You Are One of Them

Sarah Zuckerman and Jennifer Jones are best friends in an upscale part of Washington, DC, in the politically charged 1980s. Sarah is the shy, wary product of an unhappy home: her father abandoned the family to return to his native England; her agoraphobic mother is obsessed with fears of nuclear war. Jenny is an all-American girl who has seemingly perfect parents. With Cold War rhetoric reaching a fever pitch in 1982, the ten-year-old girls write letters to Soviet premier Yuri Andropov asking for peace. But only Jenny¿s letter receives a response, and Sarah is left behind when her friend accepts the Kremlin¿s invitation to visit the USSR and becomes an international media sensation. The girls¿ icy relationship still hasn¿t thawed when Jenny and her parents die tragically in a plane crash in 1985.

Ten years later, Sarah is about to graduate from college when she receives a mysterious letter from Moscow suggesting that Jenny¿s death might have been a hoax. She sets off to the former Soviet Union in search of the truth, but the more she delves into her personal Cold War history, the harder it is to separate fact from propaganda.

You Are One of Them is a taut, moving debut about the ways in which we define ourselves against others and the secrets we keep from those who are closest to us. In this insightful forensic of a mourned friendship, Holt illuminates the long-lasting sting of abandonment and the measures we take to bring back those we have lost.

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Overview

Editorial Reviews

The Washington Post - Donna Rifkind

Holt evokes post-Cold War Moscow as capably as she renders Washington, summoning piquant details—the rusting infrastructure swathed in grime and cigarette smoke; the streets thronged with track-suited men, scolding old ladies, supermodels, prostitutes, expats—and the vigorous mood of a culture striving for reinvention…Holt has found inventive ways to use language that suggests the porousness of identity, the correspondence between self and other, neighbor and foreigner, you and them. Her ingenuity brings distinction to this confident, crafty first novel.

Publishers Weekly

Fresh from college, adrift Washington, D.C., native Sarah Zuckerman heads to post–Cold War Moscow in search of clues about what happened to Jenny Jones, her childhood best friend. After she wrote a letter to Soviet leader Yuri Andropov asking for peace in 1982, when the girls were 10, Jenny was invited to the U.S.S.R. as a “peace ambassador” and became an international sensation. But three years later, she and her parents were killed in a plane crash—or so it seemed. In 1995, Sarah receives a letter from a Russian woman named Svetlana, who hints that Jenny might be alive. But once in drab, polluted Moscow, a “place of new money and ancient grudges,” Sarah worries that she’s being lied to and manipulated. Holt creates strong roots, both in 1980s America—with references to friendship pins, Casey Kasem, and the ever-persistent threat of nuclear war—and 1990s Moscow, where tracksuits and cigarettes are never far away. Telling details of Soviet oppression and Russia’s budding advertising industry paint a vivid portrait of a country testing the waters of democracy. Holt, who won a Pushcart Prize for her short fiction, writes with a pleasing, wry intelligence in this promising debut. Agent: Bill Clegg, WME Entertainment. (June)

From the Publisher

You Are One of Them is a hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.”
—Maggie Shipstead, The New York Times Book Review (Editors’ Choice)

“If, like me, you are a child of the eighties, you could read Elliott Holt’s You Are One of Them just for the flashbacks: Benetton sweaters, friendship pins, Casey Kasem, the whole shebang. Ultimately, though, all that is just mise-en-scène. Around it, Holt builds a story about Russia, the United States, friendship, identity, defection, and deception that is smart, startling, and worth reading regardless of when you were born.”
—Kathryn Schulz, New York Magazine

“Alluring…Elliott Holt’s debut novel, ‘You Are One of Them,’ a story about youth, about lying, about the Cold War, about Russia, and about womanhood, approaches its heady subjects by letting them live and breathe through the narrative itself. To read it is to forget you’re reading a work of literature, and instead to think that someone is telling you a story — someone who happens to have a wildly intelligent sense of detail and just enough restraint to keep her storytelling skill from showing its seams.”
—The Boston Globe

“Holt has found inventive ways to use language that suggests the porousness of identity, the correspondence between self and other, neighbor and foreigner, you and them. Her ingenuity brings distinction to this confident, crafty first novel.”
—Washington Post

“[An] accomplished debut…You Are One of Them beautifully compresses and expands time, place and the boundaries of the self…Transfixing.”
—San Francisco Chronicle

