World Music: A Very Short Introduction
World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. WorldMusic is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for worldmusic's growing presence and popularity at the beginning of the twenty-first century.
1100632692
World Music: A Very Short Introduction
World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. WorldMusic is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for worldmusic's growing presence and popularity at the beginning of the twenty-first century.
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World Music: A Very Short Introduction

World Music: A Very Short Introduction

by Philip V. Bohlman
World Music: A Very Short Introduction

World Music: A Very Short Introduction

by Philip V. Bohlman

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Overview

World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. WorldMusic is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for worldmusic's growing presence and popularity at the beginning of the twenty-first century.

Product Details

ISBN-13: 9780191579455
Publisher: OUP Oxford
Publication date: 05/30/2002
Series: Very Short Introductions
Sold by: Barnes & Noble
Format: eBook
File size: 3 MB

About the Author

Philip V. Bohlman, Professor of Music and Jewish Studies at the University of Chicago, has taught and published from an exceptionally broad range of topics in today's world musics: folk and ethnic music in the USA; the musics of European minorities and refugees; the Middle East and South Asia; the ideological and political dimensions of music in nationalism and racism. He is the 1997 recipient of the Royal Music Academy's Dent Medal, and Bohlman has written, edited, or co-edited seventeen books.

Table of Contents

Prefacexi
List of illustrationsxix
Mapsxx
1In the beginning...myth and meaning in world music1
2The West and the world23
3Between myth and history47
4Music of the folk64
5Music of the nations88
6Diaspora111
7Colonial musics, post-colonial worlds, and the globalization of world music130
References151
Further reading157
Listening161
Index165
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