Writing disenchantment: British First World War prose, 1914-30
It has become axiomatic that First World War literature was disenchanted, or disillusioned, and returning combatants were unable to process or communicate that experience. In Writing disenchantment, Andrew Frayn argues that this was not just about the war: non-combatants were just as disenchanted as those who fought, and writers such as D. H. Lawrence and Virginia Woolf produced some of the sharpest criticisms. Its language already existed in contemporary sociological and historical accounts of the problems of mass culture and the modern city, whose structures contained the conflict and were strengthened during it. Archival material, sales data and reviews are used to chart disenchantment in a wide range of early twentieth-century war literature from novels about fears of invasion and pacifism, through the modernist novels of the 1920s to its dominance in the War Books Boom of 1928-30. This book will appeal to scholars and students of English literature, social and cultural history, and gender studies.
1301034300
Writing disenchantment: British First World War prose, 1914-30
It has become axiomatic that First World War literature was disenchanted, or disillusioned, and returning combatants were unable to process or communicate that experience. In Writing disenchantment, Andrew Frayn argues that this was not just about the war: non-combatants were just as disenchanted as those who fought, and writers such as D. H. Lawrence and Virginia Woolf produced some of the sharpest criticisms. Its language already existed in contemporary sociological and historical accounts of the problems of mass culture and the modern city, whose structures contained the conflict and were strengthened during it. Archival material, sales data and reviews are used to chart disenchantment in a wide range of early twentieth-century war literature from novels about fears of invasion and pacifism, through the modernist novels of the 1920s to its dominance in the War Books Boom of 1928-30. This book will appeal to scholars and students of English literature, social and cultural history, and gender studies.
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Writing disenchantment: British First World War prose, 1914-30

Writing disenchantment: British First World War prose, 1914-30

by Andrew Frayn
Writing disenchantment: British First World War prose, 1914-30

Writing disenchantment: British First World War prose, 1914-30

by Andrew Frayn

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Overview

It has become axiomatic that First World War literature was disenchanted, or disillusioned, and returning combatants were unable to process or communicate that experience. In Writing disenchantment, Andrew Frayn argues that this was not just about the war: non-combatants were just as disenchanted as those who fought, and writers such as D. H. Lawrence and Virginia Woolf produced some of the sharpest criticisms. Its language already existed in contemporary sociological and historical accounts of the problems of mass culture and the modern city, whose structures contained the conflict and were strengthened during it. Archival material, sales data and reviews are used to chart disenchantment in a wide range of early twentieth-century war literature from novels about fears of invasion and pacifism, through the modernist novels of the 1920s to its dominance in the War Books Boom of 1928-30. This book will appeal to scholars and students of English literature, social and cultural history, and gender studies.

Product Details

ISBN-13: 9781526103185
Publisher: Manchester University Press
Publication date: 11/01/2015
Sold by: Barnes & Noble
Format: eBook
File size: 2 MB

About the Author

Andrew Frayn is a Lecturer in English Literature at the University of Manchester

Table of Contents

"Introduction 1. Patriotism, propaganda and pacifism, 1914-18 2. Hope to Disenchantment, 1919-22
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