“A novel of grand and intimate scope, artfully balanced between the political and personal. The book’s narrative satisfies on multiple levels, as both a compelling character study and a psychological thriller with a ferociously intelligent ending.”
—Bookforum

“Like a matryoshka doll, Elliott Holt’s bold, electric debut novel artfully unpacks its secrets…This is an unflinching tale of self-deception and the struggle to lead an authentic life.”
—More Magazine

“It’s that ambiguity that lends the conclusion of You Are One of Them its power. The resolution to Holt’s novel brings together all of the elements raised in the preceding pages, from saber-rattling to childhood betrayals. It’s a dramatically satisfying ending that invokes those things that we can never know — and as such, it’s a reflection of a haunted period of history, of lessons learned in doublespeak that may well have rooted themselves too deeply in our collective minds for us to fully recover.”
—Minneapolis Star Tribune

“Atmospheric… Smoke and mirrors keep a reader guessing till the last pages, when Sarah at last frees herself from a lifetime of feeling left behind.”
—Cleveland Plain Dealer

“A complex and beautifully written book about secrets and relationships, as well as the things we do for closure.”
—Vol. 1 Brooklyn

“Holt creates strong roots, both in 1980s America—with references to friendship pins, Casey Kasem, and the ever-persistent threat of nuclear war—and 1990s Moscow, where tracksuits and cigarettes are never far away. Telling details of Soviet oppression and Russia’s budding advertising industry paint a vivid portrait of a country testing the waters of democracy… [Holt] writes with a pleasing, wry intelligence in this promising debut.”
—Publishers Weekly

“[YOU ARE ONE OF THEM] perfectly melds the personal and the political in this spot-on portrait of a girlhood friendship set against a Cold War backdrop…Holt ably captures both the paranoia of the Cold War and the shabby yet genteel aura of an exhausted Moscow just after the collapse of the Berlin Wall. But it is her razor-sharp insights into the turbulent dynamics of female friendship that give this novel its heft.”
—Booklist

"Intimate and intelligent, You Are One of Them is a surprising story of friendship and loss, but also a meditation on history and a reminder of how global events can reverberate through the smallest moments of ordinary lives."
—Karen Thompson Walker, New York Times bestselling author of The Age of Miracles

“Elliott Holt is not just a promising writer, but a great writer. She’s young, and she’s a master. I was going to write that You Are One of Them could’ve been written by an Alice Munro or a Susan Minot, but that would be wrong. Because this book could only have been written by Elliott Holt, whose powerful new voice is her own.”
—Darin Strauss, author of Half a Life and Chang and Eng

“Elliott Holt’s debut novel You Are One Of Them reads with the heartbreaking ring of truth to it as she deftly taps a well of feeling that is at once primal, archetypical and deeply personal. Through the character of Sarah, Holt explores the indelible stain of grief, a child’s desire for détente, and the inescapable awareness of the life that could have been but wasn’t. Holt’s ability to unwind the dangerous power of secrets and to blend fact and fiction, past and present, make for an evocative journey that circles around to illustrate how far we sometimes have to travel in order to find the self that was there all along.”
—A.M. Homes, author of May We Be Forgiven

“Elliott Holt has done something utterly amazing. Through the experiences of Sarah Zuckerman, the fantastic and complicated narrator of You Are One of Them, Holt shows us a genuine and heartfelt coming of age story that so convincingly reveals the deceptions and half truths of growing up. I have rarely seen such a thought-provoking and engrossing portrayal of how our experiences shape us and, consequently, those we most love. This is an eloquent, startling novel and Elliott Holt is a fearless writer.”
—Kevin Wilson, author of The Family Fang and Tunneling to the Center of the Earth

“You Are One of Them journeys through the U.S. and Russia, perfectly capturing that frightening time in the 1980s when every child went to bed dreaming of mushroom clouds. Like the cold war, this remarkable novel revolves around hidden truths and unreliable friendships. Elliott Holt skillfully draws out her characters’ secrets, exploring the different ways we open and close our hearts, and delivering a well-wrought tale of international and emotional intrigue.”
—Hannah Tinti, author of The Good Thief

“The great accomplishment in You Are One of Them is how effortlessly the vast and global mixes with—and informs—the deeply felt story of a lost friendship. Elliott Holt is graceful, sharp and super-smart, and her novel is a bildungsroman for the atomic age.”
—Lauren Groff, author of Arcadia and The Monsters of Templeton

The New York Times Book Review - Maggie Shipstead

You Are One of Them is a hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.

