Padma Venkatraman (www.padmasbooks.com) is an oceanographer by training and a writer by choice. Her critically acclaimed novels Climbing the Stairs and Island’s End were both ALA/YALSA Best Books for Young Adults, Booklist Editor's Choice BBYAs, Amelia Bloomer list selections and CCBC choices, in addition to winning several other honors and awards (such as the South Asia Book Award, Paterson Prize, Julia Ward Howe BAC award, NYPL Book for the Teen Age, Kirkus Best Book of the Year, Booksense Notable, and PW Flying Start). Padma was born in India, but is now an American citizen and lives with her family in Rhode Island.
A Time to Dance
eBook
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ISBN-13:
9780698158269
- Publisher: Penguin Young Readers Group
- Publication date: 05/01/2014
- Sold by: Penguin Group
- Format: eBook
- Pages: 320
- Lexile: 720L (what's this?)
- File size: 1 MB
- Age Range: 12 - 17 Years
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Padma Venkatraman’s inspiring story of a young girl’s struggle to regain her passion and find a new peace is told lyrically through verse that captures the beauty and mystery of India and the ancient bharatanatyam dance form. This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit.
Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.
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Venkatraman (Island’s End) again follows the maturation of a passionate and serious young woman, this time in a verse novel set in contemporary Chennai, India. After teenage classical dancer Veda loses part of her right leg, her teacher doesn’t believe she can succeed even after Veda is outfitted with a prosthesis. Veda joins a new studio, where her perfectionism and determination clash with her instructors’ philosophy of emotional and religious expression. “You dance like a demon,” her attractive young tutor tells her, envying Veda’s strength while inadvertently highlighting her spiritual shortcomings. Aided by a cast of stock characters—a supportive grandmother, a disapproving but loving mother, and a wise older mentor—Veda sets aside her longing for applause and develops the “three kinds of love.... A healthy love of one’s physical self,/ compassion for others,/ and an experience of God.” Veda’s questions about the nature of God, her growth as an artist while performing a Buddhist tale of grief and acceptance, and her transcendent experiences linked to Shiva, often portrayed as a dancer, lend depth to her spiritual journey. Ages 12–up. Agent: Rob Weisbach, Rob Weisbach Creative Management. (May)
* “Weaves together several themes so elegantly that they become one: Veda’s bodily exertion, learning to dance with her prosthetic leg; her process of changing her dance technique to be emotional and spiritual as well as physical; and all the rest of Veda’s life, including young love, grief, insecurity and a dawning awareness of class issues. . . . Fluid first-person verse. . . . Veda’s no disabled saint; awkwardness and jealousy receive spot-on portrayals. . . .A beautiful integration of art, religion, compassion and connection.” — Kirkus Reviews, STARRED REVIEW
* “The descriptions of contemporary India are beautiful and Venkatraman weaves images so divine that you can see the statues of Shiva, hear the ankle bells in the bharatanatyam dance, and smell the acrid scent of burnt rubber from the accident. Told in verse, this story is magnificently strong as Veda’s determination dances off the page and into the reader’s heart.” — VOYA, STARRED REVIEW
* “This exceptional novel, told entirely in verse, captures beautifully the emotions of a girl forced to deal with a number of challenges and how she overcomes them on her way to becoming a confident young woman. It is sure to appeal to readers who are also trying to find their place in the world.” — School Library Journal, STARRED REVIEW
* “Deftly wrought free-verse. . . . The language is lilting and rhythmic . . . the sensory elements evocatively describe the sights and sounds of Veda’s rich Indian surroundings. Her existential ponderings . . . are woven seamlessly into the tale, and her moments of jealousy and rage are presented honestly. Heart-achingly hopeful and beautifully written, this story will remain with readers long after the final line of verse.” — The Bulletin of the Center for Children's Books, STARRED REVIEW
“Brief lines, powerful images, and motifs of sound communicate Veda’s difficult struggle to accept her changed body—and her new limitations, especially in dance. . . . Subplots exploring other loves and losses also help Veda learn about herself, her faith, and her art. And, eventually, after a successful return to dance, Veda again feels whole.” — The Horn Book
"[A] powerful depiction of a teen girl struggling to recover from an accident."The Chicago Tribune
• " Set against a cardamom, melted butter, and semolina sojji-wafted landscape, the novel’s emotional expression and accompanying music impel the reader to share Veda’s belief that “Shiva dances everywhere. In everyone. In everything.”Booklist, starred review
• " A beautiful integration of art, religion, compassion and connection.”Kirkus Reviews, starred review
• “ Told in verse, this story is magnificently strong as Veda’s determination dances off the page and into the reader’s heart.”VOYA, starred review
• “This exceptional novel, told entirely in verse, captures beautifully the emotions of a girl forced to deal with a number of challenges and how she overcomes them on her way to becoming a confident young woman. It is sure to appeal to readers who are also trying to find their place in the world.”School Library Journal, starred review
Gr 6 Up—Despite the pressure from her parents to become an engineer, Veda dreams of being a dancer. She studies the classical Indian dance, Bharatanatyam, and has reached the competition finals. Impressed with her graceful lines and skill, the judges award her first place, and Veda is ecstatic. After posing for pictures, she is injured in an accident on the way home and her leg has to be amputated below the right knee. Devastated, she lies in her hospital bed devoid of hope until one day her doctor introduces her to a specialist from America. He sparks optimism in her because he understands that she needs to dance. Eventually Veda receives a prosthetic limb that allows her to walk and dance once again. She finds a new teacher for whom dance is more than a technical performance; it is an art form. Veda is placed with a student teacher, Govinda, who not only supports her as she relearns and strengthens her dancing but also becomes her friend. This exceptional novel, told entirely in verse, captures beautifully the emotions of a girl forced to deal with a number of challenges and how she overcomes them on her way to becoming a confident young woman. It is sure to appeal to readers who are also trying to find their place in the world.—Laura Fields Eason, Henry F. Moss Middle School, Bowling Green, KY
Flowing free verse tells the story of a teenage dancer in Chennai, India, who loses a leg and re-learns how to dance. As a child, Veda climbs a stepladder in the temple to reach up and trace the dancers' feet carved into granite with her fingertips. Shiva's the god of dance and creator of universes, and a priest teaches Veda to "feel Shiva's feet moving" inside her chest, as her heartbeat. Years later, as a teen, she wins a Bharatanatyam dance competition and relishes the applause. Then a van accident leads to the amputation of her right leg below the knee. Venkatraman weaves together several themes so elegantly that they become one: Veda's bodily exertion, learning to dance with her prosthetic leg; her process of changing her dance technique to be emotional and spiritual as well as physical; and all the rest of Veda's life, including young love, grief, insecurity and a dawning awareness of class issues. The fluid first-person verse uses figurative speech sparingly, so when it appears—"A bucket of gold melting from the sky"—it packs a punch. Veda's no disabled saint; awkwardness and jealousy receive spot-on portrayals as she works to incorporate Hinduism and Buddhism, life experience and emotion into her dancing. When she does, her achievement is about being centered, not receiving accolades. A beautiful integration of art, religion, compassion and connection. (author's note) (Verse fiction. 13-17)