Gabrielle Zevin, in her own words:
"Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter. I thought that this electric typewriter was about the most fascinating toy in the world -- I liked the little bell and the sounds and the feel of the keys and especially the erase key. Grandma Adele would set me up with plenty of paper and I'd be entertained for hours. I would type pages and pages, mainly nonsense, but sometimes my name or lists of words I knew. I can't remember when the nonsense changed into something more organized and storylike, it just did. (Will the monkey eventually type Shakespeare? Not yet.) The first stories I wrote were autobiographies, because, at that age, I found myself a most intriguing subject. Still, the autobiographies were largely fictionalized. I'd sometimes leave space for illustrations and sew the pages together when I was done. And for many years, this was the extent of my fiction career.
"When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright. Over the years, I had studiously managed to write everything but novels -- I had been a copious pen pal, a first-class transcriptionist, a professional screenwriter (still am, actually), a teen music reviewer, a mediocre research-paper writer, and, of course, a writer of plays. So, although I was not writing novels, I was always writing something. Actually, I hadn't ever felt any particular calling to be a novelist, and I clearly remember telling a friend of mine about six months before I started work on Elsewhere that I would NEVER write a novel. And then I thought of the idea for Elsewhere, which did not seem to want to be a play or a screenplay. It kept sounding awfully novelish in my head, and though I was a little scared, I just sat in front of my computer and started to type. So it was fortunate that I liked typing, because I would be typing Liz's story for many a moon. Although I still write screenplays, I've written two other novels since writing Elsewhere. And I'm happy to report that I still like the sound of the keys."
Gabrielle Zevin has had several screenplays optioned by film studios. Gabrielle is a 2000 graduate of Harvard with a degree in English and American literature. She was born in New York and lives there still with one pug dog, Mrs. DeWinter, and her partner of ten years, director Hans Canosa.
Author biography courtesy of Farrar, Straus & Giroux.
