's evening melody, is as the clatter of pots and kettles beside the tone of a flute. I love his note and ways better even than those of the orchard starling or the Baltimore oriole; yet his nest, compared with theirs, is a half-subterranean hut contrasted with a Roman villa. There is something courtly and poetical in a pensile nest. Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind. Why need wings be afraid of falling? Why build only where boys can climb? After all, we must set it down to the account of Robin's democratic turn; he is no aristocrat, but one of the people; and therefore we should expect stability in his workmanship rather than elegance.
Another April bird, which makes her appearance sometimes earlier and sometimes later than Robin, and whose memory I fondly cherish, is the Phœbe-bird, the pioneer of the flycatchers. In the inland farming districts I used to notice her, on some bright morning about Easter-day, proclaiming her arrival with much variety of motion and attitude, from the peak of the barn or hay-shed. As yet, you may have heard only the plaintive, homesick note of the bluebird, or the faint trill of the song-sparrow, and Phœbe's clear, vivacious assurance of her veritable bodily presence among us again is welcomed by all ears. At agreeable intervals in her lay she describes a circle or an ellipse in the air, ostensibly prospecting for insects, but really, I suspect, as an artistic flourish, thrown in to make up in some way for the deficiency of her musical performance. If plainness of dress indicates powers of song, as it usually does, then Phœbe ought to be unrivalled in musical ability, for surely that ashen-gray suit is the superlative of plainness; and that form, likewise, would hardly pass for a "perfect figure" of a bird. The seasonableness of her coming, however, and her civil, neighborly ways, shall make up for all deficiencies in song and plumage. After a few weeks Phœbe is seldom seen, except as she darts from her moss-covered nest beneath some bridge or shelving cliff.
Another April comer, who arrives shortly after Robin-redbreast, with whom he associates both at this season and in the autumn, is the gold-winged woodpecker, alias "highhole," alias "flicker," alias "yarup." He is an old favorite of my boyhood, and his note to me means very much. He announces his arrival by a long, loud call, repeated from the dry branch of some tree, or. a stake in the fence — a thoroughly melodious April sound. I think how Solomon finished that beautiful description of spring, "And the voice of the turtle is heard in the land," and see that a description of spring in this farming country, to be equally characteristic, should culminate in like manner, — "And the call of the high-hole comes up from the wood."
It is a loud, strong, sonorous call, and does not seem to imply an answer, but rather to subserve some purpose of love or music. It is "Yarup's" proclamation of peace and good-will to all. On looking at the matter closely, I perceive that most birds, not denominated songsters, have, in the spring, some note or sound or call that hints of a song, and answers imperfectly the end of beauty and art. As a "livelier iris changes on the burnished dove," and the fancy of the young man turns lightly to thoughts of his pretty cousin, so the same renewing spirit touches the "silent singers," and they are no longer dumb; faintly they lisp the first syllables of the marvellous tale. Witness the clear, sweet whistle of the gray-crested titmouse, the soft, nasal piping of the nuthatch, the amorous, vivacious warble of the bluebird, the long, rich note of the meadow-lark, the whistle of the quail, the drumming of the partridge, the animation and loquacity of the swallows, and the like. Even the hen has a homely, contented carol; and I credit the owls with a desire to fill the night with music. All birds are incipient or would-be songsters in the spring. I find corroborative evidence of this even in the crowing of the cock. The flowering of the maple is not so obvious as that of the magnolia; nevertheless, there is actual inflorescence.
Few writers award any song to that familiar little sparrow, the Socialis; yet who that has observed him sitting by the wayside, and repeating, with devout attitude, that fine sliding chant, does not recognize the neglect? Who has heard the snowbird sing? Yet he has a lisping warble very savory to the ear. I have heard him indulge in it even in February.
Even the cow-bunting feels the musical tendency, and aspires to its expression, with the rest. Perched upon the topmost branch, beside his mate or mates, — for he is quite a polygamist and usually has two or three demure little ladies in faded black beside him, — generally in the early part of the day, he seems literally to vomit up his notes. Apparently with much labor and effort, they gurgle and blubber up out of him, falling on the ear with a peculiar subtile ring, as of turning water from a glass bottle, and not without a certain pleasing cadence.
Neither is the common woodpecker entirely insensible to the wooing of the spring, and, like the partridge, testifies his appreciation of melody after quite a primitive fashion. Passing through the woods, on some clear, still morning in March, while the metallic ring and tension of winter are still in the earth and air, the silence is suddenly broken by long, resonant hammering upon a dry limb or stub. It is Downy beating a reveille to spring. In the utter stillness and amid the rigid forms we listen with pleasure; and as it comes to my ear oftener at this season than at any other, I freely exonerate the author of it from the imputation of any gastronomic motives, and credit him with a genuine musical performance.
