The War of the Worlds
The first modern tale of alien invasion, H.G. Wells's The War of the Worlds remains one of the most influential science fiction novels ever published.

The night after a shooting star is seen streaking through the sky from Mars, a cylinder is discovered on Horsell Common in London. At first, naïve locals approach the cylinder armed just with a white flag - only to be quickly killed by an all-destroying heat-ray, as terrifying tentacled invaders emerge. Soon the whole of human civilisation is under threat, as powerful Martians build gigantic killing machines, destroy all in their path with black gas and burning rays, and feast on the warm blood of trapped, still-living human prey. The forces of the Earth, however, may prove harder to beat than they at first appear. The War of the Worlds has been the subject of countless adaptations, including an Orson Welles radio drama which caused mass panic when it was broadcast, with listeners confusing it for a news broadcast heralding alien invasion; a musical version by Jeff Wayne; and, most recently, Steven Spielberg's 2005 film version, starring Tom Cruise.

This Penguin Classics edition includes a full biographical essay on Wells, a further reading list and detailed notes. The introduction, by Brian Aldiss, considers the novel's view of religion and society. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
1100026498
The War of the Worlds
The first modern tale of alien invasion, H.G. Wells's The War of the Worlds remains one of the most influential science fiction novels ever published.

The night after a shooting star is seen streaking through the sky from Mars, a cylinder is discovered on Horsell Common in London. At first, naïve locals approach the cylinder armed just with a white flag - only to be quickly killed by an all-destroying heat-ray, as terrifying tentacled invaders emerge. Soon the whole of human civilisation is under threat, as powerful Martians build gigantic killing machines, destroy all in their path with black gas and burning rays, and feast on the warm blood of trapped, still-living human prey. The forces of the Earth, however, may prove harder to beat than they at first appear. The War of the Worlds has been the subject of countless adaptations, including an Orson Welles radio drama which caused mass panic when it was broadcast, with listeners confusing it for a news broadcast heralding alien invasion; a musical version by Jeff Wayne; and, most recently, Steven Spielberg's 2005 film version, starring Tom Cruise.

This Penguin Classics edition includes a full biographical essay on Wells, a further reading list and detailed notes. The introduction, by Brian Aldiss, considers the novel's view of religion and society. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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The War of the Worlds

The War of the Worlds

by H. G. Wells
The War of the Worlds

The War of the Worlds

by H. G. Wells

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Overview

The first modern tale of alien invasion, H.G. Wells's The War of the Worlds remains one of the most influential science fiction novels ever published.

The night after a shooting star is seen streaking through the sky from Mars, a cylinder is discovered on Horsell Common in London. At first, naïve locals approach the cylinder armed just with a white flag - only to be quickly killed by an all-destroying heat-ray, as terrifying tentacled invaders emerge. Soon the whole of human civilisation is under threat, as powerful Martians build gigantic killing machines, destroy all in their path with black gas and burning rays, and feast on the warm blood of trapped, still-living human prey. The forces of the Earth, however, may prove harder to beat than they at first appear. The War of the Worlds has been the subject of countless adaptations, including an Orson Welles radio drama which caused mass panic when it was broadcast, with listeners confusing it for a news broadcast heralding alien invasion; a musical version by Jeff Wayne; and, most recently, Steven Spielberg's 2005 film version, starring Tom Cruise.

This Penguin Classics edition includes a full biographical essay on Wells, a further reading list and detailed notes. The introduction, by Brian Aldiss, considers the novel's view of religion and society. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Details

ISBN-13: 9788381156226
Publisher: Ktoczyta.pl
Publication date: 04/23/2017
Sold by: Libreka GmbH
Format: eBook
Pages: 192
File size: 2 MB

About the Author

About The Author
H.G. Wells was a professional writer and journalist, who published more than a hundred books, including novels, histories, essays and programmes for world regeneration. Wells's prophetic imagination was first displayed in pioneering works of science fiction, but later he became an apostle of socialism, science and progress. His controversial views on sexual equality and the shape of a truly developed nation remain directly relevant to our world today. He was, in Bertrand Russell's words, 'an important liberator of thought and action'.

