Wuthering Heights
Wuthering Heights
By Emily Brontë, Editorial Oneness (Edited by)
1003645331
Wuthering Heights
Wuthering Heights
By Emily Brontë, Editorial Oneness (Edited by)
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Overview

Wuthering Heights
By Emily Brontë, Editorial Oneness (Edited by)

Product Details

ISBN-13: 9780141439556
Publisher: Penguin Publishing Group
Publication date: 12/17/2002
Series: Penguin Classics Series
Edition description: Revised
Pages: 416
Sales rank: 193
Product dimensions: 5.10(w) x 7.80(h) x 1.00(d)
Age Range: 18 Years

About the Author

Alison Booth, Professor of English at the University of Virginia with a Ph.D. from Princeton (1986), specializes in Victorian studies, the novel, and women writers, while her teaching and research also range broadly—across the Atlantic and up to contemporary cultural studies—to encompass narrative theory, biography and autobiography, and celebrity. Her numerous articles and essays have appeared in distinguished journals and collections. She is the author of two acclaimed critical books: the prize-winning How to Make It as a Woman: Collective Biographical History from Victoria to the Present (2004), and Greatness Engendered: George Eliot and Virginia Woolf (1992), and co-editor of the Norton Introduction to Literature (now in its ninth edition). Her current research, reflected in the Longman Cultural Edition of Wuthering Heights, involves the popular genre of "homes and haunts" of famous people, literary tourism, and the character of famous writers' houses.

Read an Excerpt

Chapter 1

1801.'I have just returned from a visit to my landlord'the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist's Heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

‘Mr. Heathcliff?' I said.

A nod was the answer.

‘Mr. Lockwood your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts''

‘Thrushcross Grange is my own, sir,' he interrupted, wincing. ‘I should not allow any one to inconvenience me, if I could hinder it'walk in!'

The ‘walk in' was uttered with closed teeth, and expressed the sentiment, ‘Go to the Deuce': even the gate over which he leant manifested no sympathizing movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.When he saw my horse's breast fairly pushing the barrier, he did pull out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court,'‘Joseph, take Mr. Lockwood's horse; and bring up some wine.'

‘Here we have the whole establishment of domestics, I suppose,' was the reflection, suggested by this compound order. ‘No wonder the grass grows up between the flags, and cattle are the only hedge cutters.'

Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. ‘The Lord help us!' he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff's dwelling. ‘Wuthering' being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date ‘1500,' and the name ‘Hareton Earnshaw.' I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.

One step brought us into the family sitting-room, without any introductory lobby or passage: they call it here ‘the house' preeminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been underdrawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser, reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his armchair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gypsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose.

Table of Contents

List of Illustrations

Top Withins

High Sunderland

"Gun Portrait" from Marion Harland

Portrait

Several illustrations from Bronte Society Transactions:

Main Street, Haworth

Haworth Old Church

The Birthplace of the Bronte Sisters, Thornton

The Black Bull

Branwell Bronte's Chair

The Waterfall on the Moor

Haworth Parsonage

Emily Bronte, drawing of Keeper

Haworth Parsonage

Facscimile Title Page of First Edition

About This Edition

Introduction

Chronologies

Text of Wuthering Heights

Notes

Contexts

Biographical

Emily and Anne Bronte, "Diary Note"

Charlotte Bronte, "Biographical Notice of Ellis and Acton Bell"

"Editor's Preface"

Ellen Nussey on Emily

Elizabeth Gaskell, The Life Of Charlotte Bronte on Emily

Emily Bronte, Poems

Historical, Social, and Legal

Inheritance, Law, and Women

From Barbara Leigh Smith Bodichon, A Brief Summary, in Plain Language, of the Most Important

LawConcerning Women (London: Chapman, 1854)

Class, Urban Culture, and Mobility

Urban Slums and Street Children

Self-Help

Houses, Home Decor, and Consumer Goods

From Charles Eastlake, Hints on Household Taste

From John Ruskin, The Stones of Venice

Regional and International

Ireland

Family History

William Wright, The Brontes In Ireland

The Great Hunger

Yorkshire

Dialect

From Richard Blakesborough, Wit, Character, Folklore & Customs of the Nortern Riding of Yorkshire, 1898

Religion

Literacy: Summary and Quotation from J. Paul Hunter, Before Novels

Haworth and Vicinity

Original Locations

Memoirs and Pilgrimages

C. Holmes Cautley, "Old Haworth Folk Who Knew the Brontes," 1910

Virginia Woolf, from "Haworth, November 1904"

Sylvia Plath

Muriel Spark

The Bronte Society and Parsonage Museum

From Claude Meeker, "Haworth: Home of the Brontes," 1895

Critical and Artful

Reviews

Early Criticism

Sequels, Adaptations, Films

Further Reading

Web materials

Reading Group Guide

1. To what extent do you think the setting of the novel contributes to, or informs, what takes place? Do you think the moors are a character in their own right? How do you interpret Bronte's view of nature and the landscape?

2. Discuss Emily Bronte's careful attention to a rigid timeline and the role of the novel as a sober historical document. How is this significant, particularly in light of the turbulent action within? What other contrasts within the novel strike you, and why? How are these contrasts important, and how do they play out in the novel?

3. Do you think the novel is a tale of redemption, despair, or both? Discuss the novel's meaning to you. Do you think the novel's moral content dictates one choice over the other?

4. Do you think Bronte succeeds in creating three-dimensional figures in
Heathcliff and Cathy, particularly given their larger-than-life metaphysical passion? Why or why not?

5. Discuss Bronte's use of twos: Wuthering Heights and Thrushcross Grange; two families, each with two children; two couples (Catherine and Edgar, and Heathcliff and Isabella); two narrators; the doubling-up of names. What is Bronte's intention here? Discuss.

6. How do Mr. Lockwood and Nelly Dean influence the story as narrators? Do you think they are completely reliable observers? What does Bronte want us to believe?

7. Discuss the role of women in Wuthering Heights. Is their depiction typical of Bronte's time, or not? Do you think Bronte's characterizations of women mark her as a pioneer ahead of her time or not?

8. Who or what does Heathcliff represent in the novel? Is he a force of evil or a victim of it? How important is the role of class in the novel, particularly as it relates to Heathcliff and his life?

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