Library Journal

When Sarah and golden-girl friend Jenny write Soviet premier Yuri Andropov pleading for world peace, only Jenny gets a response—and dies in a plane crash shortly thereafter. But was it an accident? Coming of age becomes end-of-Cold War intrigue.

Kirkus Reviews

A novel that tells the story of best friends who grow up in D.C. during the Cold War, told from the perspective of the one who is less talented, less desirable and more real. Holt's short fiction has received a Pushcart Prize, and she was runner-up for the 2011 PEN Emerging Writers Award. Our narrator and protagonist is Sarah Zuckerman. After Sarah's older sister's death from meningitis, her parents' marriage never recovers. Sarah needs a friend, and when the Joneses move in next door, she gets her wish. Jenny Jones' family is an advertisement for a particular form of American domestic happiness, and the outgoing Jenny is an advertisement for herself. It is the early '80s, the deepest chill of the Cold War, when Sarah begins a letter to Yuri Andropov, then leader of the Evil Empire. Jenny writes too, and Andropov replies to her. Jenny becomes a media darling, joins the popular clique at school, and leaves Sarah and her morose mother alone with their sorrows. A few years later, Jenny and her parents die in a plane crash. This fact of Jenny's disappearance, and the conspiracies surrounding it, define Sarah's life (Sarah's mother establishes a Jenny Jones foundation). After college, Sarah travels to Russia in response to a note from Svetlana. Svetlana, apparently, is the girl standing next to Jenny in all the photos from Jenny's visit as a child ambassador to the USSR. We never stray far from Sarah's cramped perspective, and this tries the reader's patience, as Sarah offers platitudes in place of insight. This debut novel only looks deeply at one character, Sarah, and she is not enough to sustain interest.

Product Details

BN ID:	2940169901504
Publisher:	Blackstone Audio, Inc.
Publication date:	05/30/2013
Edition description:	Unabridged

Related Subjects

Read an Excerpt

We went swimming that afternoon, and I can still remember my first glimpse of Jenny underwater. We sank beneath the surface in unison and sat cross-legged in a breath-holding contest on the bottom of the pool. She wore a canary yellow bathing suit and green goggles and I could see her eyes open wide and staring at me, her rival. I forced my eyes open despite the sting of chlorine. From above, the pool looked glassy and hard, a surface that must be broken with force, but below, it was soft and beckoning, a membrane through which light sieved like sugar. The sunlight webbed across Jenny’s skin and through her hair, giving it a reddish tint. Suddenly, she stuck out her tongue. My laughter forced me up for air. “I win!” Jenny announced as she triumphed from below.

Mrs. Jones asked about my family. What did my dad do, she wanted to know.

“He lives in London,” I said.

“London, England? Gosh, that’s far away,” she said.

“They’re divorced,” I said. And though divorce was not uncommon in our Washington circles, Mrs. Jones looked shocked. I liked her innocence: troubled thoughts rushed across her face like clouds and were gone just as quickly. She was a clear sky.

“What about your mom? What does she do?”

“She works for nuclear disarmament,” I said.

It was only after my father left that my mother had begun to worry about nuclear war. The good thing was that she started leaving the house to attend disarmament meetings. She got over her fear of the dark so that she could turn our basement into a fallout shelter. She mapped out scenarios, calculating the reach of the radioactive fallout if the blast hit Kansas City, say, or Washington. She drew ominous red circles in our Rand-McNally to mark the circumference of destruction. At the kitchen table, the hanging lamp created a tunnel of light under which she envisioned doom. She’d press her slide rule across swaths of U.S. territory.

I liked to flip the atlas to the Soviet Union, its borders drawn in a muted red. I couldn’t even fit the top of my pinkie inside Luxembourg, but could press both of my palms onto the Soviet sprawl. The Russians fascinated me. My mother and I watched clips of Brezhnev on the evening news—his chest clotted with medals, his eyebrows bristling under his fur hat—but it was ordinary Russians I was curious about. Moscow, as the capital of the other Superpower, struck me as Washington’s twin. Was there an eight-year-old girl somewhere in Moscow whose sister had also died, whose father had also left?

From the B&N Reads Blog

Page 1 of

Editorial Reviews

Holt evokes post-Cold War Moscow as capably as she renders Washington, summoning piquant details—the rusting infrastructure swathed in grime and cigarette smoke; the streets thronged with track-suited men, scolding old ladies, supermodels, prostitutes, expats—and the vigorous mood of a culture striving for reinvention…Holt has found inventive ways to use language that suggests the porousness of identity, the correspondence between self and other, neighbor and foreigner, you and them. Her ingenuity brings distinction to this confident, crafty first novel.