Brian Aldiss is a famed science fiction writer. Patrick Parrinder has written on H.G. Wells, science fiction, James Joyce and the history of the English novel. Since 1986 he has been Professor of English at the University of Reading.

Andy Sawyer is a Librarian at the University of Liverpool with a particular interest in science fiction. He has annotated four volumes in this series.

Date of Birth:

September 21, 1866

Date of Death:

August 13, 1946

Place of Birth:

Bromley, Kent, England

Place of Death:

London, England

Education:

Normal School of Science, London, England

Read an Excerpt

Book One:
The Coming of the Martians

Chapter 1
The Eve of the War No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

The planet Mars, I scarcely need remind the reader, revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence.

Yet so vain is man and so blinded by his vanity, that no writer up to the very end of the nineteenth century expressed any idea that intelligent life might have developed there far, or indeed at all, beyond its earthly level. Nor was it generally understood that since Mars is older than our earth, with scarcely a quarter of the superficial area and remoter from the sun, it necessarily follows that Mars is not only more distant from life’s beginning but also nearer its end.

The secular cooling that must someday overtake our planet has already gone far indeed with our neighbor. Its physical condition is still largely a mystery, but we know now that even in its equatorial region the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours, its oceans have shrunk until they cover but a third of its surface, and as its slow seasons change huge snowcaps gather and melt about either pole and periodically inundate its temperate zones. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and with intelligences such as we have scarcely dreamed of they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope—our own warmer planet, green with vegetation and gray with water, with a cloudy atmosphere eloquent of fertility, with glimpses through drifting cloud-wisps of broad stretches of populous country and narrow navy-crowded seas.

And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is indeed their only escape from the destruction that generation after generation creeps upon them.

And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals such as the vanished bison and the dodo, but upon its own inferior races. The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?

The Martians seem to have calculated their descent with amazing subtlety—their mathematical learning is evidently far in excess of ours—and to have carried out their preparations with a well-nigh perfect unanimity. Had our instruments permitted it, we might have seen the gathering trouble far back in the nineteenth century. Men like Schiaparelli watched the red planet—it is odd, by the way, that for countless centuries Mars has been the star of war—but failed to interpret the fluctuating appearances of the markings they mapped so well. All that time the Martians must have been getting ready.

During the opposition of 1894 a great light was seen on the illuminated part of the disk, first at the Lick Observatory, then by Perrotin of Nice, and then by other observers. English readers heard of it first in the issue of Nature dated August 2nd. I am inclined to think that this blaze may have been the casting of the huge gun, in the vast pit sunk into their planet, from which their shots were fired at us. Peculiar markings as yet unexplained were seen near the site of that outbreak during the next two oppositions.

The storm burst upon us six years ago now. As Mars approached opposition Lavelle of Java set the wires of the astronomical exchange palpitating with the amazing intelligence of a huge outbreak of incandescent gas upon the planet. It had occurred toward midnight of the 12th; and the spectroscope to which he had at once resorted indicated a mass of flaming gas, chiefly hydrogen, moving with an enormous velocity toward this earth. This jet of fire had become invisible about a quarter past twelve. He compared it to a colossal puff of flame suddenly and violently squirted out of the planet, “as flaming gases rushed out of a gun.”

A singularly appropriate phrase it proved. Yet the next day there was nothing of this in the papers except a little note in the Daily Telegraph, and the world went in ignorance of one of the gravest dangers that ever threatened the human race. I might not have heard of the eruption at all had I not met Ogilvy, the well-known astronomer, at Ottershaw. He was immensely excited at the news, and in the excess of his feelings invited me up to take a turn with him that night in a scrutiny of the red planet.

