Rachel Seiffert’s The Dark Room won a Betty Trask Award and the Los Angeles Times’s Art Seidenbaum Award for First Fiction, and was shortlisted for the Booker Prize. Seiffert has also received a David T. K. Wong award from PEN International. After living in Scotland and Germany, she now resides in London.
Afterwards
eBook
$11.99
-
ISBN-13:
9780375425172
- Publisher: Knopf Doubleday Publishing Group
- Publication date: 07/08/2019
- Sold by: Penguin Group
- Format: eBook
- Pages: 288
- File size: 277 KB
Available on NOOK devices and apps
Want a NOOK? Explore Now
11.99
In Stock
To love someone, need you know everything about them?
When Alice and Joseph meet, they fall quickly into a tentative but serious relationship. Both are still young and hopeful of each other, but each brings with them an emotional burden. Alice's family is full of absences and Joseph harbours an unspeakable secret from his time in the army in Northern Ireland.
When Alice's widowed grandfather begins to tell Joseph about his RAF experiences in 1950s Kenya, something still raw is tapped in Joseph; his reaction to the older man's unburdening of guilt is both unexpected and devastating for them all.
Customers Who Bought This Item Also Bought
-
- Jacob's Room (Barnes &…
- by Virginia WoolfDanell Jones
-
- Genesis: A Novel
- by Jim Crace
-
- The Zig Zag Kid: A Novel
- by David GrossmanBetsy Rosenberg
-
- Elizabeth Costello: Fiction
- by J. M. Coetzee
-
- The Guru of Love: A Novel
- by Samrat Upadhyay
-
- Bliss and Other Stories…
- by Katherine MansfieldCarol Dell'Amico
-
- Call it What You Want
- by Keith Lee Morris
-
- Edgar Huntly (Barnes &…
- by Charles Brockden BrownEric Carl Link
-
- Where the Sea Used to Be
- by Rick Bass
-
- Notes from a Coma
- by Mike McCormack
-
- Abbeville
- by Jack Fuller
-
- Bedlam Burning
- by Geoff Nicholson
-
- A Hero of Our Time (Barnes…
- by Mikhail LermontovMary AlbonJ. H. WisdomMarr Murray
-
- Slow Man: A Novel
- by J. M. Coetzee
-
- Foe: A Novel
- by J. M. Coetzee
-
- Son of the Morning
- by Joyce Carol Oates
Recently Viewed
Kathryn Harrison
Seiffert writes with economy, accomplishing in a line what many can't in a page and producing a work that's elegant in its seemingly organic shape. Even better, she doesn't betray the effort, the art, required to render that shape. Her prose functions as a camera might, with the added power to reveal unvoiced thought as well as dialogue, and her omniscient narrative slides unobtrusively in and out of various points of view. Her discipline is such that her characters' internal reflections seem utterly authentic, never devolving into the inconsequential babble often presented as stream-of-consciousness. One of the significant accomplishments of Afterwards is a coiling suspense driven more by psychology than by circumstance.The New York Times
Publishers Weekly
Britain's ongoing involvement in Northern Ireland threatens the budding romance between Londoners Alice, a physical therapist, and Joseph, a decorator and house painter, in Seiffert's psychologically acute, relentlessly grim second novel (following the Booker shortlisted The Dark Room). Almost a decade has passed since Joseph, then a soldier, killed a suspected IRA terrorist at a military checkpoint. The incident haunts him, sometimes makes him violent and prevents him from forming serious attachments. Alice resents that Joseph is essentially shutting her out of his life. Her frustration is compounded by the birth father who's rejected her, and by the recent death of her maternal grandmother. Alice tenuously cares for her grandfather, David, whose emotional remoteness may be linked to his stint with the RAF in 1950s Kenya. When Joseph good-naturedly offers to do some free decorating at David's house, an easy rapport develops between the two reticent men, until things go wrong. Although the characters' politics are simplistic, Seiffert masterfully chronicles the trajectory, and the causes, of Alice and Joseph's damaged relationship. Her beautifully understated, pointed exploration of the emotional toll of guerrilla war shines with clarity and vision. (July)Copyright 2007 Reed Business Information
Library Journal
Seiffert's enigmatic new work opens with two terse memories, swiftly recounted and just as swiftly left behind until the reader finally discovers how they fit into the story. Raised by a single mother in her grandparents' home in England, Alice meets Joseph at a friend's birthday celebration, and they quickly become involved. Joseph even volunteers to do some construction work for David, Alice's crusty and taciturn grandfather, now widowed, who met and married his wife while doing army service in Kenya. As the reader slowly learns, Joseph himself has served in Northern Ireland, and he remains resolutely haunted by events that took place there. But Alice isn't privy to these secrets, and Joseph's reluctance to unfurl his past drives them apart, even as David seems ready to unburden himself of his own sorry tale. The award-winning Seiffert (The Dark Room) allows this story to unfold in brief, bright, elliptical stabs of narrative that effectively drive the story forward. At first, one chafes for events to bound ahead and allow the veterans to pour out their secrets; eventually, it's refreshing to discover that Seiffert doesn't fall for easy catharsis, reminding us that sometimes sorrow can never be resolved. For all literary collections. [See Prepub Alert, LJ3/15/07.]Barbara Hoffert
Kirkus Reviews
Booker nominee Seiffert's third novel (Field Study, 2004, etc.) is spare, sometimes powerful . . . and a bit disappointing. Brits Alice and Joseph (a nurse and a plasterer, respectively) fall in something like love, but both bring along baggage and great reticence, and the relationship flounders. Alice's father, absent all her life, has lately let wither the correspondence she began as a belated, indirect way of getting to know him; her beloved grandmother has died, and she's tending to her grieving grandfather. Joseph has a troubled past. After a string of youthful petty crimes, he became a soldier in Northern Ireland-and what happened there he refuses to reveal. His experiences have left him scarred and skittish. He warily circles Alice: engaging for a while, retreating, engaging, retreating. When Alice's grandfather, for whom Joseph is doing some home renovation, divulges details of his military career in Kenya-details that he, also laconic and guilt-ridden, has long kept to himself-Joseph shrinks from the revelation with a raw, impulsive violence that estranges him from Alice for good. Seiffert's setup is daringly low-key: minimal plot; an aggressively plain, fragmentary style; two protagonists defined in large part by their awkwardness and taciturnity. Seiffert's prose is subtle and precise, and in psychological complexity she rivals Margot Livesey. Despite some similarities of approach, however, this book doesn't offer the layered suspense of Livesey's work. In this novel about ships passing sadly in the night, the middle passage of 200 pages is impressive, but the beginning and the end of the journey are not. A partial misfire by a gifted writer.
From the Publisher
“Utterly authentic. . . . Afterwards [achieves] a coiling suspense driven more by psychology than by circumstance.” —The New York Times Book Review“Understated and offering no easy answers to the dilemmas it raises, Afterwards delves into how violence and trauma affect our ability to love. If relevance is what you look for in fiction, you need look no further. . . . Thought-provoking.” —Los Angeles Times “Like Pat Barker before her, Seiffert is examining the similar ways people protect themselves from heartbreak and their own bad deeds. It's not that the personal is political, but in Seiffert's eyes the historical is personal, too.” —Milwaukee Journal-Sentinel “Seiffert's superb new novel is her most integrated and accomplished work yet.”—Financial Times