The Washington Post - Donna Rifkind

Fresh from college, adrift Washington, D.C., native Sarah Zuckerman heads to post–Cold War Moscow in search of clues about what happened to Jenny Jones, her childhood best friend. After she wrote a letter to Soviet leader Yuri Andropov asking for peace in 1982, when the girls were 10, Jenny was invited to the U.S.S.R. as a “peace ambassador” and became an international sensation. But three years later, she and her parents were killed in a plane crash—or so it seemed. In 1995, Sarah receives a letter from a Russian woman named Svetlana, who hints that Jenny might be alive. But once in drab, polluted Moscow, a “place of new money and ancient grudges,” Sarah worries that she’s being lied to and manipulated. Holt creates strong roots, both in 1980s America—with references to friendship pins, Casey Kasem, and the ever-persistent threat of nuclear war—and 1990s Moscow, where tracksuits and cigarettes are never far away. Telling details of Soviet oppression and Russia’s budding advertising industry paint a vivid portrait of a country testing the waters of democracy. Holt, who won a Pushcart Prize for her short fiction, writes with a pleasing, wry intelligence in this promising debut. Agent: Bill Clegg, WME Entertainment. (June)

Publishers Weekly

You Are One of Them is a hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.”
—Maggie Shipstead, The New York Times Book Review (Editors’ Choice)

“If, like me, you are a child of the eighties, you could read Elliott Holt’s You Are One of Them just for the flashbacks: Benetton sweaters, friendship pins, Casey Kasem, the whole shebang. Ultimately, though, all that is just mise-en-scène. Around it, Holt builds a story about Russia, the United States, friendship, identity, defection, and deception that is smart, startling, and worth reading regardless of when you were born.”
—Kathryn Schulz, New York Magazine

“Alluring…Elliott Holt’s debut novel, ‘You Are One of Them,’ a story about youth, about lying, about the Cold War, about Russia, and about womanhood, approaches its heady subjects by letting them live and breathe through the narrative itself. To read it is to forget you’re reading a work of literature, and instead to think that someone is telling you a story — someone who happens to have a wildly intelligent sense of detail and just enough restraint to keep her storytelling skill from showing its seams.”
—The Boston Globe

“Holt has found inventive ways to use language that suggests the porousness of identity, the correspondence between self and other, neighbor and foreigner, you and them. Her ingenuity brings distinction to this confident, crafty first novel.”
—Washington Post
“[An] accomplished debut…You Are One of Them beautifully compresses and expands time, place and the boundaries of the self…Transfixing.”
—San Francisco Chronicle

“A novel of grand and intimate scope, artfully balanced between the political and personal. The book’s narrative satisfies on multiple levels, as both a compelling character study and a psychological thriller with a ferociously intelligent ending.”
—Bookforum
“Like a matryoshka doll, Elliott Holt’s bold, electric debut novel artfully unpacks its secrets…This is an unflinching tale of self-deception and the struggle to lead an authentic life.”
—More Magazine

“It’s that ambiguity that lends the conclusion of You Are One of Them its power. The resolution to Holt’s novel brings together all of the elements raised in the preceding pages, from saber-rattling to childhood betrayals. It’s a dramatically satisfying ending that invokes those things that we can never know — and as such, it’s a reflection of a haunted period of history, of lessons learned in doublespeak that may well have rooted themselves too deeply in our collective minds for us to fully recover.”
—Minneapolis Star Tribune

“Atmospheric… Smoke and mirrors keep a reader guessing till the last pages, when Sarah at last frees herself from a lifetime of feeling left behind.”
—Cleveland Plain Dealer
“A complex and beautifully written book about secrets and relationships, as well as the things we do for closure.”
—Vol. 1 Brooklyn

“Holt creates strong roots, both in 1980s America—with references to friendship pins, Casey Kasem, and the ever-persistent threat of nuclear war—and 1990s Moscow, where tracksuits and cigarettes are never far away. Telling details of Soviet oppression and Russia’s budding advertising industry paint a vivid portrait of a country testing the waters of democracy… [Holt] writes with a pleasing, wry intelligence in this promising debut.”
—Publishers Weekly