In spite of all that has happened since I still remember that vigil very distinctly: the black and silent observatory, the shadowed lantern throwing a feeble glow upon the floor in the corner, the steady ticking of the clockwork of the telescope, the little slit in the roof—an oblong profundity with the star dust streaked across it. Ogilvy moved about, invisible but audible. Looking through the telescope one saw a circle of deep blue and the little round planet swimming in the field. It seemed such a little thing, so bright and small and still, faintly marked with transverse stripes and slightly flattened from the perfect round. But so little it was, so silvery warm—a pin’s head of light! It was as if it quivered, but really this was the telescope vibrating with the activity of the clockwork that kept the planet in view.

As I watched, the planet seemed to grow larger and smaller and to advance and recede, but that was simply that my eye was tired. Forty millions of miles it was from us—more than forty million miles of void. Few people realize the immensity of vacancy in which the dust of the material universe swims.

Near it in the field, I remember, were three faint points of light, three telescopic stars infinitely remote, and all around it was the unfathomable darkness of empty space. You know how that blackness looks on a frosty starlight night. In a telescope it seems far profounder. And invisible to me because it was so remote and small, flying swiftly and steadily toward me across that incredible distance, drawing nearer every minute by so many thousands of miles, came the Thing they were sending us, the Thing that was to bring so much struggle and calamity and death to the earth. I never dreamed of it then as I watched; no one on earth dreamed of that unerring missile.

That night, too, there was another jetting out of gas from the distant planet. I saw it. A reddish flash at the edge, the slightest projection of the outline just as the chronometer struck midnight; and at that I told Ogilvy and he took my place. The night was warm and I was thirsty, and I went, stretching my legs clumsily and feeling my way in the darkness, to the little table where the siphon stood, while Ogilvy exclaimed at the streamer of gas that came out toward us.

That night another invisible missile started on its way to the earth from Mars just a second or so under twenty-four hours after the first one. I remember how I sat on the table there in the blackness with patches of green and crimson swimming before my eyes. I wished I had a light to smoke by, little suspecting the meaning of the minute gleam I had seen and all that it would presently bring me. Ogilvy watched till one, and then gave it up, and we lit the lantern and walked over to his house. Down below in the darkness were Ottershaw and Chertsey and all their hundreds of people, sleeping in peace.

He was full of speculation that night about the condition of Mars, and scoffed at the vulgar idea of its having inhabitants who were signaling us. His idea was that meteorites might be falling in a heavy shower upon the planet, or that a huge volcanic explosion was in progress. He pointed out to me how unlikely it was that organic evolution had taken the same direction in the two adjacent planets.

“The chances against anything manlike on Mars are a million to one,” he said.

Hundreds of observers saw the flame that night and the night after about midnight, and again the night after; and so for ten nights, a flame each night. Why the shots ceased after the tenth no one on earth has attempted to explain. It may be the gases of the firing caused the Martians inconvenience. Dense clouds of smoke or dust, visible through a powerful telescope on earth as little gray fluctuating patches, spread through the clearness of the planet’s atmosphere and obscured its more familiar features.

Even the daily papers woke up to the disturbances at last, and popular notes appeared here, there and everywhere concerning the volcanoes upon Mars. The seriocomic periodical Punch, I remember, made a happy use of it in the political cartoon. And all unsuspected, those missiles the Martians had fired at us drew earthward, rushing now at a pace of many miles a second through the empty gulf of space, hour by hour and day by day, nearer and nearer. It seems to me now almost incredibly wonderful that, with that swift fate hanging over us, men could go about their petty concerns as they did. I remember how jubilant Markham was at securing a new photograph of the planet for the illustrated paper he edited in those days. People in these latter times scarcely realize the abundance and enterprise of our nineteenth-century papers. For my own part, I was much occupied in learning to ride a bicycle, and busy upon a series of papers discussing the probable developments of moral ideas as civilization progressed.

