The Widow's Revenge (Charlie Moon Series #14)

by James D. Doss

Overview

Even with some of the toughest hombres and nastiest outlaws roaming the Southwest, bestselling author James D. Doss's seven-foot-tall rancher and sometime tribal investigator Charlie Moon does a fair job on the side of the good guys. So it's no surprise that he gets the call when the widow Loyola Montoya starts making a fuss about witches.

Witches?

She swears there's a whole midnight brood lurking in the woods just off her property, mocking her with lewd songs and harassing her with the carcasses of dead animals. When no one takes her seriously--she has been known to cry wolf from time to time--she takes matters into her own hands, with disastrous results. By the time Charlie arrives, it's too late to save her, and while he knows he can't bring her back, that doesn't mean he can't help the widow get her revenge after all.

Told in Doss's whimsical style, The Widow's Revenge is a wonderfully tall tale that requires wide-open spaces and larger-than-life heroes like Charlie Moon to saddle up and make sure that justice is served.

Product Details

ISBN-13:	9781429943109
Publisher:	St. Martin's Press
Publication date:	10/27/2009
Series:	Charlie Moon Series , #14
Sold by:	Macmillan
Format:	eBook
Pages:	304
Sales rank:	48,221
File size:	391 KB

About the Author

JAMES D. DOSS is the author of thirteen previous Charlie Moon mysteries, two of which were among the Best Books of the Year named by Publishers Weekly. Doss was born in Kentucky and now divides his time between Los Alamos and Taos, New Mexico.

James D. Doss is the author of the Charlie Moon mysteries, including A Dead Man's Tale and The Widow's Revenge. Two of the Moon books were named one of the best books of the year by Publishers Weekly. Originally from Kentucky, he divides his time between Los Alamos and Taos, New Mexico.

Read an Excerpt

CHAPTER ONE
LA PLATA COUNTY, COLORADO
The Widow Montoya’s Farm
SUSPENDED HIGH IN THE SOUTHERN SKY, THE SILVERY SATELLITE PULLS a diaphanous cloud veil over her naked, pockmarked face. Is this a mat­ter of modesty—does the pale lady prefer not to be seen? Or might it be the other way around—is there something on the widow’s property that White Shell Woman prefers not to see?
THE SLEEPER As a youth, Loyola sought adventure, wealth, and pleasure. In her wiser, twilight years, she treasures peace above all earthly delights; a good night’s rest is a gift beyond price and the soothing lullaby of rippling waters a powerful sopori.c. This is one of the reasons the widow has clung to her isolated farm, which is bordered by Ignacio Creek.
The other is that the stubborn old soul is determined to die in the house where she entered the world screaming bloody murder.
ONLY A few moaning groans and irregular heartbeats ago, when Mrs. Montoya settled her brittle bones and creaky joints into the brass four- poster and pulled a quilt over her old gray head, the widow believed herself to be alone in her isolated home. And she was, if beady-eyed mice, clickety­critching crickets, dozing black.ies, venomous red wasps, bulbous black widow spiders, and other pestilential residents were not included in the census.
Which was why, when she was awakened suddenly from a deep and blessedly dreamless sleep, the elder ly woman was startled to hear the sound of voices. Oh my goodness, somebody’s broke into my house! Sit­ting up in bed, she realized that this was not so. But outside, somewhere beyond the restful hush of the rushing waters, she could detect low mur­murings. Malicious mutterings. But were these unsettling articulations actually voices? The lady cocked her ear.
It’s them damned witches again—they’ve come back!
As she had on previous occasions, Loyola strained vainly to make out the words.
Those jibber-jabbering brujos sound like they’re under the water.
The weary woman knew she wouldn’t get another minute of sleep. I wish my grandson was here; I’d send Wallace out to tell his nasty friends to be quiet. But the great oaf had been gone for . . . how long—only a day or two? Or had it been a week? Loyola could not remember. Not that Wallace’s unexplained absence surprised his grandmother. Her long and mostly unhappy experience with members of the other gender had led her to some . rm conclusions.
Whenever you need a man, he’ll be somewhere else.
Where? Either with some of his idiot men friends in a stinking sa­loon—or with some slut of a woman.
And when the rascal is at home, he’ll lay around watching TV, expect­ing a good woman to .x his meals, mend and wash his . lthy clothes, and take care of him like he was a snotty-nosed . ve-year-old.
Even so . . .
The lonely woman sighed. Tears .lled her eyes.
It would be nice to have a man around the house. A man who has a gun and knows how to use it. It occurred to her to call the police.
A pair of salty drops rolled down her leathery cheeks.
A lot of good that’d do. After all the times I’ve had them out here for one strange thing and another they couldn’t .nd any trace of, they . gure me for an old crank. Cops ain’t worth the dirt under their . ngernails.
Loyola recalled the single exception. Charlie Moon came out every time I called, and he never made sport of me when I told him about that big, hairy monster that looked like an ape or that thirty- foot-long purple snake with black whiskers and horns like a billy goat. Sadly, Daisy Peri­ka’s nephew had quit his job with the Southern Ute police and moved up north years ago to a big cattle ranch. And I ain’t laid eyes on him since.
But wasn’t that always the way with people: the good ones go away, the no-accounts are always underfoot.
Pushing away the hand-stitched quilt, she grunted her way out of bed. Like always, I’ll just have to take care of things myself.
Loyola stepped into a pair of tattered house slippers and shuf. ed over to the closet, where she selected a pea- green government-issue woolen overcoat that her late husband had brought back from the war in Europe. Pulling it on, she made up her mind. Tonight, I’m going to go . nd out where they are and tell them either be quiet or I’ll get the pistol out of the closet and shoot the lot of ’em!
A reckless old soul. But courageous. Also dangerous.
By the time she opened the back-porch door, the voices had fallen silent. This was, one would imagine, fortunate. But for whom? Loyola Montoya— or those folk whose confounded mutters and murmurs had disturbed her slumbers?
It is too early to say.
But after retiring to her parlor rocking chair, the elder ly lady intended to stay wide awake until that cold, gray hour that would precede a wan, yellowish dawn.
During that interval, she dozed intermittently. And . tfully.
In Loyola’s fretful dreams, malevolent witches peered through her win­dows.
Turned knobs on her locked doors.
Whispered obscene curses.
In her dreams.
If dreams they were. Excerpted from The Widow’s Revenge by James D. Doss.
Copyright © 2009 by James D. Doss.
Published in November 2009 by Minotaur Books.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