“[YOU ARE ONE OF THEM] perfectly melds the personal and the political in this spot-on portrait of a girlhood friendship set against a Cold War backdrop…Holt ably captures both the paranoia of the Cold War and the shabby yet genteel aura of an exhausted Moscow just after the collapse of the Berlin Wall. But it is her razor-sharp insights into the turbulent dynamics of female friendship that give this novel its heft.”
—Booklist
"Intimate and intelligent, You Are One of Them is a surprising story of friendship and loss, but also a meditation on history and a reminder of how global events can reverberate through the smallest moments of ordinary lives."
—Karen Thompson Walker, New York Times bestselling author of The Age of Miracles
“Elliott Holt is not just a promising writer, but a great writer. She’s young, and she’s a master. I was going to write that You Are One of Them could’ve been written by an Alice Munro or a Susan Minot, but that would be wrong. Because this book could only have been written by Elliott Holt, whose powerful new voice is her own.”
—Darin Strauss, author of Half a Life and Chang and Eng
“Elliott Holt’s debut novel You Are One Of Them reads with the heartbreaking ring of truth to it as she deftly taps a well of feeling that is at once primal, archetypical and deeply personal. Through the character of Sarah, Holt explores the indelible stain of grief, a child’s desire for détente, and the inescapable awareness of the life that could have been but wasn’t. Holt’s ability to unwind the dangerous power of secrets and to blend fact and fiction, past and present, make for an evocative journey that circles around to illustrate how far we sometimes have to travel in order to find the self that was there all along.”
—A.M. Homes, author of May We Be Forgiven
“Elliott Holt has done something utterly amazing. Through the experiences of Sarah Zuckerman, the fantastic and complicated narrator of You Are One of Them, Holt shows us a genuine and heartfelt coming of age story that so convincingly reveals the deceptions and half truths of growing up. I have rarely seen such a thought-provoking and engrossing portrayal of how our experiences shape us and, consequently, those we most love. This is an eloquent, startling novel and Elliott Holt is a fearless writer.”
—Kevin Wilson, author of The Family Fang and Tunneling to the Center of the Earth
“You Are One of Them journeys through the U.S. and Russia, perfectly capturing that frightening time in the 1980s when every child went to bed dreaming of mushroom clouds. Like the cold war, this remarkable novel revolves around hidden truths and unreliable friendships. Elliott Holt skillfully draws out her characters’ secrets, exploring the different ways we open and close our hearts, and delivering a well-wrought tale of international and emotional intrigue.”
—Hannah Tinti, author of The Good Thief
“The great accomplishment in You Are One of Them is how effortlessly the vast and global mixes with—and informs—the deeply felt story of a lost friendship. Elliott Holt is graceful, sharp and super-smart, and her novel is a bildungsroman for the atomic age.”
—Lauren Groff, author of Arcadia and The Monsters of Templeton

From the Publisher

You Are One of Them is a hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.

The New York Times Book Review - Maggie Shipstead

When Sarah and golden-girl friend Jenny write Soviet premier Yuri Andropov pleading for world peace, only Jenny gets a response—and dies in a plane crash shortly thereafter. But was it an accident? Coming of age becomes end-of-Cold War intrigue.

Library Journal

A novel that tells the story of best friends who grow up in D.C. during the Cold War, told from the perspective of the one who is less talented, less desirable and more real. Holt's short fiction has received a Pushcart Prize, and she was runner-up for the 2011 PEN Emerging Writers Award. Our narrator and protagonist is Sarah Zuckerman. After Sarah's older sister's death from meningitis, her parents' marriage never recovers. Sarah needs a friend, and when the Joneses move in next door, she gets her wish. Jenny Jones' family is an advertisement for a particular form of American domestic happiness, and the outgoing Jenny is an advertisement for herself. It is the early '80s, the deepest chill of the Cold War, when Sarah begins a letter to Yuri Andropov, then leader of the Evil Empire. Jenny writes too, and Andropov replies to her. Jenny becomes a media darling, joins the popular clique at school, and leaves Sarah and her morose mother alone with their sorrows. A few years later, Jenny and her parents die in a plane crash. This fact of Jenny's disappearance, and the conspiracies surrounding it, define Sarah's life (Sarah's mother establishes a Jenny Jones foundation). After college, Sarah travels to Russia in response to a note from Svetlana. Svetlana, apparently, is the girl standing next to Jenny in all the photos from Jenny's visit as a child ambassador to the USSR. We never stray far from Sarah's cramped perspective, and this tries the reader's patience, as Sarah offers platitudes in place of insight. This debut novel only looks deeply at one character, Sarah, and she is not enough to sustain interest.

Kirkus Reviews