It is to be expected, therefore, that "Yellow-hammer" will respond to the general tendency, and contribute his part to the spring chorus. His April call is his finest touch, his most musical expression.
I recall an ancient maple standing sentry to a large sugar-bush, that, year after year, afforded protection to a brood of yellow-hammers in its decayed heart. A week or two before the nesting seemed actually to have begun, three or four of these birds might be seen, on almost any bright morning, gambolling and courting amid its decayed branches. Sometimes you would hear only a gentle, persuasive cooing, or a quiet, confidential chattering; then that long, loud call, taken up by first one, then another, as they sat about upon the naked limbs; anon, a sort of wild, rollicking laughter, intermingled with various cries, yelps, and squeals, as if some incident had excited their mirth and ridicule. Whether this social hilarity and boisterousness is in celebration of the pairing or mating ceremony, or whether it is only a sort of annual "housewarming "common among high-holes on resuming their summer quarters, is a question upon which I reserve my judgment.
Unlike most of his kinsmen, the golden-wing prefers the fields and the borders of the forest to the deeper seclusion of the woods, and hence, contrary to the habit of his tribe, obtains most of his subsistence from the ground, probing it for ants and crickets. He is not quite satisfied with being a woodpecker. He courts the society of the robin and the finches, abandons the trees for the meadow, and feeds eagerly upon berries and grain. What may be the final upshot of this course of living is a question worthy the attention of Darwin. Will his taking to the ground and his pedestrian feats result in lengthening his legs, his feeding upon berries and grains subdue his tints and soften his voice, and his associating with Robin put a song into his heart?
Indeed, what would be more interesting than the history of our birds for the last two or three centuries? There can be no doubt that the presence of man has exerted a very marked and friendly influence upon them, since they so multiply in his society. The birds of California, it is said, were mostly silent till after its settlement, and I doubt if the Indians heard the wood-thrush as we hear him. Where did the bobolink disport himself before there were meadows in the North and rice fields in the South? Was he the same blithe, merry-hearted beau then as now? And the sparrow, the lark, and the goldfinch, birds that seem so indigenous to the open fields and so averse to the woods, — we cannot conceive of their existence in a vast wilderness and without man.
But to return. The song-sparrow, that universal favorite and firstling of the spring, comes before April, and its simple strain gladdens all hearts.
May is the month of the swallows and the orioles. There are many other distinguished arrivals, indeed nine tenths of the birds are here by the last week in May, yet the swallows and orioles are the most conspicuous. The bright plumage of the latter seems really like an arrival from the tropics. I see them dash through the blossoming trees, and all the forenoon hear their incessant warbling and wooing. The swallows dive and chatter about the barn, or squeak and build beneath the eaves, the partridge drums in the fresh sprouting woods; the long, tender note of the meadow-lark comes up from the meadow; and at sunset, from every marsh and pond come the ten thousand voices of the hylas. May is the transition month, and exists to connect April and June, the root with the flower.
With June the cup is full, our hearts are satisfied, there is no more to be desired. The perfection of the season, among other things, has brought the perfection of the song and plumage of the birds. The master artists are all here; and the expectations excited by the robin and the song-sparrow are fully justified. The thrushes have all come; and I sit down upon the first rock, with hands full of the pink azalea, to listen. With me the cuckoo does not arrive till June; and often the goldfinch, the king-bird, the scarlettanager delay their coming till then. In the meadows the bobolink is in all his glory; in the high pastures the field-sparrow sings his breezy vesper-hymn; and the woods are unfolding to the music of the thrushes.
The cuckoo is one of the most solitary birds of our forests, and is strangely tame and quiet, appearing equally untouched by joy or grief, fear or anger. Something remote seems ever weighing upon his mind. His note or call is as of one lost or wandering, and to the farmer is prophetic of rain. Amid the general joy and the sweet assurance of things, I love to listen to the strange clairvoyant call. Heard a quarter of a mile away, from out the depths of the forest, there is something peculiarly weird and monkish about it. Wordsworth's lines upon the European species apply equally well to ours: —
"O blithe new-comer! I have heard,
I hear thee and rejoice:
O cuckoo! shall I call thee bird?
Or but a wandering voice?
"While I am lying on the grass,
Thy loud note smites my ear!
From hill to hill it seems to pass,
At once far off and near!
* * *
"Thrice welcome, darling of the spring!
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery."
(Continues...)
Excerpted from Wake-Robin by John Burroughs. Copyright © 2017 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
