Virgil (Publius Vergilius Maro) was an ancient Roman poet who wrote during the reign of Augustus, the first Roman emperor. In addition to his epic poem Aeneid, Virgil’s Ecolgues (Bucolics) and Georgics are recognized as major works of Latin literature, and have been studied, adapted, imitated, and copied by later poets and scholars. Virgil’s poetry has also had a lasting influence on Western literature, inspiring countless works including Dante’s Divine Comedy, in which Virgil guides Dante through Hell and Purgatory.
The Aeneid
eBook
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ISBN-13:
9781607780182
- Publisher: MobileReference
- Publication date: 01/01/2010
- Series: Mobi Classics
- Sold by: Barnes & Noble
- Format: eBook
- File size: 412 KB
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When Troy falls at the end of the Trojan War, the Trojan hero Aeneas and his followers embark on a journey to find a new home. After recounting the disastrous end of the war and the Greek ruse of the Trojan Horse, Aeneas and his men struggle against the scheming gods to make their way to Latium, where they intend to build a new home by any means necessary.
Although Virgil died before he could fully complete his epic poem, the first Emperor of Rome, Augustus Caesar, insisted that Aeneid be published. The story of the conquer of Latium, a city-state close to where Rome would one day be founded, served was an important work of propaganda about the heroic origins of the Roman Empire. The Aeneid is often compared to the Greek epic poems Iliad and Odyssey by Homer, as they are written in the same rhyme scheme and cover the same events and themes as Homer’s works.
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More than the Iliad and Odyssey of Homer, The Aeneid of the Roman poet Virgil shapes Western literature and cultural identity, our idea of the hero and the nation. National Book Award-winning poet and translator Ferry (emeritus English, Wellesley Univ.; Bewilderment: New Poems and Translations), takes up the Aeneid with engaging results. His previous translations include Horace's Odes and Virgil's Eclogues and Georgics. Virgil's stately but vigorous dactylic hexameter is difficult to render in natural English. Ferry prefers iambic pentameter blank verse to achieve the heroic effects. This translation holds its own with the verse renditions of John Dryden, C. Day Lewis, Allen Mandelbaum, and Robert Fagles. Ferry's diction is accurate in tone and pitch, if not always literal. For closer, word-for-word translations, one should consult those of Elaine Fantham, or the prose versions of H. Rushton Fairclough and David West. The chief criticism is the lack of a glossary of names and places, making it challenging at times for those not familiar with the material to keep up with the array of characters. VERDICT An elegant and fluent version highly recommended for serious general readers.—Thomas L. Cooksey, formerly with Armstrong Atlantic State Univ., Savannah