Karen Olsson is the author of the novel Waterloo. She has written about politics, science, and popular culture for magazines, including The New York Times Magazine and Texas Monthly, where she is a contributing editor. She is also a former editor of The Texas Observer. Born and raised in Washington, D.C., she now lives in Austin, Texas, with her family.
Karen Olsson is a writer-at-large for Texas Monthly and a former editor of The Texas Observer. Her writing has appeared in The Washington Post, The Baffler, The Nation, and other publications, and has Awards from the Association of Alternative Newsweeklies for best investigative reporting and best news feature. She lives in Austin, Texas. Waterloo is her first novel.
All the Houses: A Novel
by Karen Olsson
eBook
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ISBN-13:
9780374714192
- Publisher: Farrar, Straus and Giroux
- Publication date: 11/03/2015
- Sold by: Macmillan
- Format: eBook
- Pages: 416
- File size: 580 KB
Available on NOOK devices and apps
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A bittersweet, biting, sharply observed family drama from the author of Waterloo
After her father has a heart attack and subsequent surgery, Helen Atherton returns to her hometown of Washington, D.C., to help take care of him and, perhaps more honestly, herself. She's been living in Los Angeles, trying to work in Hollywood, slowly spiraling into a depression fueled by hours spent watching C-SPAN-her obsession with politics a holdover from a childhood interrupted by her father's involvement in the Iran-Contra scandal. "I don't know whether to think of him as a coconspirator or a complicit bystander or just someone who was in the wrong place at the wrong time." Though the rest of the world has forgotten that scandal, the Atherton family never quite recovered. While living with her father in her childhood home, Helen tries to piece together the political moves that pulled her family apart.
All the Houses is, at its heart, a father-daughter story. With razor-sharp prose, an alluring objectivity, and a dry sense of humor, Karen Olsson writes about the shape-shifting of our family relationships when outside forces work their way in-how Washington turns people into unnatural versions of themselves, how problematic and overbearing sisters can be, and how familial nostalgia that sets in during early adulthood can prove counterproductive to actually becoming an adult.
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"In [All the Houses] Olsson never overplays her hand while there's plenty of emotional tension, she never succumbs to melodrama; every character is remarkably real . . . All the Houses isn't really about Iran-Contra; it's about a family trying to piece itself together after being broken in a public way. Olsson handles her subjects gently; she's not afraid to show her characters' flaws, but she treats them all with a real sense of sympathy. And she writes with a clear eye that's free from sentimental nostalgia, even though nostalgia is, in a way, a central subject of the book." Michael Schaub, NPR
“Karen Olsson's All the Houses is as grand as it is intimate-an exquisite, precisely layered, and somehow almost magically suspenseful portrait of a family, a city, and a political culture that's impossible to tear away from.” Dinaw Mengestu, author of All Our Names
“A patriarch's health falters. A lost daughter returns, stepping back into the long shadow of political scandal that has eroded her family. This is the stage Karen Olsson sets in her magnificent second novel, and she explores questions of loyalty and culpability, of secrecy and identity, with delicious complexity and knife-sharp humor. All the Houses is a stunning portrait of a family forced to reckon with their public legacy and, most of all, their private selves.” Laura van den Berg, author of Find Me
“Written with wry humor, penetrating insight, and big-hearted sincerity, Karen Olsson's All the Houses is a wise, contemplative book about the stories that shape a childhood, the traumas that shape a family, and the politics that shape a nation. But it is also something much more: the extremely rare kind of novel whose characters are so true-so richly drawn, subtly nuanced, and intimately observed-that you start to feel that it isn't a book you are holding in your hands. It's a living thing.” Stefan Merrill Block, author of The Story of Forgetting and The Storm at the Door
"Politics and family may make strange bedfellows, but in the knowing and amusing novel All the Houses, Olsson makes them inseparable. Add another name alongside those writers who have so effectively made Washington a literary landscape." Bruce Jacobs, Shelf Awareness
"In today's world of 15 minutes of fame, Olsson (Waterloo) illustrates how the public may forget history, but, nearly 20 years later, the fallout of a political disgrace continues to affect families. The strength of Olsson's novel is her subtle unveiling of a small circle of Washington fathers whose long hours working behind closed doors impact their wives, children, and themselves." Library Journal
Written with wry humor, penetrating insight, and big-hearted sincerity, Karen Olsson's All the Houses is a wise, contemplative book about the stories that shape a childhood, the traumas that shape a family, and the politics that shape a nation. But it is also something much more: the extremely rare kind of novel whose characters are so true-so richly drawn, subtly nuanced, and intimately observed-that you start to feel that it isn't a book you are holding in your hands. It's a living thing.
In November 2004, 34-year-old Helen Atherton, a struggling writer and political news junkie, returns to Washington, DC, from Pasadena to care for her divorced father, Tim, who is recovering from heart surgery. Eighteen years earlier, in 1986, he was under federal investigation for his role in the Iran-Contra Affair. Helen plunges into her father's history with plans to write his story, hoping to document how her young father was full of potential and good intentions when he landed his job at the National Security Council. Instead, she discovers the details of her family's unraveling. Helen's return home allows her to get reacquainted with her two sisters and their high school friends, who provide details that went unnoticed by Helen during the crisis. VERDICT In today's world of 15 minutes of fame, Olsson (Waterloo) illustrates how the public may forget history, but, nearly 20 years later, the fallout of a political disgrace continues to affect families. The strength of Olsson's novel is her subtle unveiling of a small circle of Washington fathers whose long hours working behind closed doors impact their wives, children, and themselves.—Joyce Sparrow, Kenneth City, FL
A rich moment in political history is distilled through its long-term impact on a disjointed Washington family. It takes only a few sentences for the second novel from Olsson (Waterloo, 2005) to divulge its author's roots as a reporter. Despite her Hollywood screenwriting aspirations, Helen Atherton narrates with the granular detail and on-the-fly analysis of a journalist born and bred in D.C., as Olsson was. Helen's story is set partially against the backdrop of the Iran-Contra hearings, which ruined the career of her father, Tim, a midlevel player in the Reagan administration. When she moves home to help care for Tim after his heart attack almost 20 years later, Helen slips back into the familiar struggles of a black sheep and middle child. Olsson captures some sweet moments of reconnection as dad and daughter tiptoe around each other, but the more complicated and compelling relationship stews between Helen and her sister Courtney, a high school superstar who eclipsed her younger siblings until she fell off the rails senior year. Courtney's tale of woe crisscrosses with Tim's and several B plots centered on slimy guys (the Atherton women share a taste for them, if little else): most crucially the late Dick Mitchell, a friend and colleague of Tim's, who behaved worse but fared better in Iran-Contra; and his stepson, Rob Golden, a former drug dealer who seduces both Helen and Courtney with his good looks and indifference. "In my family we hardly ever recalled our past to each other," Helen notes. "We compartmentalized." Olsson does the opposite in this affecting but tangled book, which takes long enough to sort itself out that it may lose you in the process. Family politics as usual, if they're usually a mess.