Why the Amish Sing: Songs of Solidarity and Identity

Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and "single girl" sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use.

This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will.

By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.

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Why the Amish Sing: Songs of Solidarity and Identity

Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and "single girl" sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use.

This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will.

By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.

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Why the Amish Sing: Songs of Solidarity and Identity

Why the Amish Sing: Songs of Solidarity and Identity

Why the Amish Sing: Songs of Solidarity and Identity

Why the Amish Sing: Songs of Solidarity and Identity

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Overview

Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and "single girl" sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use.

This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will.

By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.


Product Details

ISBN-13: 9781421414669
Publisher: Johns Hopkins University Press
Publication date: 09/15/2014
Series: Young Center Books in Anabaptist and Pietist Studies
Sold by: Barnes & Noble
Format: eBook
Pages: 216
File size: 5 MB
Age Range: 18 Years

About the Author

D. Rose Elder is an associate professor of ethnomusicology and rural sociology and coordinator of humanities and social sciences at the Ohio State University Agricultural Technical Institute.

Table of Contents

Foreword, by Terry E. Miller
Preface
Acknowledgments
Part I: Amish Life and Song
1. Who Are the Amish?
2. The Functions of Amish Singing
3. Case Study:: "Es sind zween Weg"
Part II: Singing in Childhood and Adolescence
4. Songs for Nurture: Lullabies and Children's Songs
5. Songs for Instruction: Singing at School
6. Case Study: School Repertoire
7. Songs of Identity: Youth Sings
Part III: Singing for Worship
8. Songs of Memory: The Ausbund
9. Songs of Belonging: Baptism, Council, and Communion
10. Case Study: The Loblied, or Lobsand
Part IV: Singing for Special Occasions
11. Songs of Love and Life: Weddings and Funerals
12. Songs of Trust: Music in Daily Life
13. Songs for the Future: Amish Singing in the Twenty-First Century
Appendix I: Additional Musical Examples
Appendix II: Research Methods
Appendix III: Historical Studies of Amish Music
Notes
Bibliography
Index

What People are Saying About This

From the Publisher

Elder’s work helps us not only to see the Amish as human beings like ourselves but to see ourselves through the Amish. (from the Foreword)
—Terry E. Miller, Kent State University

D. Rose Elder convincingly shows the clear importance of the phenomenon of singing to the Amish in many dimensions of their culture and faith.
—David J. Rempel Smucker, Anabaptist historian

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