Zora Neale Hurston: Collected Plays

Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.

            Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction.

            Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.

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Zora Neale Hurston: Collected Plays

Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.

            Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction.

            Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.

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Zora Neale Hurston: Collected Plays

Zora Neale Hurston: Collected Plays

Zora Neale Hurston: Collected Plays

Zora Neale Hurston: Collected Plays

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Overview


Though she died penniless and forgotten, Zora Neale Hurston is now recognized as a major figure in African American literature. Best known for her 1937 novel Their Eyes Were Watching God, she also published numerous short stories and essays, three other novels, and two books on black folklore.

            Even avid readers of Hurston’s prose, however, may be surprised to know that she was also a serious and ambitious playwright throughout her career. Although several of her plays were produced during her lifetime—and some to public acclaim—they have languished in obscurity for years. Even now, most critics and historians gloss over these texts, treating them as supplementary material for understanding her novels. Yet, Hurston’s dramatic works stand on their own merits and independently of her fiction.

            Now, eleven of these forgotten dramatic writings are being published together for the first time in this carefully edited and annotated volume. Filled with lively characters, vibrant images of rural and city life, biblical and folk tales, voodoo, and, most importantly, the blues, readers will discover a “real Negro theater” that embraces all the richness of black life.


Product Details

ISBN-13: 9780813545127
Publisher: Rutgers University Press
Publication date: 06/03/2008
Series: Multi-Ethnic Literatures of the Americas (MELA)
Sold by: Barnes & Noble
Format: eBook
Pages: 400
File size: 723 KB

About the Author


Jean Lee Cole is an associate professor of English at Loyola College in Maryland and the author of The Literary Voices of Winnifred Eaton: Redefining Ethnicity and Authenticity.Charles Mitchell is an assistant professor of theater at Loyola College and the author of Shakespeare and Public Execution.

Table of Contents


Acknowledgments     ix
Chronology     xi
Introduction: Zora Neale Hurston-A Theatrical Life     xv
A Note on the Text     xxxiii
Meet the Mamma (1925)     1
Color Struck (1926)     33
Spears (1926)     51
The First One (1927)     63
Cold Keener (1930)     75
Filling Station     77
Cock Robin     85
Heaven     90
Mr. Frog     94
Lenox Avenue     100
The House That Jack Built     105
Bahamas     111
Railroad Camp     116
Jook     123
De Turkey and De Law (1930; with Langston Hughes)     131
The Sermon in the Valley (1931; with Rowena Woodham Jelliffe)     191
Four Plays from Fast and Furious (1931)     201
Woofing     202
Lawing and Jawing     210
Forty Yards     215
Poker!     217
The Fiery Chariot (1932)     221
Spunk (1935)     227
Polk County (1944; with Dorothy Waring)     269
Programs from the Great Day, From Sun to Sun, and All de Live Long Day     363
Explanatory Notes     373
Bibliography     387
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