What Is It All but Luminous: Notes from an Underground Man
From the golden-haired, curly-headed half of Simon amp; Garfunkel--a memoir (of sorts): artful, moving, lyrical; the making of a musician; the evolution of a man, a portrait of a life-long friendship and collaboration that became one of the most successful singing duos of their time.
Art Garfunkel writes about his life before, during, and after Simon amp; Garfunkel . . . about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different--from the age of five feeling his vocal cords "vibrating with the love of sound" . . . meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being twelve at the birth of rock'n'roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song, "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies . . .
He writes about their becoming Simon amp; Garfunkel, taking the world by storm, ruling the pop charts from the time he was sixteen, about not being a natural performer, but more a thinker . . . touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents--the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all") . . . getting his masters in mathematics at Columbia; choosing music over a PhD; his slow unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back . . . about being a husband, a father and much more.
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Art Garfunkel writes about his life before, during, and after Simon amp; Garfunkel . . . about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different--from the age of five feeling his vocal cords "vibrating with the love of sound" . . . meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being twelve at the birth of rock'n'roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song, "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies . . .
He writes about their becoming Simon amp; Garfunkel, taking the world by storm, ruling the pop charts from the time he was sixteen, about not being a natural performer, but more a thinker . . . touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents--the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all") . . . getting his masters in mathematics at Columbia; choosing music over a PhD; his slow unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back . . . about being a husband, a father and much more.
What Is It All but Luminous: Notes from an Underground Man
From the golden-haired, curly-headed half of Simon amp; Garfunkel--a memoir (of sorts): artful, moving, lyrical; the making of a musician; the evolution of a man, a portrait of a life-long friendship and collaboration that became one of the most successful singing duos of their time.
Art Garfunkel writes about his life before, during, and after Simon amp; Garfunkel . . . about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different--from the age of five feeling his vocal cords "vibrating with the love of sound" . . . meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being twelve at the birth of rock'n'roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song, "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies . . .
He writes about their becoming Simon amp; Garfunkel, taking the world by storm, ruling the pop charts from the time he was sixteen, about not being a natural performer, but more a thinker . . . touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents--the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all") . . . getting his masters in mathematics at Columbia; choosing music over a PhD; his slow unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back . . . about being a husband, a father and much more.
Art Garfunkel writes about his life before, during, and after Simon amp; Garfunkel . . . about their folk-rock music in the roiling age that embraced and was defined by their pathbreaking sound. He writes about growing up in the 1940s and '50s (son of a traveling salesman), a middle class Jewish boy, living in a red brick semi-attached house in Kew Gardens, Queens, a kid who was different--from the age of five feeling his vocal cords "vibrating with the love of sound" . . . meeting Paul Simon in school, the funny guy who made Art laugh; their going on to junior high school together, of being twelve at the birth of rock'n'roll, both of them "captured" by it; going to a recording studio in Manhattan to make a demo of their song, "Hey Schoolgirl" (for $7!) and the actual record (with Paul's father on bass) going to #40 on the national charts, selling 150,000 copies . . .
He writes about their becoming Simon amp; Garfunkel, taking the world by storm, ruling the pop charts from the time he was sixteen, about not being a natural performer, but more a thinker . . . touring; sex-for-thrills on the road, reading or walking to calm down (walking across two continents--the USA and Europe). He writes of being an actor working with directors Nicolas Roeg (Bad Timing) and Mike Nichols ("the greatest of them all") . . . getting his masters in mathematics at Columbia; choosing music over a PhD; his slow unfolding split with Paul and its aftermath; learning to perform on his own, giving a thousand concerts worldwide, his voice going south (a stiffening of one vocal cord) and working to get it back . . . about being a husband, a father and much more.
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Product Details
| BN ID: | 2940172051906 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 11/15/2019 |
| Edition description: | Unabridged |
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