Editorial Reviews

When “witches” bother widow Loyola Montoya at the start of Doss's enjoyable 14th mystery to feature part-time Ute tribal investigator Charlie Moon (after 2008's Snake Dreams), “the strange old Apache woman” phones Charlie, the only man she knows in Granite Creek, Colo., who will listen to her complaints. By the time Charlie arrives at Loyola's remote 10-acre farm, she's perished in a kitchen fire apparently caused by a fallen kerosene lamp. Was her death accidental, or were the people camped on nearby land owned by the Blue Diamond Natural Gas Company somehow involved? As Moon, FBI agent Lila Mae McTeague and police chief Scott Parris pursue what turns into a criminal investigation, the violence only gets worse. While Doss successfully evokes the mysticism of traditional Native American storytelling, his choppy chapters with their frequent point-of-view shifts may frustrate new readers. Series fans familiar with his style will welcome spending time with old friends. (Nov.)

Publishers Weekly

Ute rancher/tribal investigator Charlie Moon (Snake Dreams, 2008, etc.) is off once again on a trail of MacGuffins. When Apache elder Loyola Montoya is incensed that witches are squatting on her property, Charlie Moon, who's responded to dozens of her complaints, promises that he'll come out in the morning. By the time he gets there, she's burned up-and so is he, at the miscreants who killed her. Charlie's ensuing odyssey wends in and out of the dreams of his old auntie Daisy, the daft shaman; the nightmares of his best pal, Scott Parris, sheriff of Granite Creek; the lustful imaginings of pubescent Sarah Frank, who wants to marry him; and the half-truths retailed by his ex-sweetheart Lila Mae, a gutsy FBI agent who sees no reason to mention that the bozos he's after practice cannibalism as well as robbery, arson, gunplay and-tough luck for Charlie-retribution in the form of planting bombs for chasing them. A lot of horrible deaths ensue. Many witty remarks are uttered. And if it's hard to tell who's really alive and who is dead, and which Ute vision will be prophetic and which a tad premature, there's no denying that the plot is a lulu. If you've been brought up on Hillerman and don't realize that Native Americans like a joke as well as the next gazebo, let Charlie Moon, all seven feet of him, enlighten you. Insanely good-Charlie's best since Grandmother Spider (2001).

Kirkus Reviews

Praise for James D. Doss

“Snake Dreams is the thirteenth novel in this series, and since it’s a very good one—funny, smart, and totally different—it’s a great place for readers to discover Moon.”

—Toronto Globe and Mail on Snake Dreams

“Outstanding… The narrator clearly is having fun as he unveils his tale, liberally laced with Native American lore, character idiosyncrasies, comedic asides, and a plot that weaves and twists like a highway in the Rockies.”

—Library Journal (starred review) on Snake Dreams

“James D. Doss’s novels about Charlie Moon… feel as if the author is sitting around a campfire, spinning a tall tale that engulfs a circle of listeners.… Doss’s tale is evocative of the area and of Indian lore, and his chatty, down-home style shines.”

—Florida Sun-Sentinel on Three Sisters

“Doss’s trademark humor keeps Charlie and Scott wisecracking as the plot spins smartly along to an unpredictable ending.… The most recent Charlie Moon mysteries still charm us with Western voices and ways.”

—Rocky Mountain News on Three Sisters

“Doss does for the Utes what Tony Hillerman has done for the Navajo.”

—The Denver Post

From the Publisher