Wilma Unlimited: How Wilma Rudolph Became the World's Fastest Woman

by Kathleen Krull, David Diaz (Illustrator)

Overview

This is the dramatic and inspiring true story of runner Wilma Rudolph, who overcame childhood polio and eventually went on to win three gold medals in a single Olympics. “A triumphant story, triumphantly relayed.”—Publishers Weekly

Product Details

ISBN-13:	9780152020989
Publisher:	Houghton Mifflin Harcourt
Publication date:	02/28/2000
Edition description:	First Edition
Pages:	44
Sales rank:	11,387
Product dimensions:	11.00(w) x 8.50(h) x 0.16(d)
Lexile:	AD730L (what's this?)
Age Range:	4 - 7 Years

About the Author

Kathleen Krull has written much innovative nonfiction for young people, including all of the books in the Lives of . . . series, and has made a chatty, accessible approach to biography her hallmark. She lives in San Diego, California. Visit her website at www.kathleenkrull.com.

David Diaz has illustrated numerous award-winning books for children, including Smoky Night by Eve Bunting, for which he was awarded the Caldecott Medal; The Wanderer by Sharon Creech, which received a Newbery Honor; and Diego: Bigger Than Life by Carmen T. Bernier-Grand, a Pura Belpré Honor Award winner. An illustrator and graphic designer for more than twenty-five years, he is also a painter and an accomplished ceramic artist. Mr. Diaz lives in Carlsbad, California.

What People are Saying About This

From the Publisher

"Inspiring.—The New York Times Book Review
"A triumphant story, triumphantly relayed."—Publishers Weekly

Editorial Reviews

"Inspiring."—The New York Times Book Review

"A triumphant story, triumphantly relayed."--Publishers Weekly

From the Publisher

"No one expected such a tiny girl to have a first birthday," begins this inspiring biographical sketch of a legendary track stars. Born in 1940 in Tennessee, the chronically sickly though "lively" Rudolph contracted polio just before her fifth birthday. Though not expected to walk again, the fiercely determined girl persevered with her leg exercises; by the time she was 12, she no longer needed her steel brace. Eight years later, Rudolph represented the U.S. in the 1960 Olympics in Rome, where, despite a twisted ankle, she became the first American woman to win three gold medals during a single Olympic competition. Krull's (Lives of the Musicians) characteristic, conversational style serves her especially well here. Through her words the nearly superhuman Rudolph seems both personable and recognizable. Rendered in acrylic, watercolor and gouache, Caldecott Medalist Diaz's (Smoky Night) imposing, richly hued illustrations have a distinctive, cubist feel. The artist's bold design superimposes this art against sepia-toned photographs of relevant background images: playground sand, wooden fence slats, the gravel of a running track. This juxtaposition yields busy, effectively textured pages, flawed only by the text's curiously embellished font-the letters look as though they have been speckled with either ink blots or dust. A triumphant story, triumphantly relayed. Ages 7-12. (Apr.)

Publishers Weekly - Publisher's Weekly

K-Gr 5An athlete's determined efforts to succeed against all odds. The dynamic artwork is as fluid and vivacious as Rudolph herself. (June 1996)

School Library Journal

Only after reading this book does the subtitle—"How Wilma Rudolph Became the World's Fastest Woman"—appear rife with understatement. In spite of a low birth weight and childhood bouts with scarlet fever and polio (the doctor said Wilma would never walk again) and after years of painful, relentless exercise, she not only walked, she ran: to college on scholarship, and to the Olympics, where she became the first American woman to win three gold medals in the same games. Krull (Lives of the Artists, 1995, etc.) tells the inspiring tale in rolling, oratorical prose; Diaz, coming off his Caldecott-winning work for Eve Bunting's Smoky Night (1994) again lays stylized painted scenes over textured background photos—here, sepia-toned close-ups of fences, ivy, and bare footprints in loose dirt. Though a mannered, blotchy typeface (also Diaz's creation) gives the pages an overly designed look, the book as a whole is a dramatic commemoration of quite a heroic life. Rudolph died in 1994; her post-Olympic accomplishments are described in an afterword.

Kirkus Reviews