One night (the first missile then could scarcely have been 10,000,000 miles away) I went for a walk with my wife. It was starlight, and I explained the signs of the zodiac to her and pointed out Mars, a bright dot of light creeping zenithward, toward which so many telescopes were pointed. It was a warm night. Coming home, a party of excursionists from Chertsey or Isleworth passed us singing and playing music. There were lights in the upper windows of the houses as the people went to bed. From the railway station in the distance came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. My wife pointed out to me the brightness of the red, green, and yellow signal lights hanging in a framework against the sky. It seemed so safe and tranquil.

Table of Contents

Contents:

BOOK I. THE COMING OF THE MARTIANS 3

I. THE EVE OF THE WAR 3

II. THE FALLING STAR 5

III. ON HORSELL COMMON 7

IV. THE CYLINDER OPENS 8

V. THE HEAT-RAY 10

VI. THE HEAT-RAY IN THE CHOBHAM ROAD 12

VII. HOW I REACHED HOME 13

VIII. FRIDAY NIGHT 15

IX. THE FIGHTING BEGINS 16

X. IN THE STORM 19

XI. AT THE WINDOW 22

XII. WHAT I SAW OF THE DESTRUCTION OF WEYBRIDGE AND SHEPPERTON 24

XIII. HOW I FELL IN WITH THE CURATE 29

XIV. IN LONDON 32

XV. WHAT HAD HAPPENED IN SURREY 37

XVI. THE EXODUS FROM LONDON 40

XVII. THE “THUNDER CHILD” 46

BOOK II. THE EARTH UNDER THE MARTIANS 50

I. UNDER FOOT 50

II. WHAT WE SAW FROM THE RUINED HOUSE 54

III. THE DAYS OF IMPRISONMENT 58

IV. THE DEATH OF THE CURATE 60

V. THE STILLNESS 62

VI. THE WORK OF FIFTEEN DAYS 63

VII. THE MAN ON PUTNEY HILL 65

VIII. DEAD LONDON 72

IX. WRECKAGE 76

X. THE EPILOGUE 78

Reading Group Guide

1. In 1878 the Italian astronomer Giovanni Virginio Schiaparelli used the most advanced telescope of his day to map the surface of Mars. He discovered a number of dark, thin lines crisscrossing the planet and assumed that they were water channels in Italian, canali. This was mistranslated into English as canals; as a result of this subtle linguistic error, many people in Britain and America believed these passages were man-made. It was in such an atmosphere of misunderstanding and scientific speculation that Wells published The War of the Worlds. Today, however, we know a great deal about Mars and the possibility of life there. Does our scientific knowledge of what is on Mars make the novel any less alarming? Why or why not?

2. Isaac Asimov has argued that The War of the Worlds can be read as an argument against British colonialism and the cold expansion of the empire. "H. G. Wells must have wanted to write his book in such a way as to demonstrate the evils of [colonialism]," Asimov writes. "He must have tried to show his own countrymen what they were doing to the world. The British had been in the forefront of the imperialistic drive, and by the end of the 1800's, the British Empire included a quarter of the land area and the population of the world. . . . It seemed only poetic justice then that the Martian invasion in The War of the Worlds fell upon the British." Do you agree with Asimov's reading?

3. Wells begins the book with the chilling image of alien life watching over the earth. He describes the Martians as planning their attacks on an unsuspecting man with "intellects vast and cool and unsympathetic." How does this image resonate today?

4. Shortly before Wells died in 1946, he said, "Reality has taken a leaf from my book and set itself to supersede me." What does Wells mean by this?

5. When the Martians first land on earth, the people who encounter them initially treat the incident lightly, as if the aliens are a traveling amusement. Is this a realistic response? What do you think Wells is trying to say by this?

6. How does Wells use language and narrative style to create suspense and a sense of terror? Is the book frightening?

7. Many people consider The War of the Worlds the greatest science fiction book of all time. Do you agree? Why or why not? What other books are among the best? What defines a classic of science fiction?

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