Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care?
Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.
1110901178
Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care?
Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.
17.95 Out Of Stock
Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong (Popular Culture and Philosophy Series)

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Overview


Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care?
Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.

Product Details

ISBN-13: 9780812694536
Publisher: Open Court Publishing Company
Publication date: 08/09/2004
Series: Popular Culture and Philosophy Series
Pages: 250
Product dimensions: 6.00(w) x 9.00(h) x 0.59(d)

Table of Contents

Foreword: Can We Not Talk about Sex All the Time?ix
Acknowledgmentsxii
Introduction: You Know Nothing of My Work1
Act IMorality, Interpretation, and the Meaning of Life5
1.God, Suicide, and the Meaning of Life in the Films of Woody Allen7
2.Integrity in Woody Allen's Manhattan24
3.Does Morality Have to Be Blind? A Kantian Analysis of Crimes and Misdemeanors33
4.Arguing Interpretations: The Pragmatic Optimism of Woody Allen48
Act IIWoody's Craft67
5.The Mousetrap: Reading Woody Allen69
6.Woody on Aesthetic Appreciation89
7.Art and Voyeurism in the Films of Woody Allen101
8."You Don't Deserve Cole Porter": Love and Music According to Woody Allen118
9.Dead Sharks and Dynamite Ham: The Philosophical Use of Humor in Annie Hall132
10.Reconstructing Ingmar: The Aesthetic Purging of the Great Model151
Act IIIFive Films167
11.The Dangers of Hedonism: A Midsummer Night's Sex Comedy169
12.Inauthenticity and Personal Identity in Zelig186
13.It's All Darkness: Plato, The Ring of Gyges, and Crimes and Misdemeanors203
14.Self Knowledge in Another Woman218
15.Woody Allen's Film Noir Light: Crime, Love, and Self-Knowledge in The Curse of the Jade Scorpion243
Entertainment for Intellectuals: A Woody Allen Filmography259
All These Great Minds ...261
Index265
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