A New York Times Notable Book of the Year
This haunting, harrowing, gloriously moving recollection of a life on the American margin is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton mills or the penitentiary, and instead became a Pulitzer Prize-winning reporter for The New York Times. It is the story of Bragg's father, a hard-drinking man with a murderous temper and the habit of running out on the people who needed him most.
But at the center of this soaring memoir is Bragg's mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people's cotton so that her children wouldn't have to live on welfare alone. Evoking these lives--and the country that shaped and nourished them--with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.
Read More
From the Publisher
"A grand memoir.... Bragg tells about the South with such power and bone-naked love...he will make you cry." —Atlanta Journal-Constitution"Part memoir, part confession, [this book] has everything to do with the South and nothing at all.... Like all good writing, it transcends the particulars of time and place." —Raleigh News & Observer
"A record of a life that has been harrowing, cruel and yet triumphant, written so beautifully he makes the book a marvel." —Los Angeles Times
"A deeply affecting book.... Bragg captures the rhythms of small-town life with grace and pathos." —Chicago Tribune
Stephanie Zacharek
There's one
thing for sure about the life story of New
York Times national correspondent and
Pulitzer Prize winner Rick Bragg, as he tells it
in this angry memoir: He hasn't had it easy.
All Over but the Shoutin' details a childhood
spent dirt-poor and fatherless in Alabama,
protected by a loving mother who sacrificed
everything for her children. It's the story of a
have-not, resentful of the haves, who
overcomes crushing limitations to become a
newspaper reporter and who eventually
scrambles his way into a job at what he calls
"the temple" of his profession, the New York
Times. In the end he triumphs, buying his
mother the decent house she's always wanted
-- with cash.
It's a tough story all right -- too bad that from
the first page you can hear Bragg, in the
measured spit-and-polish prose
newspapermen use when they're being
sensitive, milking it for all it's worth. The
novelist Lee Smith, and Dolly Parton (in a
number like her "Coat of Many Colors"),
understand the power of understatement when
it comes to conveying the heartbreak of
poverty, and that's what makes their work so
rich. But Bragg's litany of major bummers
reads like a bid for sympathy. It's as if he
believes that piled-on layers of hardship and
woe are likely to wrench that many more tears
out of us, as if we should be wowed by the
sheer bulk and weight of his experiences.
He recalls how his mother "scraped together
money for my high school class ring, even
though her toes poked out of her old sneakers
and she was wearing clothes from the
Salvation Army bin in the parking lot of the
A&P. It was not real gold, that ring, just some
kind of fake, shiny metal crowned with a
lump of red glass, but I was proud of it ... If
the sunlight caught it just right, it looked
almost real." In case that reference to his
mother's holey sneakers slips by you the first
time, Bragg mentions them at least twice more
during the course of the book.
What makes All Over but the Shoutin' truly
annoying, though, are Bragg's rooster-size ego
and his sanctimoniousness about his
profession. Of course, all journalists have big
egos -- it comes with the territory. And on
some level, you can't blame Bragg for being
proud that he was able to crack the stuffy
establishment that is the New York Times.
But after he's mentioned his numerous
journalism awards for the third time, and after
you've caught onto his trick of sprinkling
down-home cracker words like "ain't" amid
his crisp, crafty Times-style prose, the whole
thing starts to smell like yesterday's catfish.
Bragg tells how he got a promotion at one of
his pre-Times newspaper jobs by purposely
"overwriting" a story about a chicken that
fought off a bobcat. "The moral, I suppose,
was this: Do not, on purpose, write a bunch of
overwritten crap if it looks so much like the
overwritten crap you usually write that the
editors think you have merely reached new
heights in your craft." Bragg thinks he's
making a funny at his own expense, but by
the time you read those words, a good
two-thirds of the way through the book, you
may wonder if the joke is really on you. -- Salon
Publishers Weekly - Publisher's Weekly
'A common condition of being poor white trash,' explains New York Times correspondent Bragg on learning he won a Pulitzer Prize last year, is that 'you are always afraid that the good things in your life are temporary, that someone can take them away.'" Having won that prize for stories about others, he tells his own here in a mixture of moving anecdotes and almost masochistic self-analysis. He brings alive his childhood of Southern poverty, his absentee father dead at 40, one brother scavenging coal for the family at nine, the other in and out of jail. Someone advised Bragg, '[T]o tell a story right you have to lean the words against each other so that they don't all fall down,' and his gift for language shines through every scene of violence and deprivation. If only he would let events speak for themselves, but all too often the tone falters and Bragg takes time out to excoriate some long-gone colleague and to pass out guilt badges. What saves this uneven, jolting narrative is his love and respect for his mother, who dragged him behind her as a toddler while she picked cotton in the fields. His ambition to buy her a house was realized last year: 'She never had a wedding ring, or a decent car, or even a set of furniture that matched. Or teeth that fit. But she had a home now... of her own.'
School Library Journal
On Palm Sunday, 1994, a tornado ripped through a church in Piedmont, AL, killing 20 people. This is Bragg's hometown, and he began his story on the tragedy for the New York Times as follows: '"This is a place where grandmothers hold babies on their laps under the stars and whisper in their ears that the lights in the sky are holes in the floor of heaven. This is a place where the song 'Jesus Loves Me' has rocked generations to sleep, and heaven is not a concept, but a destination.' It is writing of this quality that won the author his job as a national correspondent and the 1996 Pulitzer Prize for feature writing. He grew up in poverty, the second of three sons of an alcoholic, abusive father and a loving mother. The early chapters give a beautiful description of warm and happy moments he enjoyed with her and his family even as she struggled to provide for them after they'd been abandoned. Teens will enjoy reading about the resourceful, talented, and lucky young man's career as he moved from local reporter to working for regional and national papers. -- Patricia Noonan, Prince William Public Library, VA.
Constitution Atlanta Journal
. . .[T]ells about the South with such power and bone-naked love. . .that he will make you cry.
Chicago Tribune
Deeply affecting.
Atlanta Journal-Constitution
A grand memoir...[Bragg] tells about the South with such power and bone-naked love...that he will make you cry.
Kirkus Reviews
A celebrated Pulitzer Prize winning New York Times reporter turns his investigative attention to his own past: growing up poor and making his way from rural Alabama to the top of his profession. Bragg, who was born in 1959, is poetic and convincing on his family's poverty and how it chipped away at their dreams "to the point that the hopelessness show[ed] through." His father, violent and an alcoholic, figures here, as do his siblings, but this is above all a son's story of love and respect for a mother who picked cotton, cleaned houses, and took in washing and ironing, determined to secure for her children the chance at a successful life that poverty had denied her. Bragg explores the ambivalence he felt about leaving home and his growing awareness that such choices will allow him to achieve at a level he's scarcely imagined. His labors lead eventually to a job at the St. Petersburg (Fla.) Times, and then to Harvard in 1992, when he receives a Nieman Fellowship that allows him to make up in reading and coursework some of what he'd missed by having left college early. Bragg won his Pulitzer in 1996 for his human interest stories, profiles of such figures as a courageous bodega owner, defying robbers, and of the 87-year-old Mississippi washerwoman who donated her life savings to a university. He realizes a long-cherished plan when he has enough money to buy a home for his mother. Says Bragg, "you do the best you can for the people . . . you love with all the strength in your body, once you finally figure out that they are who you are, and, in many ways, all there is. Bragg, who now lives in Atlanta, has a strong voice and a sweeping style that, like his approach tonewspaper writing, is rich, empathetic, and compelling. His memoir is a model of humility combined with pride in one's accomplishments.
Read More