Ismail Kadare was born in 1936 in Albania. His novels have been published in more than forty countries, and in 2005 he became the first winner of the Man Booker International Prize.
The Accident
eBook
-
ISBN-13:
9780802196194
- Publisher: Canongate U.S.
- Publication date: 11/02/2010
- Sold by: Barnes & Noble
- Format: eBook
- Pages: 176
- File size: 2 MB
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The new book from the winner of the inaugural International Man Booker Prize is a modern-day love story of powerful obsession set against the background of dark political intrigue.
On the autobahn in Vienna a taxi leaves the carriageway and strikes the crash barrier, flinging its male and female passengers out of its back doors as it spins through the air. The driver cannot explain why he lost control; he only says that the mysterious couple in the back seat seemed to be about to kiss . . .
Set against the tumultuous backdrop of war and its aftermath in the Balkans, The Accident intimately documents an affair between two people caught in each other's webs. The investigation into their deaths uncovers a mutually destructive obsession that mirrors the conflicts of the region. A destabilizing mixture of vivid hallucination and cold reality, Ismail Kadare's new novel is a bold and fascinating departure.
From the Hardcover edition.
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The New York Times
“Vivid . . . Kadare dives deep into the pulling currents of love and death, carrying us down with him into a world which ranges, on the one hand, from dirty limericks about Bill Clinton’s sexual peccadilloes to profundities about the relation of stories and death. Anyone who has ever suffered through a love affair or wondered about other people caught up in such torments will find this brief novel essential reading.”NPR
“[The Accident] is spare and often powerful . . . Kadare is inevitably linked to Orwell and Kundera, but he is a far deeper ironist than the first, and a better storyteller than the second. He is a compellingly ironic storyteller because he so brilliantly summons details that explode with symbolic reality. . . . [Kadare] is deeply interested in misreading, yet his prose has a classical clarity, so that much of his power as a storyteller has to do with his ability to provide an extraordinarily lucid analysis of incomprehensibility.”The New Yorker
“A rich and strange examination of change . . . Kadare has constructed a maze of maybes where opaque motivations lead to startling ramifications . . . turning from realist mystery into surrealist foray. . . . Echoing with literary references, enriched by political relevance, Besfort and Rovena's investigation manages to seem groundbreaking.”San Francisco Chronicle
“Absorbing . . . In his layering of truth-quests, Kadare, [echoes] the experimental-fiction writers Alain Robbe-Grillet and Jorge Luis Borges. . . . A gripping account of a star-crossed romance.”The Wall Street Journal
“Kadare’s excursions into an eccentric stylemeticulous procedural scenes bloom into the surreal, languid eroticism mingles with the banal, dreams are scrutinized as readily as actual eventsprovide moments both curious and brilliant.”Publishers Weekly
“Meticulously rendered and subtly nuanced. . . [The Accident] demands the reader’s attention as it delves deeper and deeper into tortured love. . . . At once an exploration of human nature and a keen observation of Albanian life in the aftermath of socialist rule. . . . . The text is spare, urgent . . . as compelling as the love affair it documents.”The Brooklyn Rail
“Dark, dreamlike . . . A provocative exploration of the sinister underside of human relations . . . [and a] compulsive and unnerving excavation of love, power and the imperfect art of storytelling.”The Observer
“[A] forceful tale . . . Haunting . . . Lean, calm, and footsure, Kadare’s writing keeps you reading. . . . With a Milan Kundera-like quality . . . [The Accident] is a compelling performance.”Sunday Times (UK)
“An author who richly deserves the Nobel Prize.”The Huffington Post (Most Anticipated Novels for 2010)
“If only most thriller writers could write with Kadare’s economy and pace. . . . Kadare, magician that he is, offers just enough information for his readers to make myriad interpretations. He is the most beguiling and teasing of writers who understands that what may not be apparent now may well be in a distant future. As he writes in the final pages of The Accident, ‘From every great secret, hints occasionally leak out.’”The Sunday Herald (Scotland)
“A thriller laden with reflections on the abuse of state power. . . . Deftly, Kadare recreates the shadowy atmosphere of rumor and recrimination in Albania during the dying days of communism in the late 1980s.”The Evening Standard
“[Kadare] has created Kafkaesque fables, nightmarish historical allegories, and his own very distinct mystery.”The Guardian Review
An ill-fated love affair symbolizes the chaos of contemporary Balkan politics in the latest novel from the acclaimed Albanian author (The Ghost Rider, 2010, etc.) who was awarded the Man Booker International Prize for Literature in 2005.
It begins as what seems to be a political thriller, in the immediate aftermath of a fatal taxicab accident on the Vienna Autobahn. Separate investigations are conducted by the governments of Albania and Serbia, as the two passengers killed were Albanians (and, as hastily gathered documentary evidence suggests, lovers who met frequently over a span of 12 years). The surviving cabdriver confesses he might have been distracted by catching sight of the couple "trying to kiss." But it's apparent that much more intimacy than that was shared by Besfort Y., a government operative employed by the Council of Europe and somehow involved with war-crimes trials then proceeding at The Hague, and his putative mistress Rovena, an intern at the Albanian Archaeological Institute. Summaries of investigative reports are juxtaposed with an unidentified "researcher's" imagined history of the couple's unequal relationship, as evidence implies a pattern of dominance and submission enacted by the sometimes cruel Besfort and the essentially passive Rovena. The enigma remains modestly intriguing throughout, yet the novel is anything but a thriller. Neither character, as seen in retrospective (and often flawed) remembrance and in speculation, is given enough life—or even specificity of detail—to elicit much reader interest; it's as if we're invited to empathize with chess pieces. The novel comes alive, fitfully, only when Kadare ingeniously connects the couple's deathward progression with motifs from indigenous history and folklore (a device that is always one of the author's greatest strengths).
Minor work from a major writer.