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    Salt of the Earth

    Director: Herbert Biberman Cast: Will Geer

    Will Geer
    , Rosaura Revueltas
    Rosaura Revueltas
    , Juan Chacon
    Juan Chacon
    , David Wolfe
    David Wolfe
    , Mervin Williams
    Mervin Williams


    DVD

    $10.99
    $10.99

    Temporarily Out of Stock Online

    Customer Reviews

    • Release Date: 01/12/2018
    • UPC: 0887936993893
    • Original Release: 1954
    • Rating: NR
    • Presentation: [B&W]
    • Sound: [Dolby Digital Stereo]
    • Language: English
    • Runtime: 5520
    • Sales rank: 22,875

    Cast & Crew

    Performance Credits
    Will Geer Sheriff
    Rosaura Revueltas Esperanza Quintero
    Juan Chacon Ramon Quintero
    David Wolfe Barton
    Mervin Williams Hartwell,Teresa Vidal
    David Sarvis Alexander
    Ernest Velasquez Charley Vidal
    Angela Sanchez Consuelo Ruiz
    Joe T. Morales Sal Ruiz
    Clorinda Alderette Luz Morales
    Charles Coleman Antonio Morales
    Virginia Jencks Ruth Barnes,Frank Barnes
    E.A. Rockwell Vance,Kimbrough
    Frank Talavera Luis Quintero
    Mary Lou Castillo Estella Quintero
    Floyd Bostick Jenkins
    Victor Torres Sebastian Prieto
    E.S. Conerly Kalinsky
    Elivira Molano Mrs. Salazar
    Adolfo Barela Miner
    Albert Munoz Miner
    Angela S?nchez Consuelo Ruiz
    Sol Kaplan Composer

    Technical Credits
    Michael Wilson Screenwriter
    Adolfo Barela Producer
    Sonja Dahl Biberman Producer
    Paul Jarrico Producer
    Adolfo Berella Producer

    Scene Index

    Disc #1 -- Salt of the Earth
    0. Chapters
    1. Chapter 1 [1:32:07]

    Though it cannot help but lapse into dogma and didactics at times, Salt of the Earth is a powerful, persuasive labor-management drama. With the exception of five actors (including future Waltons star Will Geer), the cast is comprised of non-professionals, mostly participants of the real-life strike action upon which the film is based. Set in a New Mexico mining town, the film concerns the measures taken by the largely Hispanic union to improve working and especially living conditions for the poverty-stricken workers. Remarkably prescient, given that the film was made long before the women's movement, is the fact that it is the wives who keep the strike alive while their husbands are beaten and otherwise oppressed by the owners. Not that the miners wholeheartedly accept this; one of the script's many on-target observations shows the macho workers resenting their wives' intervention. The ultimate victory over the strikebreakers (led by Geer at his most odious) comes about as much from male-female solidarity as the workers' pre-set determination. Co-produced by the International Union of Mine, Mill and Smelt Workers, Salt of the Earth was assembled under conditions of extreme duress by a group of Hollywood expatriates, all victims of the Blacklist: producer Paul Jarrico, director Herbert Biberman, screenwriter Michael Wilson and star Will Geer. "Freed" of the strictures of Hollywood pussyfooting and censorship, the film's auteurs are able to explore several subjects previously considered taboo. As a result, Salt of the Earth seems even fresher and more pertinent now than it did when given its extremely limited first release in 1954.

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    Made at the height of Hollywood's anti-Communist hysteria, Salt of the Earth was the most unabashedly leftist American film of the 1950s; it's almost as if, after being blacklisted, director Herbert Biberman and screenwriter Michael Wilson decided to create a crime that merited their punishment. It certainly helps your enjoyment of the film if you share its beliefs, especially since the characters hop onto a soapbox every once in a while, but Salt of the Earth remains moving regardless of your political views about women, Hispanic-Americans, and organized labor. At its heart, Salt of the Earth is a simple story about working men and women who want to make a better life for their families; while the cast members sometimes betray their non-professional status with an on-camera stiffness, the rough-edged performances only make the film more powerful, lending it a documentary realism that adds moral weight to its message. Salt of the Earth doesn't feel any more like a Communist tract than Mr. Deeds Goes to Town, Mr. Smith Goes to Washington, or Frank Capra's other films about bright, ordinary guys up against big money and big politics. But this film is full of people who don't look like movie stars; this is one movie where you wonder not if the star will get the girl, but if these people will be able to buy new shoes for their kids.
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